INSPIRATION

Work With Brian Collins “I learned very early on that design is the bridge between what is and what should be.” After ten years as the CCO of Ogilvy, Brian Collins launched COLLINS in 2008 with a mission to do incredible craft at incredible scale, solving really complex design puzzles for some of the world’s largest brands. From their offices in San Francisco and New York, the team at COLLINS has created work for clients like Coca-Cola, Spotify, ESPN, Airbnb, and Equinox, winning recognition from every major creative award. The respect, innovation, and impact that COLLINS applies to design has made the company a permanent fixture on the Working Not Working community’s wish list of places to join. In our newest installment of Work With, a film series that introduces you to the creatives behind the work, we sit down with the singular CCO & Co-Founder, who reflects on the role of design, pioneering a new career trajectory, and the duality of a creative life.

https://www.workingnotworking.com

Featuring Brian Collins
https://workingnotworking.com/102017-brian

Directed by Adam Tompkins
Edited by Noah Benezra
Production by Working Not Working
Handcrafting Giant Lanterns in China The courtyard behind Bai Junping’s workshop is packed with lanterns, rows and rows of red and gold lanterns. It’s a traditional occupation in the village of Tuntou, China, dating back to ancient times. Bai makes tens of thousands of lanterns every year. Some of Bai’s lamps are small, but he is also known for his giant lanterns. And he wants to go even bigger.

This Great Big Story was inspired by Genesis.

SUBSCRIBE: https://goo.gl/vR6Acb

#lantern #ChineseNewYear #Tuntou

This story is a part of our Human Condition series. Come along and let us connect you to some of the most peculiar, stirring, extraordinary, and distinctive people in the world.

Got a story idea for us? Shoot us an email at hey [at] GreatBigStory [dot] com

Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
TEDxSummit intro: The power of x Dancers + camera + kaleidoscope = this infinitely gorgeous short video. (Watch in 1080p fullscreen if you can.) It's made for TEDxSummit, an unprecedented gathering of TEDx organizers from around the world-- and the video celebrates "the power of x" to multiply great ideas.
Learn more about TEDxSummit: http://tedxsummit.ted.com
Credits:
Agency: WE ARE Pi http://wearepi.com/
Creative Directors: Hobson-Chant
Strategy: Alex Bennett-Grant
Agency producer: Jamie Nami Kim
Director: Körner Union http://www.koernerunion.com/
Production company: Big Productions Paris http://www.bigproductions.fr/
Producer: Raphaël Carassic
DOP: Laurent Tangy
Set Designer: Laurent Tesseyre
Choreographers: Icouldneverbeadancer http://icouldneverbeadancer.com/
Editor: Matthilde Carlier
Wardrobe: Elisabeth Rousseau
Hair & Make-Up: Avril Carpentier
Line Producer: Nicolas Avram
Head of Post-Production: Natacha Dolar
Post-Production: Mikros Image http://www.mikrosimage.eu/
Music artist: Yasmine Hamdan http://www.yasminehamdan.com
Producer: Toolbox Audio http://www.toolboxaudio.com/
Sound design: WAVE Amsterdam http://www.wavestudios.co.uk/
Alan Watts & David Lindberg - Why Your Life Is Not A Journey A film I made last night based on my favourite quotes from Alan Watts about how the way of looking at your life as a journey can be the most destructive way. Please have a listen to his wise words.

Scenes from Tree of Life

Music:
Sleeping at Last - Saturn
Sleeping at Last - Uranus
Siki Jo-An – ‘The Click Song' | Blind Audition | The Voice SA: Season 3 | M-Net From her piercing ululation which shattered the silence on stage to her powerful and pitch-perfect homage to Miriam Makeba's ‘Qongqothwane’ - Siki Jo-An proved she meant business getting one of the fastest four-chair turns EVER and a standing ovation. Despite impressive pitches from our panel, it was Riana who won her over ultimately.

---

Official Site: http://www.mnet.tv/thevoice
Team hashtags: #TeamVanCoke #TeamLira #TeamRiky #TeamRiana
Facebook: https://www.facebook.com/voicesa/
Instagram: https://www.instagram.com/voicesa/ #TheVoiceSA
Twitter: https://twitter.com/VoiceSA #TheVoiceSA
How Fire-Charred Whiskey Barrels are Made — Handmade Adirondack Barrel Cooperage uses traditional coopering methods to build spirit barrels out of American oak. Their one-of-a-kind barrel charring and toasting process imparts complex flavors in spirits, like smoke, coconut, vanilla, caramel, and more. https://www.adirondackbarrelcooperage.com/

Credits:
Producers: Carla Francescutti, Pelin Keskin
Director: Carla Francescutti
Camera: Murilo Ferreira, Carla Francescutti
Editor: Carla Francescutti

Executive Producer: Stephen Pelletteri
Development Producer: McGraw Wolfman
Coordinating Producer: Stefania Orrù
Audience Engagement: Daniel Geneen, Terri Ciccone
----------------------------------------------------------------------------------------------------------
For more episodes of 'Handmade,' click here: https://trib.al/n8RT1sS

Eater is the go-to resource for food and restaurant obsessives with hundreds of episodes and new series, featuring exclusive access to dining around the world, rich culture, immersive experiences, and authoritative experts. Binge it, watch it, crave it.

Subscribe to our YouTube Channel now! http://goo.gl/hGwtF0
I Love New York: Bella Hadid, Misty Copeland & Whoopi Goldberg Celebrate the City | Vogue As the city slowly rebuilds, Vogue pays tribute to everything—and everyone—that makes New York … New York.

