This is track 1 from the 1959 album "At The Apollo Theatre". Clara Ward's mother, Gertrude Ward (1901--1981), founded the Ward Singers in 1931 as a family group, then called, variously, The Consecrated Gospel Singers or The Ward Trio, consisting of herself, her youngest daughter Clara, and her elder daughter, Willarene ("Willa"). Clara Ward recorded her first solo song in 1940, and continued accompanying the Ward Gospel Trio, thereafter. The Ward Singers began touring nationally in 1943, following a memorable appearance at the National Baptist Convention held in Philadelphia, Pennsylvania, earlier that year. Henrietta Waddy joined the group in 1947, after Willa Ward retired. Waddy brought to the group a "rougher" alto sound and the enthusiastic stage manners learned from her South Carolina church background. The group's performance style, such as the mimed packing of suitcases as part of the song "Packin' Up", condemned by some gospel music purists as "clowning", was wildly popular with their audiences. The addition of Marion Williams, who arose of the Miami, Florida Pentecostal tradition brought to the group a powerful singer with a preternaturally broad range, able to reach the highest registers of the soprano range without losing either purity or volume, with the added ability to descend "growling low notes" in the style of a country preacher. Williams' singing style helped make the group nationally popular when they began recording in 1948. In 1949, the Ward Singers toured from Philadelphia to California in their new Cadillac, appeared on national television programs, and recorded for the Miltone Record Company of Los Angeles. The Miltone recordings were purchased in a multi-artist package by Gotham Record Company, which had moved to Philadelphia. Gotham's Irv Ballen recorded some new Ward material, including "Surely God Is Able", and some of the Ward Singers' Gotham recordings were transferred to Savoy Record Company in Newark, New Jersey to settle a contract dispute. When Savoy began contracting with the Ward Singers for new recordings in the 1950s, they were primarily recorded and engineered in Bergen County, New Jersey, by Rudy Van Gelder. In 1950, Clara Ward and the Famous Ward Singers of Philadelphia made their first Carnegie Hall appearance on a gospel program titled Negro Music Festival, produced by gospel music pioneer, Joe Bostic, sharing the stage with Mahalia Jackson, appearing at the famed venue for Bostic's program in 1952, as well. Gertrude Ward created a booking agency for gospel acts, sponsored tours under the name "The Ward Gospel Cavalcade", established a publishing house for gospel music, and wrote an instructional manual for churches, detailing how to promote gospel programs. Gertrude created and managed a second group, "The Clara Ward Specials", to accompany the Ward Singers. Although as musical director of the Ward franchise, Clara was willing to share the spotlight with her talented co-singers, she and her mother were allegedly reticent about sharing the group's financial rewards with other members, as well. According to Willa Ward's biography of Clara Ward, with the exception of Gertrude and Clara, Willa and other members of the group were grossly underpaid. In addition, their meager earnings were further reduced as Gertrude and Clara provided the group's housing and charged them for it. Accordingly, stars such as Marion Williams and Frances Steadman not only had to accept second billing and lesser pay for their work, but pay their employers rent out of their earnings. Williams left the group in 1958, when her demand for a raise and reimbursement for hotel expenses was rejected. She was followed shortly thereafter by the rest of the group—Henrietta Waddy, Esther Ford, Frances Steadman and Kitty Parham—who formed a new group, "The Stars of Faith". Their departure marked the end of the glory days for the Ward Singers, who later alienated much of their churchgoing audience by performing in Las Vegas, nightclubs, and other secular venues in the 1960s. By this time, gospel singer Albertina Walker formed her group, The Caravans, in 1952, following the advice of her mentor, gospel music great Mahalia Jackson, and their group began to grow in popularity. In 1963, Clara Ward was the second gospel singer to sing gospel songs on Broadway in Langston Hughes' play Tambourines To Glory (The first being her former group members, which were known as the Stars of Faith, which starred Langston Hughes in the first Gospel stage play and first play that featured an all black cast to be produced on Broadway, The Black Nativity.). She was also the play's musical director. Clara continued to perform at her mother's church, the Miracle Temple of Faith for All People in Los Angeles, California, as well as at Victory Baptist Church. Her mother, Gertrude Ward, also had a popular religious radio program in the Los Angeles market.

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