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Charlie Parker-Donna LeeCharlie Parker All Stars-Harry Smith Studios,New York,8/5/1947
Miles Davis(trumpet),Charlie Parker(alto sax),Bud Powell(piano),Tommy Potter(bass),MaxRoach(drums).
Avishai Cohen (Trumpet) - After The Big Rain (Epilogue)After the Big Rain (2007)
Thelonious Monk - Blue MonkBlue Monk recorded in 1958
Miles Davis - Kind of Blue - 1959 (Complete Album)http://youtu.be/kbxtYqA6ypM
Discography (with links to each song's starting point):
1. So What - 00m00s
2. Freddie Freeloader - 9m26s
3. Blue in Green - 19m19s
4. All Blues - 24m47s
5. Flamenco Sketches 36m23s
6. Flamenco Sketches (Alternate Take) 45m51s
Kind of Blue is a studio album by American jazz musician Miles Davis, released on August 17, 1959, by Columbia Records. Recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis's ensemble sextet, with pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley. After the entry of Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) by basing Kind of Blue entirely on modality, in contrast to his earlier work with the hard bop style of jazz.
Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis's best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis's masterpiece.
This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed
The album's influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums ever made. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Read more about the album on Wikipedia http://en.wikipedia.org/wiki/Kind_of_Blue
Michel Camilo Trio - A Night In Tunisia
Tigran Hamasyan trio « Mockroot » (full concert) - Live @ Jazz sous les pommiersLe pianiste virtuose Tigran Hamasyan présente "Mockroot" au festival Jazz sous les pommiers, en mai 2015.
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Avishai Cohen "Seven Seas" @MüpArt 2011.03.12.1:10 - Halel Yah
8:27 - Bésame Mucho
20:31 - Aley Givaa
29:41 - Seven Seas
39:52 - Aurora
47:34 - Avram Avinu Avishai's encore
1:01:23 - Alfonsina y el mar Trio's encore
1:06:48 - Remembering
1:13:35 - Vámonos pa'l
Chupaya Cuarteto - One song for ChickTema original tocado en bar "Thelonious" Santiago, Chile
Original Tune played at "Thelonious jazz-pub" Santiago, Chile
Piano - Felipe Gonzalez
Guitarra - Cristóbal Sanhueza
Bajo - Danilo Cárcamo
Batería - Tito Gevert
Louis Armstrong & Danny Kaye, "When the saints go marching in"Louis Armstrong at The Danny Kaye Show.
Louis Armstrong - Berlin 1965Live and in living black & White
Jeff "Tain" Watts Quintet - "The Impaler"Jeff "Tain" Watts Quintet at the Kuumbwa Jazz Center Santa Cruz, California
The Kenny Werner TrioKenny Werner, Ari Hoenig: Drums, Johannes Wiedenmueller: bass
Odean Pope Septet featuring James Carter At The Iridium(7.16.11)
Elvin Jones Quartet 1973 - The Children/Merry-Go-RoundElvin Jones - Drums
Dave Liebman - Saxophones, Flute
Steve Grossman - Saxophones
Gene Perla - Bass
James Carter - I Wonder Where Our Love Has GoneJames Carter doing what he does best at the Fujitsu Concord Jazz Festival in '97 (according to the banner behind him).
Rights to this video DO NOT belong to me.
I BELIEVE that James Carter is playing the following set up:
I have heard rumors that his tenor in this video is a Conn Chu (yes, I know that he is endorsed by P. Mauriat and he was endorsed by Yamaha). I believe that he has replaced the older keywork on the Conn with a modern Yamaha keywork. His mouthpiece is a Lawton 7BB mouthpiece handmade by Geoff Lawton before his passing.
Avishai Cohen Trio - 'Beyond'Avishai Cohen Trio perform live at Jazz in Marciac 2014.
'Beyond' by Avishai Cohen
From the new album 'From Darkness'
Release - February 2015 (Razdaz Recordz)
Available on; CD, DOWNLOAD & VINYL.