The biggest issue of the year is here! Subscribe to the magazine and receive an exclusive gift >> https://bit.ly/2DiUplC

Created and Directed by Bardia Zeinali
Written by Jeremy O. Harris
Fashion Editor: Jorden Bickham
Narrated by Whoopi Goldberg
Cast: Paperboy Prince, Julia Fox, Paloma Elsesser, Emily Ratajkowski, Richie Shazam, Misty Copeland, Sean Bennett, Tashawn “Whaffle” Davis, LeeRock Starski, May Hong, David Byrne, Dara Allen, Ceyenne Doroshow, Tyshawn Jones, Raquel Willis, Akira Armstrong, Nicholas Heller, Tic and Tac, Ari Serrano, Naomi Otsu, Indya Moore, Bella Hadid, Erma Campy, Parker Kit Hill, Soul Tigers Marching Band, Kitty Kitty, Josephine Giordano, Ashley aka BestDressed, Eman Abbas, The Rockettes (Jackie Aitken, Tiffany Billings, Katie Hamrah, Alicia Lundgren), Joan Smalls, Leiomy Maldonado
Director of Photography: Chayse Irvin
Edited by Will Town at Modern Post
Produced by One Thirty-Eight Productions
Hair: Mustafa Yanaz
Hair (Indya Moore, Joan Smalls): Hos Hounkpatin
Makeup: Emi Kaneko
Tailor: Cha Cha Zutic
Casting: The Talent Group, Nicholas Heller
Movement Director: Vinson Fraley
Color: Tim Masick at Company 3
Stills Post Production: Dtouch
Sound Design: Raphaël Ajuelos
Music: "Rhapsody in Blue"
Performed by Philharmonia Orchestra,
Music: "Why Does My Heart Feel So Bad"
Performed by Moby
Title Design: Naomi Otsu
Motion Design: Rinaldi Parungao for Mango Motion Design
Visual Effects: Ilia Mokhtareizadeh at The Arcane Collective, Zdravko Stoitchkov at ZeeFX
Filmed At: The Metropolitan Museum of Art, Park Avenue Armory, Radio City Music Hall, Top of the Rock
Special Thanks: Kodak, Millennium Hilton New York Downtown, The Smile
Vogue: Mark Guiducci - Creative Editorial Director, Robert Semmer - Vice President, Head of Video, Marina Cukeric - Executive Producer, Samantha Adler - Visual Director, Sergio Kletnoy - Entertainment Director, Felicity Webb - Bookings Director, Janelle Okwodu - Senior Fashion News Writer, Jenna Allchin - Producer, Olivia Horner - Visual Editor

Still haven’t subscribed to Vogue on YouTube? ►► http://bit.ly/vogueyoutubesub
Want to hear more from our editors? Subscribe to the magazine ►► http://bit.ly/2wXh1VW

ABOUT VOGUE
Vogue is the authority on fashion news, culture trends, beauty coverage, videos, celebrity style, and fashion week updates.

I Love New York: Bella Hadid, Misty Copeland & Whoopi Goldberg Celebrate the City | Vogue
India's trucks are works of art Why India’s trucks are so colorful.
Season 2 of Borders is presented by CuriosityStream. Watch thousands of documentaries for free for 31 days: https://www.curiositystream.com/Borders

Join the Video Lab to support Vox Borders: http://bit.ly/video-lab

Follow the Vox Borders watch page: https://www.facebook.com/VoxBorders/
Follow Johnny on Instagram: https://www.instagram.com/johnnywharris/
Sign up for the Borders newsletter: http://www.vox.com/borders-email

With original music by Tom Fox: https://tfbeats.com/

Bedfords were first introduced to British India during World War II. This truck model and others similar to it stuck around, and since then they've been produced commercially throughout the country. But today, they’re not just functional and mundane — their paintings make them stand out.

Colorful trucks aren’t rare in India, and their designs aren’t random. Artists that specialize in painting these trucks put a lot of thought into the art form, making the vehicles a spectacle of beauty in India.

This Vox Borders episode looks at why truck art is such a staple in India.

Watch the first episode of Vox Borders: India -- https://www.youtube.com/watch?v=r5Ps1TZXAN8

Watch all the episodes of Vox Borders: India here: https://www.youtube.com/playlist?list=PLJ8cMiYb3G5eLwIHwp0NAPJaLSo9qNexm

Vox Borders is an international documentary series by Emmy-nominated producer Johnny Harris exploring life at the edge of nations.

Start from the beginning. Watch all full episodes of Vox Borders on YouTube in one playlist: https://www.youtube.com/watch?v=-dVwv4wPA88&list=PLJ8cMiYb3G5dRe4rC7m8jDaqodjZeLzCZ

Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com.

Watch our full video catalog: http://goo.gl/IZONyE
Follow Vox on Facebook: http://goo.gl/U2g06o
Or Twitter: http://goo.gl/XFrZ5H
Font Men - SXSW 2014 Official Documentary Short Selection You may not have heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. Before their recent split, they collectively ran the most successful and well respected type design studio in the world, creating fonts used by everyone from the Wall Street Journal to the President of the United States.

Font Men, gives a peek behind the curtain into the world of Jonathan and Tobias. Tracking the history of their personal trajectories, sharing the forces that brought them together and giving an exclusive look at the successful empire they built together.

-

Presented by AIGA to celebrate H+FJ's 2013 AIGA Medal, with additional support from the National Endowment for the Arts

Directed & Produced by: Dress Code

Cinematography by: Andre Andreev

Edited by: Dan Covert

Music & Sound by: YouTooCanWoo

Animation/Design: Evan Anthony, John Custer, Joe Donaldson, Emil Bang Lyngbo, Josh Parker, Eddie Song

Principal Cast: Jonathan Hoefler, Tobias Frere-Jones

Shot on a Canon 7D
The Cyborg Artist: Tattooing with a Custom Prosthesis When JC Sheitan Tenet lost his right arm, he didn’t lose his will to make incredible tattoos. In fact, working without an arm gave his work more meaning. Then Tenet met artist Jean-Louis Gonzal, who creates spellbinding “biomechanic” works, and the two brainstormed a remarkable custom prosthetic tattoo machine. The device can pivot 360 degrees and allows Tenet to create abstract designs unlike anyone else.

