The Sundanese are Indonesia's second largest ethnic group. They live in the province of West Java. Sundanese Traditional Music (West Java) web.mac.com/musicresource/Sekar_Enggal/Gamelan_Degung.html web.mac.com/musicresource/Sekar_Enggal/Kacapi_Suling.html A large proportion of Sundanese music is performed on gamelans, sets of bronze or iron instruments supported by carved wooden racks. A Sundanese gamelan usually consists of a core group of metallophones (saron), horizontal gong-chime sets (bonang), vertically suspended gongs (go'ong), and a set of barrel drums (kendang). Other features, including xylophones, aerophones (flutes or oboes), a bowed lute, and vocalists, are included according to the type of ensemble. Pieces for gamelan are normally organized in cycles, with the ending of each cycle marked by the low pitch of the go'ong. These cycles may be played many times in a single piece. The drummer demarcates the cycle by outlining specific patterns; he also acts as the timekeeper, coordinator, and controller of dynamics. Gamelans in West Java encompass a variety of types, from the ubiquitous five-tone gamelan saléndro to the rare seven-tone gamelan pélog, the multi-laras (multiple-tuning) gamelan of Asep Sunandar Sunarya, and the five-tone gamelan degung. Gamelan saléndro is used in instrumental performance, and as the accompaniment for a solo female vocalist, a dance, or the Sundanese three-dimensional rod-puppet theater (wayang golèk). In addition to the standard instrumentarium of metallophones, drums, gong chimes, and gongs, it includes a bowed lute (rebab) and usually a female vocalist. It is versatile and can be played in nearly any context, particularly at important social events, like weddings, ritual feasts, and neighborhood celebrations. Gamelan degung is the other primary Sundanese gamelan; in addition to the usual instruments, it also includes a set of six hanging gongs (degung or jenglong), which gives the ensemble its name. Gamelan degung is frequently used for weddings, and shifted during the latter half of the 20th century from an instrumental ensemble performed primarily by men to one in which the ensemble serves as accompaniment to female singers. In addition, the new repertoire of pieces is less challenging to perform. Women now dominate the performance of gamelan degung, with the exception of the kendang (drum) and suling (bamboo flute), which are still always played by men. The Sundanese zither (kacapi) often serves to represent Sundanese culture. It plays as either a solo or an ensemble instrument.

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