Why do fans form active communities that extend their media influence?​ Share on Facebook: goo.gl/8p0Neq Share on Twitter: goo.gl/7r9Yyv Subscribe: goo.gl/ZYI7Gt Visit our site: www.brainstuffshow.com CREDITS: "Henry Jenkins 2012" by Derzsi Elekes Andor - Own work. Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons - commons.wikimedia.org/wiki/File:Henry_Jenkins_2012.JPG#mediaviewer/File:Henry_Jenkins_2012.JPG "Peter Capaldi 2009 (cropped)" by Stuart Crawford - Flickr: Evil. Licensed under Creative Commons Attribution-Share Alike 2.0 via Wikimedia Commons - commons.wikimedia.org/wiki/File:Peter_Capaldi_2009_(cropped).jpg#mediaviewer/File:Peter_Capaldi_2009_(cropped).jpg SOURCES: Jenkins, H. (2002). Strangers no more, we sing: Filking and the social construction of the science fiction fan community, in Paul Marris and Sue Thornham (eds.), Media studies: A reader, 2nd ed. New York: New York University Press, pg. 547-56 "The Future of Fandoms" - PBS Idea Channel: www.youtube.com/watch?v=eJ3EBR1hlbI "Can Fandom Change Society?" - PBS Off Book www.youtube.com/watch?v=B9Zum7azNIQ The politics of fandom. Harper's Magazine, 0017789X, Jun96, Vol. 292, Issue 1753 Coppa, Francesca. “Women, Star Trek, and the early development of fannish vidding.” Transformative Works and Culture. No. 1. 2008. Nohms, Martin. “The Art of Being a Fan.” Information. June 7, 2014. The Mud-Wrestling Media Maven From MIT. By: Young, Jeffrey R., Chronicle of Higher Education, 00095982, 9/14/2007, Vol. 54, Issue 3

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