This Great Big Story was made in partnership with Lenovo (http://lnv.gy/GBSMainSite).
IKIGAI: The Shin Biyajima Story I was able to spend three years traveling and exploring the Japanese Alps with Shin Biyajima during the production of "The Fourth Phase" film. During that time I shared so many adventures and conversations with this new friend of mine. After our film released, I really wanted to capture a more authentic portrait of Shin and his process of living and riding as a Japanese snowboarder. I spent about six weeks over two years following Shin around his backyard in the Nagano Prefecture hiking, inquiring and immersing myself in Shin’s universe. Joined by film maker Justin Smith, we wanted to capture an intimate portrait of a lifestyle that is quite foreign compared to the norms of North America, yet still strangely similar to the principles that most snowboarders share around the love of the mountains.
Gasper & Son Burning fingers while bending glass is the least of Robbie's worries as he tries to keep the lights on in his neon sign shop in Queens with the skills he learned from his father. Winner of Best Documentary Short at the Queens World Film Festival, "Gasper & Son" is a short independently produced documentary about about the dying art of neon sign making told by Gasper and his son Robbie, who is carrying on the craft against the backdrop of a well loved but often unforgiving NYC. For more information visit www.gasperandson.com, or get in touch at gasperandson@gmail.com.
The Fine Art of Television Repair Chi-Tien Lui is an electrical engineer and technician whose craft has evolved to the realm of high art. Born in China, he trained as a technician in Taiwan before moving to the U.S. and setting up his own shop in downtown Manhattan in 1968. During this time, televisions began to evolve and video became an important part of the experimental art scene, especially for big players like Andy Warhol and John Lennon. But, over time, wear and tear and years sitting in museums can cause machinery to fail, which means the potential of losing priceless art forever. That’s where Chi-Tien Lui comes in. He’s become the go-to guy for institutions like the Smithsonian and MoMA to preserve these legendary electronics.

SUBSCRIBE: https://goo.gl/vR6Acb

This story is a part of our Human Condition series. Come along and let us connect you to some of the most peculiar, stirring, extraordinary, and distinctive people in the world.

This story is a part of our Flavors series, where we do so much more than play with our food. Come with us as we dive into deliciously different and tastefully off-beat stories in the culinary world.

Got a story idea for us? Shoot us an email at hey [at] GreatBigStory [dot] com

Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
Resynthesis - Max Cooper Max Cooper:
I had a lot of high speed train journeys recently and I love watching the wires seemingly dance around outside the window. I wondered if we could be getting fooled by a similar process during our usual experience of time, and thought it would be an interesting project for a music video set to the music created during the same journeys.

The wires outside the window are static but they appear to move because of our motion past them. Perhaps our usual experience of movement could be explained by a similar process, where time is a physical dimension into which everything grows, with the present as the surface of this inflating structure. It ties in to a lot of physics ideas which are very common, and I thought it could make for an interesting music video, if I could find someone who might be able to pull it off!

Luckily for me, one of my favourite visual artists, Kevin McGloughlin had already been experimenting with linked techniques and ideas, and he's gone to town on it with a multitude of techniques and editing precision to create something pretty special. And yes, there's certainly a nod to the original time-stretch slitscan effects of Kubrick's 2001.

I wanted to show the transition from our normal experience of time to a stretched out past as a physical structure when viewed from an alternative perspective outside of the dimensions we're usually constrained to.

One other interesting thing about this model of time is that it helps with some mind-pickling metaphysical conundrums around the sense in which the past exists. In this model it literally exists out there behind us as a physical 4D structure. If we could travel outside of our growing surface somehow and went back to the past it wouldn't be much fun though, we'd just find solid lifeless stretched out versions of ourselves.

For the music I wanted to bring these ideas of frozen moments of the past into play, and no better excuse to get stuck in with the Prophet 6 on some lush classic analogue synth sounds for the main chord sequence, and plenty of nob noodling for a dance of modulating sounds around the main sequence. I wanted to keep it fairly sparse to let the chord patch be central, and just focus on trying to make every element, including the percussion, warp a little, so you can either listen to the track from a distance and hear the harmonic ideas, or delve in to find all sorts more hiding in there. Kevin did an amazing (and painstaking) job of warping the video to sync with the audio detailing.

If you'd like to receive exclusive music, mixes, video and news you can sign up to the site at www.maxcooper.net/#join

Kevin McGloughlin:

Max Cooper and I discussed ideas about space-time before embarking on the Resynthesis project.
We were on the same page for the most part, though, working with Max is always insightful and he enlightened me with some really fascinating ideas about space - time.

I was delighted to once again collaborate, especially with reference to 'time', which is such a relatable and unavoidable part of everyone and everything.

The track is really beautiful, I saw the visuals in the music quite clearly from the offset.
I could hear the 'time stretching' in the melodies and synths and I was greatly inspired by it.

My aspiration in this piece was to create a journey for the viewer, a passage through space and time, in an effort to represent time as a dimensional structure.

I aimed to convey existence as a solid component of time, an effort to glimpse the idea that our past still exists out there in a stretched, distorted dwelling..

I wanted to capture a human / mortal essence of time, displaying brief impressions of human interactions and activity, traveling in time.

All the fundamental assets were captured employing photography and realtime footage.

I stretched time in both 3d and 2d space using a wide variety of time displacement techniques, ranging from 'in camera' work to quite laborious post production work.

Fun Fact..Some of the clips contain exactly one googol videos playing simultaneously.
(using a method I devised some time ago, ie.the second last very short clip)

Most of footage/photography was shot in Dublin Ireland, with additional shots from Co. Sligo.

Working with Max always makes for an interesting time.

https://www.kevinmcgloughlin.com/

https://www.instagram.com/kevinmcgloughlin_gram/

https://vimeo.com/kevinmcgloughlin

https://en.wikipedia.org/wiki/Googol
60 Years of Logos: Chermayeff & Geismar 60 years ago Ivan Chermayeff and Tom Geismar joined forces and the world of design has never been the same. Their company Chermayeff & Geismar & Haviv has designed some of the most enduring and defining logos of the modern age. We honor their collaboration with this video, which includes, sadly, the last interview with Ivan before his passing.

