Blues Guitar Lessons www.play-blues-guitar.eu/menu-36-lessons-review.php How To Play Living With the blues - Acoustic Blues Guitar Lessons Played by Acoustic Blues Travellers Ken Mayall (harmonica) and Jim Bruce (guitar). Learning how to play Living With the Blues is a two pronged battle. First off, we have to train the motor skills to competently make the right sounds. When we have learned where to put the fingers of both hands, its simply a case of playing over and over again for many hours a week. It is said that a professional guitarist has about ten thousand hours of practice time under his belt. Tommy Emmanuel once guessed that he had practiced around one hundred thousand hours in his life time, which adds up to about 5 hours each day, every single day! Guitar players will tell you that improvement arrives in levels - you seem to be stuck at one level for a long time, and then it seems as though you jump up a notch. Naturally, the progress is due to regular practice. Most people have watched very competent guitarists play and been totally bored after 5 minutes, just because there is no feeling - it just doesn't say anything. From time to time, technical ability and feeling will come together in a certain guitarist, and then we hear magic. Naturally, all things relative, and playing the guitar is the same. Even though Clapton is thought to be a legend, his acoustic finger picking style appears very basic when compared to Tommy Emmanuel, who can really play any style of music. How To Play Living With The Blues It happens now and again we feel completely stuck and need something to push us through the 'wall'. Frequently, the blockage is strictly psychological. An old playing partner of mine left town for a year or so, and we spoke by telephone from time to time. One time he told me he had learned how to play 'Police Dog Blues' by Arthur Blake, which is a formidable piece to perform properly. Up to that time, I couldn't play it. My old friend was always a lesser guitarist, and I was really competitive, and so I learned it inside one week. When he came back, I told him that I could also play Police Dog Blues as well. He let out a laugh and exclaimed, "I can't play it - too tough. I was only joking." There's a blues lesson right there. Towards the end, they chose not to share a phase with one another (Terry would play with another guitar player, then McGhee would do a solo), let alone interact. Together, McGhee and Terry worked for years in an acoustic folk-blues bag, singing ancient ditties like "John Henry" and "Pick a Bale of Cotton" for pleased audiences worldwide. McGhee's 3rd marathon session for OKeh in 1941 paired him for the very first time on shellac with whooping harpist Terry for "Workingman's Blues." After the end of World War II, McGhee started to tape most prolifically, both with and without Terry, for a myriad of R&B labels: Savoy (where he cut "Robbie Doby Boogie" in 1948 and "New Baseball Boogie" the next year), Alert, London, Derby, Sittin' in With, and its Jax subsidiary in 1952, Jackson, Bobby Robinson's Red Robin logo design (1953), Dot, and Harlem, prior to crossing over to the folk audience throughout the late '50s with Terry at his side. McGhee didn't restrict his skills to performance settings. The wheels lastly came off the collaboration of McGhee and Terry throughout the mid-'70s. Long's primary blues artist, Blind Boy Fuller, passed away in 1941, speeding up Okeh issuance of a few of McGhee's early efforts under the sobriquet of Blind Boy Fuller No. 2. McGhee cut a moving homage tune, "Death of Blind Boy Fuller," soon later. McGhee's 3rd marathon session for OKeh in 1941 paired him for the very first time on shellac with whooping harpist Terry for "Workingman's Blues." Walter Brown McGhee matured in Kingsport, Tennessee. He contracted polio at the age of 4, which left him with a severe limp and a lot of time far from school to practice the guitar chords that he 'd gained from his daddy, Duff McGhee. Brownie's more youthful bro, Granville McGhee, was likewise a gifted guitar player who later on struck huge with the romping "Drinkin' Wine Spo-Dee-O-Dee"; he made his label, "Stick," by pressing his maimed brother or sister around in a little cart moved by a stick. A 1937 operation sponsored by the March of Dimes brought back many of McGhee's movement. His jaunts brought him into contact with washboard player George "Oh Red" (or "Bull City Red") Washington in 1940, who in turn presented McGhee to skill scout J.B. Long. Brownie McGhee's death in 1996 was a massive loss in the blues field. Together, McGhee and Terry worked for years in an acoustic folk-blues bag, singing ancient ditties like "John Henry" and "Pick a Bale of Cotton" for pleased audiences worldwide. www.play-blues-guitar.eu/blues-guitar-articles-vintage-v300.php

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