Jim Bruce Blues Guitar - Crossroads - Robert Johnson (Cover)

submitted by JimBruceGuitar on 04/19/17 1

Blues Guitar Lessons jimbruceguitar.com www.youtube.com/watch?v=3yFr6AhZ8P www.youtube.com/watch?v=8rKMK_ZFDxQ Learning blues guitar is a two part battle. First, we need to train our motor skills to competently perform the music. Once we have learned where to put the fingers of both hands, its basically a case of practicing for many hours a week. It is said that a professional guitarist has about 10 000 hours of practice time under his belt. Tommy Emmanuel once estimated that he had played about one hundred thousand hours in his life time, which adds up to around 5 hours each day, every day! Guitar players often say that progress comes in levels - you stick at one level of competence for a lengthy period, and then suddenly you jump up a notch. Naturally, the progress is due to regular practice. Most people have watched very competent guitarists play and been totally bored after 5 mins, simply because there is no feeling - it just doesn't say anything. From time to time, technical ability and feeling will gel in one person, and then we see some magic. Of course, everything is relative, and playing the guitar is no exception. Even though Clapton is thought to be a legend, his acoustic blues picking technique appears quite basic when comparing it with Tommy Emmanuel, who can really play anything. Sometimes we feel completely blocked and need something to push us through the 'wall'. Frequently, the blockage is strictly in our minds. An old playing partner of mine left the district for over a year, and we spoke by telephone from time to time. One time he told me he had learned how to play 'Police Dog Blues' by Blind Blake, which is a formidable piece to perform properly. Up to that time, I could never play it. My old partner was always a slightly guitarist, and I was very competitive, and so within one week I learned how to play it. When he returned, I told him that I could also play Police Dog Blues as well. He let out a laugh and replied, "I can't play it - too difficult. I was only joking." That's a great blues lesson right there. One popular delta blues artist was anything however fragile in his method, however the power and feeling of Son House guarantees him a location at the head of the blues table when noting the masters we have to study when wishing to discover ways to play blues, although his knocking design was a far cry from the later twelve bar blues and more complicated chord developments. There are no brief cuts to the power of the blues. It isn't really the complex method that makes the blues, however the sensation and power behind it. The look for technical intricacy can end up being the Holy Grail for guitar players, however it's an error. Couple of guitar players can match the power of the old blues masters, just due to the fact that their standard methods are hollow sufficient to establish a strong genuine groove, which is the basis of all jazz, rhythm and blues, not to point out rock-and-roll. It might likewise be that a tuned down guitar was simpler to keep in tune in the damp swelter of the Mississippi in the deep South, where this blues music was born in a normal call and reaction pattern. Simply one action up from the field yelp & work tunes, standard traffic jam delta blues design resembles a tortuous cry from the soul. Perhaps this design established initially, as it lowered the have to utilize lots of chords. When numerous individuals refer to 'the blues', the Mississippi Delta design is exactly what they actually suggest. Typically, the guitars were tuned down - to G, D and in some cases C. For sure, it produces a plaintive noise when done correctly, and some exponents such as Johnny Shines, Muddy Waters and Robert Johnson utilized by doing this of playing to excellent result. Robert Johnson was born in Hazlehurst, Mississippi, most likely on May 8, 1911 or 1912, to Julia Major Dodds (born October 1874) and Noah Johnson (born December 1884). Julia was wed to Charles Dodds (born February 1865), a fairly flourishing landowner and furnishings maker with whom she brought to life 10 kids. Around 1919, Robert rejoined his mom in the location around Tunica and Robinsonville, Mississippi. Julia's brand-new other half was referred to as Dusty Willis; he was 24 years below she. Robert was kept in mind by some homeowners as "Little Robert Dusty." Dodds had actually been required by a lynch mob to leave Hazlehurst following a disagreement with white landowners. Julia herself left Hazlehurst with infant Robert, however after some 2 years, sent him to reside in Memphis with Dodds, who had actually altered his name to Charles Spencer.

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