Client: AIGA
Presented by: AIGA Design Archives

Production Company: Dress Code (dresscodeny.com)
Director: Dan Covert

Executive Producer: Brad Edelstein
Head of Production: Tara Rose Stromberg
Cinematography: Andre Andreev
Production Cordinator: Nick Stromberg
Edit: Mike Cook, Dan Covert
Color: Mike Cook
Music + Sound Design: YouTooCanWoo
On Set Sound: Matteo Liberatore

Images and Special Thanks: Chermayeff & Geismar & Haviv

This project is supported in part by an award from the National Endowment for the Arts. We thank them for their help towards the AIGA archives and special collections.
The Normal People Every year people from all over the world meet in Wildwood, NJ to race their bikes and hotrods from the 1920’s and 1930’s on the beach, creating a MadMax like spectacle.
This film is about the wonderful characters behind all of it.

"The house, the wife, the dog, the cats, they are all gone, but this ain't gonna go..."
_
Premiered on VICE 'Creators Project'

Directed by: Daniel Soares
Director of Photography: Anna Franquesa Solano
Editor: Alvaro del Val, Daniel Soares
Producer: Morgan Edstrom
Original Score: Almkvist
Colorist: Maria Carretero, Carbon VFX
Sound Design & Mix: Brian Bernard
Music: Bror Gunnar Jansson

1st AC: John Henri Coene
Location Sound: Dave Tomkins
Color Assistant: Jacob McKee
Lettering: Alex Trochut
Post Production: Uppercut NYC & Carbon VFX

Special thanks:
All Racers & Organization of 'The Race of Gentlemen'
Jim Carrey: I Needed Color
The Cinematic Control Room 1971-2015 A video essay about control rooms in film and television since the 1970s. Computers, screen interfaces, and the rooms they are in are connected to the political context of a particular era. Always-on control room technologies result in a security and political crisis that is permanent, so potential threats in popular screen narratives come from sources that are imagined to be permanent, such as 'terrorism' and 'cyberattack'.
For the full essay, see http://culturemachine.net/index.php/cm/article/view/590/597
Co-edited by Cormac Deane and Stephen Hughes. Narrated by Gerard McHugh.
Johanna Under The Ice - NOWNESS Finnish freediver Johanna Nordblad holds the world record for a 50-meter dive under ice. She discovered her love for the sport through cold-water treatment while recovering from a downhill biking accident that almost took her leg. British director and photographer Ian Derry captures her taking a plunge under the Arctic ice. Read more on NOWNESS - http://bit.ly/2bKRuzm
David Carson - All For a Few Good Waves David Carson is arguably the world’s most well known graphic designer. All For a Few Good Waves is a short documentary portrait offering a raw glimpse into the life and work of David, an uncompromising genius, who refuses to be anyone but himself.

After a career as a top ranked pro surfer and high school sociology teacher, he rose to prominence in the 90’s after art directing Transworld, Beach Culture and Ray Gun Magazines before going on to start his studio. With no formal design training, Carson took the design world by storm, upending conventions and breaking traditional rules he didn’t even know existed.

——————————————————————————

Credits:

Starring: David Carson + Ola Carson

Produced and Directed by: Dress Code (dresscodeny.com)
Executive Producers: Dan Covert + Andre Andreev
Producer: Tara Rose Stromberg
Cinematography + Sound Record: Andre Andreev
Edit + Color: Mike Cook
Assistant Camera: Mercy Lomelin
Production Cordinator: Rose Glaeser
End Titles: Mike Cook + Mercy Lomelin

Music + Sound Design: YouTooCanWoo

Shot on Location in Tortola, BVI over a couple years on:
A Red Epic, a GoPro Hero 3, and a Black Magic Pocket Cinema Camera
Credited As: Head of Puppetry Georgina Hayns (Coraline, ParaNorman), takes viewers behind the scenes to show what she does as a the head of puppetry.
The Drum Doctor From Frank Sinatra to Johnny Cash, Michael Jackson to Metallica, master drum craftsman and technician, Ross Garfield, is responsible for some of the world’s most iconic drum sounds. This is the story of the man behind the drums.

Check Ross out on Facebook here: https://www.facebook.com/DrumDoctorsPage/
Roadliners Roadliners is a film about inspiration and craft, and the uncelebrated typographers of the road. With filmmakers Pretend Lovers we documented a day in the life of Glasgow roadliner Thomas ‘Tam’ Lilley.

While looking for inspiration for O Street’s new brand we stumbled on a typographer whose work was uniquely relevant to our company—one whose work embodied the values we hold dear: honesty, beauty, humility, and intelligence.
#WordsOfData #WordsOfData is a series of medium format pieces that, with the use of mapping projection techniques, focuses on the contrast between an overload of information and the void produced by new technologies. Online data, from Twitter to be exact, is the main raw material. Online data, from Twitter to be exact, is the main raw material in #WordsOfData. Each message is represented with a geometric figure, a dot or a line generally, with properties related with the message itself, like its relevance in the social network.
Credited As: Stop Motion Animator Daniel Alderson (Fantastic Mr. Fox, ParaNorman, The Boxtrolls), takes viewers behind the scenes to show what he does as a stop motion animator.
鳴子系こけし／こけしの岡仁鳴子系こけし／こけしの岡仁

手とてとテ　-仙台・宮城のてしごとたち-
http://tetotetote-sendai.jp/
Beth Cavener - Sculptor Made by http://likeknowslike.com co-founder and filmmaker http://basberkhout.nl

The sculptures Beth Cavener creates focus on human psychology, stripped of context and rationalization, and articulated through animal and human forms.

Cavener wants to pry at those uncomfortable, awkward edges between animal and human. Entangled in their own internal and external struggles, the figures express frustration for the human tendency towards cruelty and lack of understanding. Something conscious and knowing is captured in their gestures and expressions.

