One of my all-time favorite standards to play over the years, each time in a different mood, with a new approach and in a different key. The structure of the song offers a ton of breathing room to move around in. This track speaks of my gratitude to Jazz piano legend Bill Evans, whose many recorded versions of this song have inspired me and countless other Jazz pianists. He had a deep connection to George Russell, and like myself, studied Maestro Russell's Lydian Chromatic Concept of Tonal Organization. andywasserman.com pianolessoncity.com georgerussell.com/gr.html lydianchromaticconcept.com/main.html andywasserman.com/music-theory/george-russell-s-lydian-chromatic-concept

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