Danse macabre, Op. 40, is a tone poem for orchestra, written in 1874 by French composer Camille Saint-Saëns. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis, which is based in an old French superstition. In 1874, the composer expanded and reworked the piece into a tone poem, replacing the vocal line with a solo violin. The piece opens with a harp playing a single note, D, twelve times (the twelve strokes of midnight) which is accompanied by soft chords from the string section. This then leads to the E flat and A chords also known as a tritone or the "Devil's chord", and the solo violin's E string is tuned a half step lower to create this effect played by a solo violinist, which represents death. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo violin which is accompanied by soft chords from the string section, particularly the lower instruments of the string section, followed by the full orchestra who then joins in on the descending scale. The main theme and the scale is then heard throughout the various sections of the orchestra until it breaks to the solo violin and the harp playing the scale. The piece becomes more energetic and climaxes with the full orchestra playing very strong dynamics. Towards the end of the piece, there is another violin solo, now in modulation, which is then joined by the rest of the orchestra. The final section represents the dawn breaking (a cockerel's crow, represented by the oboe) and the skeletons returning to their graves. ---------------------------------------------------------------------------------------------------------- Santa Maria della Concezione dei Cappuccini, or Our Lady of the Conception of the Capuchins, is a church in Rome, Italy, commissioned by Pope Urban VIII, whose brother, Antonio Barberini, was a Capuchin friar. It is located at Via Veneto, close to Piazza Barberini. The church is most famous as an ossuary, known as the Capuchin Crypt, in which is displayed the bones of over 4,000 Capuchin friars, collected between the years of 1528 and 1870. The bones are fashioned into decorative displays in the Baroque and Rococo style. The popularity of the crypt as a tourist attraction once rivalled the Catacombs. Conductor: Keith Clark Orchestra: Slovak Radio Symphony Orchestra

Be the first to comment