Beth Caveners work: http://followtheblackrabbit.com

SPECIAL THANKS
Alessandro Gallo

SOUND DESIGN
Peter Stoel

MUSIC
Matthew Davies

See more: http://basberkhout.nl
NYC, 1981 A24 and A MOST VIOLENT YEAR present

NYC, 1981

Director: Austin Peters
Director of Photography: Eric K. Yue
Producer: Daniel Dewes
Executive Producer: Zoe Beyer for A24
Editor: Jesse Overman
Assistant Editors: Tayler Braasch, Paul Little
Sound Recordist: Andrew Yip
Casting: Salome Ogenfuss
Color: Mikey Rossiter @ The Mill
Sound Mix: Heard City
All Film Processed at Deluxe NYC

Featuring:

Penny Arcade
Johnnie Mae
Dapper Dan
Wayne Walsh
Nick Rosello
Curtis Sliwa and the Guardian Angels

A MOST VIOLENT YEAR – Now Playing Everywhere
newyorkcity1981.com
365 - One Year, One Film, One Second a Day From the BAFTA Award winning animation studio of The Brothers McLeod. Greg animated one second of animation every day for the 365 days of the year 2013. There was no storyline, script or storyboard. The ideas come from things read, seen or experienced on the day, with a little artistic license for good measure.
You can purchase a digital copy here https://vimeo.com/83062918
Daily stills from the project are published here: facebook.com/365film
More about The Brothers McLeod: bromc.co.uk
Playing with Power Dillon Markey, an animator for Robot Chicken and PES, modifies a Nintendo Power Glove as the most awesome animation tool ever.
Projections in the Forest Behind the scenes: http://vimeo.com/3hund/behindthescenes

The projection mapping "bioluminescent forest" is made by artists Friedrich van Schoor and Tarek Mawad.
The artists spent six weeks in the forest fascinated by the silence and natural occurrences in nature, especially the phenomenon "bioluminescence". They personified the forest to accentuate the natural beauty by creating luring luminescent plants and glowing magical mushrooms that speaks volumes to any visitor that enters the minds of the artists through viewing "bioluminescent forest".

More information on the project: www.bioluminescent-forest.com
Friedrich van Schoor: www.vanscore.com
Tarek Mawad: www.tarekmawad.com

Many thanks to Achim Treu, Composer and Sounddesigner.
private homepage: www.ufohawaii.com
commercial homepage: www.treumedia.de
Behind the scenes - (Projections in the Forest) The projection mapping "bioluminescent forest" is made by artists Friedrich van Schoor and Tarek Mawad.
The artists spent six weeks in the forest fascinated by the silence and natural occurrences in nature, especially the phenomenon "bioluminescence". They personified the forest to accentuate the natural beauty by creating luring luminescent plants and glowing magical mushrooms that speaks volumes to any visitor that enters the minds of the artists through viewing "bioluminescent forest".

More information on the project: www.bioluminescent-forest.com

Friedrich van Schoor: www.vanscore.com
Tarek Mawad: www.tarekmawad.com

Many thanks to Achim Treu, Composer and Sounddesigner.
private homepage: www.ufohawaii.com
commercial homepage: www.treumedia.de
Who The Fuck is El Solitario WHO THE FUCK IS EL SOLITARIO is a short film by Juan Rayos produced & catalyzed by evasèe filmed in September 2014 in Rias Baixas, Galicia. (SPAIN) 
 
"Call it destiny, guts, karma or life but there is some people whose fate is sealed and in an inexorable way are intended to join and create. 
This is the story of an inevitable meeting of the minds..." 
 
weblog.evasee.com/ 
elsolitariomc.com/ 
 
Music 
Guanaco - Peans to Beals 
Fanstasmage - Vuelta a empezar 
Beggin' Your Pardon Miss Joan - Flowers & Timber 
 
Thanks to: 
El padre de Fran, Marc, Guillermo, Moncho, Don Juan
SPAZUK fire painter Video portrait of the very original and talented Steve Spazuk in his creative space. 
Music "Fly" by Ludovico Einaudi 
More from the artist : http://www.spazuk.com/fr/home-spazuk.php 
More of my creative stuff: https://www.facebook.com/patrick.peris.film 
Twitter @PatPeris 
 
Portrait de l'artiste-peintre Steve Spazuk dans sa technique hautement originale et dans son atelier de création. 
Musique "Fly" de Ludovico Einaudi 
Site de l'artiste: http://www.spazuk.com/fr/home-spazuk.php 
Suivis sur le réalisateur: https://www.facebook.com/patrick.peris.film
김정기 Kim Jung gi Drawing show in 포항 2013 Pentel brush pen on paper
2007 sketch collection App: https://itunes.apple.com/kr/app/gimje...
Kim Jung Gi's Page: http://www.superani.com/kim/
FACE BOOK: http://www.facebook.com/superani.jg
Gunther Holtorf's 23 Year Road Trip Back in 1989, as the Berlin Wall fell, Gunther Holtorf and his wife Christine set out on what was meant to be an 18-month tour of Africa in their Mercedes Benz G Wagon. Now, with more than 800,000km (500,000 miles) on the clock, Gunther is still going.

The German former airline executive has travelled the equivalent of 20 times around the planet in the vehicle - which he calls Otto. He says he has never had a serious breakdown. Recently in Vietnam, Canadian-born photographer David Lemke joined Gunther on one section of his epic journey.

All images subject to copyright. Photography by Gunther Holtorf and David Lemke.

74-летний немец Гюнтер Хольторф объехал весь мир на своем Mercedes-Benz Gelandewagen. К настоящему моменту его поездка длится 23 года и по-прежнему продолжается, сообщает BBC. За это время автомобилист проехал 800 тысяч километров, что равняется 20 путешествиям вокруг Земли.

Весь путь Хольторф провел за рулем своего Mercedes-Benz Gelandewagen, которому владелец дал прозвище «Отто». По словам автомобилиста, машина его ни разу не подвела. Немец упомянул лишь несколько мелких поломок, которые он самостоятельно устранил прямо на дороге.

Путешествие Хольторфа, который в тот момент работал в неназванной авиакомпании, началось в 1989 году с поездки в Африку с женой, сообщает Autoblog. Впоследствии супруги решили не возвращаться домой и продолжить путь.

Жена путешественника скончалась несколько лет назад, но он продолжил путешествие, поскольку это была последняя просьба его супруги перед смертью.
A Unique Stage for a Unique Performance The Ferrari California T takes center stage as Fabian Oefner prepares for a unique performance. See the full video at http://bit.ly/1qOoeXx 
 
The Ferrari California T is the latest model from the California lineage. Originating in the 1950s, its name represents performance, design, versatility and freedom. Join us in the State of the Art as we explore the California T through the eyes of an artist and innovation leaders.
A Look Inside the Art of Form Go behind the scenes at Maranello and discover Fabian's insights and approach to the performance. See the full video at http://bit.ly/1telbd3
TRAP and the True Art of Graffiti Read the Article: http://a.nim.al/1uZ6Ioq
Subscribe to Animal New York: ‪http://bit.ly/subscribetoanimal‬
Follow us: ‪http://twitter.com/ANIMALNewYork‬
Like us on Facebook: ‪http://fb.me/animalnewyork‬

Music: 40Don-P "Here We Go" "Dig Deep"

More from ANIMAL New York:
Exploring Off-Limits New York: ‪http://a.nim.al/1lNG6VE‬
‪Plasma Slugs' Graffiti Art Colony‬: ‪http://a.nim.al/1iiepS3‬
CYCLE Conquers Graffiti, Tackles the Art World:‪ http://a.nim.al/1hTE8iu‬
Watch Graffiti Artists Take Back Entire Subway Car From Advertisers Read the Article: http://a.nim.al/1xGBGFN
Subscribe to Animal New York: http://bit.ly/subscribetoanimal
Follow us: http://twitter.com/ANIMALNewYork
Like us on Facebook: http://fb.me/animalnewyork

Music: Falside “Gunk” (http://bit.ly/1hQ0DEN)

TRAP and the True Art of Graffiti: http://a.nim.al/1uZ6Ioq
Watch London Kaye Yarn-Bomb the L Train: http://a.nim.al/1fgLOL9
Meet the People Who Retrieve the Stuff You Drop On the Tracks: http://a.nim.al/1oES3w1
Tycho – See (Official Performance Cut) Upon releasing the Music Video for Tycho’s track ‘See’ on Ghostly International, we decided a special release of the Performance Cut was worthy of public consumption, ultimately editing a montage of the entire band performance using only Kinect-informed, infrared footage with practical selects dappled amongst the 5 minutes for visual reprieve.. The result is a visual journey into the band’s aural landscape, immersing the eyes in a sea of bokeh where the instruments and performers melt into a performance charged with circular aberrations of light and color.. 
 
THE FILM TECHNIQUE 
 
We started experimenting with infrared lighting and discovered that the IR emitter in the Microsoft Kinect projected a starfield-like dot pattern not unlike what a 3D render of point cloud data looks like.. Captured with our full spectrum camera it became photographic, where fields of bokeh and shimmering discs reveal multiple layers of shape and form.. In addition, some of the lens flares we were able to make with the Kinect are unlike anything we've ever seen before - creating super dense moire patterns and 3D-like caustic inversions of lens geometry. 
 
The set in which we shot the Performance was totally dark, aside from a red laser as our backdrop - we could not see anything except while looking through the cameras viewfinder. Operating a camera in this situation was like a real manifestation of virtual reality. The band also couldn’t see each other and couldn’t tell who or what the camera was looking at - which ultimately made the performance feel very raw and unhindered.. The visual results tie perfectly with the concept of ’See’ in which we always seem to reveal new worlds that are beyond our terrestrial abilities of sight.. 
 
LINKS: 
 
Tycho -- See ( Official Music Video ) - https://vimeo.com/95368144 
Tycho -- See ( Process Video ) - https://vimeo.com/94932979 
 
Read more about the piece at the Creator's Project: 
http://thecreatorsproject.vice.com/blog/premiere-tychos-music-video-redux-for-see-turns-the-musicians-into-living-constellations 
 
 
Tycho - See ( Performance ) Credit List 
 
Director: Bradley G Munkowitz 
Assistant Director: Ian Colon 
Executive / Line Producer: Andrew Devansky 
Director of Photography: Joe Picard 
Practical Effects Artists: Conor Grebel, Mike Williams 
Editor: Bradley G Munkowitz 
Colorist: Matt ‘Prince Wesley’ Hare 
1st Camera Assistants: Magaera Stephens 
2nd Camera Assistants: Dakota Wilder Smith 
Lighting: Tej Verde, Dakota Wilder Smith, Patrick Walsh 
Production Company: Ground Control UK 
Executive Producer: Michael Stanish 
Extra Special Thanks: Ground Control UK, Ghostly
Inside Me ( Nils Frahm - Me Rework) This project is based on a 3D-scan technique, which allows me to reproduce an image of my own body as a 3D object in a software. It is possible to view this object not just from outside, but also from the inside as a negative as well, which creates abstract shapes. 
The colouration was generated with the help of colour data I took from a real picture. 
 
The film reflects the invisible inner world of an individual, which owns a small universe in itself, created by experiences and feelings - as well in the digital world as in real life. We try to express ourselves and approach our world another being, but still, nobody can see in our souls entirely. 
 
For me, the process of scanning is a very important part of this work itself. 
The idea of digitising a body and hence the creation and deformation of its computer generated self, reflects the digital world we live in today. We create an alternative world, in which everybody can be what they want to be. In some way, it resembles to an act of creation. 
We never stop building more worlds for ourselves, even though there are already various ones encircling us, that we don't even understand yet. 
Each universe encloses another, which creates a new one, and the world next to us still seems far away. And so we look into infinity again, which inevitably surrounds us. 
 
Concept & Animation by 
Dmitry Zakharov 
 
www.dmitryzakharov.de 
https://www.facebook.com/dmitryzakharov.art 
 
sound by 
Nils Frahm - Me ( Karsten Lutz Rework ) 
 
https://soundcloud.com/intuitiv 
http://screws.nilsfrahm.com/ 
 
Special Thanks to: Karsten Lutz, Daniel Weiss, Juliane Sonntag & Bianca Eversheim
SPARKED: Behind the Technology Get an exclusive look at the story behind the short film SPARKED: a collaboration between Cirque du Soleil, ETH Zurich, and Verity Studios. SPARKED demonstrates how state of-the-art technology can be used to combine human actors and quadcopters in a symbiotic, choreographed performance. This collaboration has opened a new door to the future of technology in the world of live entertainment.

SPARKED: http://youtu.be/6C8OJsHfmpI

Cirque du Soleil: http://www.cirquedusoleil.com/
ETH Zurich: http://www.idsc.ethz.ch/Research_DAndrea
Verity Studios: http://www.veritystudios.com/

Obtenez un aperçu exclusif de l’histoire qui se cache derrière le court-métrage SPARKED, une collaboration entre le Cirque du Soleil, l’ETH Zurich et Verity Studios. SPARKED montre comment une technologie de pointe peut être utilisée pour réunir des acteurs et des quadricoptères dans une seule chorégraphie symbiotique. Cette collaboration a ouvert de nouvelles portes à l’avenir de la technologie dans l’univers du spectacle de scène.
SPARKED: A Live Interaction Between Humans and Quadcopters Cirque du Soleil, ETH Zurich, and Verity Studios have partnered to develop a short film featuring 10 quadcopters in a flying dance performance. The collaboration resulted in a unique, interactive choreography where humans and drones move in sync. Precise computer control allows for a large performance and movement vocabulary of the quadcopters and opens the door to many more applications in the future.

SPARKED: Behind the Technology: http://youtu.be/7YqUocVcyrE

Cirque du Soleil: http://www.cirquedusoleil.com/
ETH Zurich: http://www.idsc.ethz.ch/Research_DAndrea
Verity Studios: http://www.veritystudios.com/

Le Cirque du Soleil, l’ETH Zurich et Verity Studios se sont associés pour réaliser un court-métrage mettant en vedette 10 quadricoptères dansant. La collaboration s’est soldée par une chorégraphie unique et interactive où les humains et les drones se meuvent en parfaite synchronisation. Les fonctions informatiques précises utilisées permettent de doter les quadricoptères d’un langage scénique et corporel complexe tout en ouvrant la porte à de futures nouvelles applications.
ROYGBIV: A Pixar Supercut A one minute supercut examining (and celebrating) Pixar’s use of color. 
 
Edited by Rishi Kaneria (@rishikaneria) 
Music by Moderat. 
 
Footage from: 
Toy Story 
A Bug's Life 
Toy Story 2 
Monsters, Inc. 
Finding Nemo 
The Incredibles 
Cars 
Ratatouille 
WALL-E 
Up 
Toy Story 3 
Cars 2 
Brave 
Monsters University 
 
Special thanks to these fine blogs for featuring this video: 
 
THE CURIOUS BRAIN 
http://thecuriousbrain.com/?p=53277 
 
iO9 
http://io9.com/visit-every-color-of-the-rainbow-using-nothing-but-pix-1630922837 
 
SLATE 
http://www.slate.com/blogs/browbeat/2014/09/05/pixar_roygbiv_a_supercut_of_the_animated_movies_use_of_color_video.html 
 
ITS ART MAG 
http://www.itsartmag.com/features/roygbiv-pixars-use-of-color/ 
 
DEVOUR 
http://devour.com/video/roygbiv/ 
 
DIGG 
http://digg.com/video/roygbiv-a-rainbow-filled-pixar-supercut 
 
GIZMODO 
http://sploid.gizmodo.com/beautiful-video-shows-how-pixar-uses-a-rainbow-of-color-1631299643 
 
THE CREATORS PROJECT 
http://thecreatorsproject.vice.com/en_uk/blog/supercut-organizes-classic-pixar-films-into-the-colors-of-the-rainbow 
 
THE VERGE 
http://www.theverge.com/2014/9/6/6114171/watch-pixars-gorgeous-use-of-color-over-the-years 
 
9GAG.TV 
http://9gag.tv/p/a9zA8Z/explore-the-beauty-of-colour-in-this-incredible-pixar-supercut?ref=tcl 
 
NO FILM SCHOOL 
http://nofilmschool.com/2014/09/pixar-supercut-will-remind-you-how-important-color-storytelling 
 
BUZZ FEED 
http://www.buzzfeed.com/alanwhite/heres-a-mesmerising-supercut-of-pixar-films-arranged-by-the#1cddvgc 
 
DESIGN TAXI 
http://designtaxi.com/news/369115/A-Brilliant-Pixar-Supercut-That-Examines-The-Colors-Used-In-Its-Movies/ 
 
FAST COMPANY Co.CREATE 
http://www.fastcocreate.com/3035413/this-supercut-is-a-beautiful-rainbow-made-up-of-pixar-movies 
 
FUBIZ 
http://www.fubiz.net/2014/09/09/the-use-of-color-by-pixar/ 
 
HIGHSNOBIETY 
http://www.highsnobiety.com/2014/09/08/roygbiv-a-pixar-supercut/ 
 
SLASH FILM 
http://www.slashfilm.com/pixar-color-supercut/ 
 
ENTERTAINMENT WEEKLY 
http://insidemovies.ew.com/2014/09/08/roygbiv-pixar-video/ 
 
MASHABLE 
http://mashable.com/2014/09/10/pixar-color-supercut/
Where Are They Now? A short story looking at the life of cartoon characters facing reality long after their heyday prime. 
 
Animation created in After Effects, Flash, Photoshop and a bit of CrazyTalk pro 7. All voices created by myself. 
 
Music by Kevin MacLeod 
"Gymnopedie No. 1" "Local Forecast - Elevator" "Loping Sting" “Mining by Moonlight” Kevin MacLeod (incompetech.com) 
Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/ 
 
Follow me here: http://www.facebook.com/SteveCuttsArt 
 
www.stevecutts.com
Type Safari with James Victore A tour of Brooklyn and Queens with James Victore, looking at, talking about and trying to make sense of type on the street. Join in by attending one of these events http://workinglate.makeshiftsociety.com. Sponsored by Adobe Typekit.

Created by James Victore & Wild Combination
http://www.jamesvictore.com/
http://wildcombination.com/

Co-produced by Adobe Typekit & Makeshift Society
http://www.typekit.com
http://makeshiftsociety.com
The Hat Maker We arrived at the shop early in the morning as the first light entered the room. Dust particles danced through sunbeams as we began to move items around the space, debating wardrobe and the shot sequence. Nick entered and listened to what we had planned. He nodded his head, pulled a piece of beaver felt down from a shelf, set it on the table and began to work. 
 
Worries of the wardrobe, makeup, and set dressing fell away. It didn't matter who he was, what he was wearing, or whose hat he was making - in front of the camera camera was a man and his craft, the beauty of his work uncluttered. Watching Nick work froze our day in time and if it weren’t for the light blinking on the camera we would have had no reference to the year. 
 
In a society that often forgets the importance of making something by hand, Nick Fouquet’s artistry is a reminder of what is at the core of this country. We left inspired and grateful to be able to capture a timeless discipline passed down through generations. 
 
Director | Cinematographer: Dean Bradshaw 
Creative Director | 1st AD: Dersu Rhodes 
Editor: Chris Sowick 
Assistant Editor: Charles Thi 
Colorist: Juan Melara 
Sound Designer: Vidar Grande 
1st AC: Alek Parker 
Music by Yann Tiersen 
 
Shot in Venice, California. 
 
www.nickfouquet.com 
www.deanbradshaw.com 
www.dersurhodes.com
Worst Idea Ever - Dude Ford Motor Company is on a mission to find out who the modern craftsmen are. The search has brought them to the Danish surfdesigners Oh Dawn. Residing in a country with almost no waves and terrible weather, it seemed like an almost impossible dream, when Mathias, Bo and Simon decided to create the surf brand Oh Dawn in 2011. This is their story. 
 
Agency: Very 
 
Film Production: Bitchslap Magazine 
 
Client: Ford Motor Company 
 
 
For more info about the campaign contact: 
Lene Dahlquist 
ldahlqui@ford.com 
www.ford.dk
Japanese Dragon One Stroke Painting One Stroke Painting. Nikko Japan

http://www.kousyuuya.com/
一筆龍
Japanese One Stroke Dragon Art　一筆龍 FreeHand
Dan Rhatigan on Ryman Eco Monotype's Dan Rhatigan discusses Ryman Eco, the world's most beautiful sustainable font. 
 
rymaneco.co.uk
Wild & Woolly After a lot of effort, we`ve finished! 
Fun characters come to life transforming from one to another in a constant walk, till death appears on their path. Hope you like it! :) 
 
Done by 2veinte feat Juan Molinet 
Directed by Pablo Gostanian 
Character Art & Design: Juan Molinet 
Art & Animation Direction: Pablo Gostanian 
Lead Cel Animation: Melisa Farina, Facundo Quiroga 
Animatic: Facundo Quiroga, Melisa Farina, Julian Pereyra Coimbra 
Cel Animation: Melisa Farina, Facundo Quiroga, Sebastian Garcia, Julian Pereyra Coimbra, Santiago Medina, Martin Gil, Valentina Candia, Augusto Gabrys 
Additional Cel Animation: Alex Gostanian, Damian Sendin 
Storyboard: Pablo Gostanian 
Character Transformation Design: Pablo Gostanian, Augusto Gabrys, Facundo Quiroga, Melisa Farina 
Production: Melisa Farina 
Composition: Facundo Quiroga, Pablo Gostanian 
Music and SFX: Hula-music.com 
Character voices: Pablo Gostanian, Alex Gostanian 
Executive Producer: Agustin Valcarenghi 
 
Follow us: 
2veinte 
Facebook.com/2veinte 
Twitter: @2veintestudio 
www.2veinte.com.ar 
 
Juan Molinet 
facebook.com/lebureau.tv 
Twitter: @juanmolinet 
www.lebureau.tv 
 
Hula Music 
facebook.com/hulam.usic.1
Puppets, Turntables, And A String Quartet | K.K. Barrett & Kid Koala's "Nufonia Must Fall Live" Oscar-nominated K.K. Barrett (Her, Where the Wild Things Are) directs a genre-mashing adaptation of Kid Koala's graphic novel, Nufonia Must Fall, in an experience that is equal parts cinema, theater and concert. Under Barrett's direction, the performance unfolds via real-time filming of more than a dozen miniature stages and a cast of puppets, while Kid Koala, accompanied by the Afiara String Quartet, performs his original score on piano and turntable.

Read more: http://thecreatorsproject.vice.com/blog/kk-barrett-and-kid-koala-nufonia-must-fall-live

___

SUBSCRIBE to The Creators Project:
http://bit.ly/Subscribe_to_TheCreatorsProject

SUBSCRIBE to The Creators Project Newsletter:
http://bit.ly/HhxuUN

___

The Creators Project is a partnership between Intel and VICE:
http://thecreatorsproject.com/

___

Check out our full video catalog:
http://youtube.com/user/TheCreatorsProject/videos

Facebook: http://fb.com/thecreatorsproject
Twitter: http://twitter.com/creatorsproject
Tumblr: http://thecreatorsproject.tumblr.com/
Above The Wedge The Wedge in action brought to you by Air Reel Productions. 
 
Aerial work featuring this emblematic break in Newport Beach, CA. We have always been fascinated by this freak of Nature and wanted to capture from new angles and lightning. Total respect for surfers, bodysurfers and bodyboarders that risk it on every swell to experience the rush of this emblematic wave. 
 
Location: Newport Beach, CA 
Date: July 2014
Michael Bierut Graphic Designer - The Creative Influence Ep.13 Michael Bierut talks about his mentor Massimo Vignelli, how the internet has changed the way we do design work in the 20th century and what make a logo endure. http://thecreativeinfluence.net 
 
Directed by Mario De Armas - REEL - https://vimeo.com/92954937 
Produced by Sandbox Studio - http://www.sandboxstudio.com 
Massimo Vignelli footage by Gary Hustwit director of Helvetica - https://hustwit.com
Icheon Master Hand The American Museum of Ceramic Art is honored to present ICHEON: Reviving the Korean Ceramics tradition, an unprecedented exhibition organized by Icheon, South Korea. Icheon has a history of ceramic culture that began over 5000 years ago and has a reputation for its internationally renowned ceramics cultural events. Now Icheon
has reached out to an American institution for the very first time. As the premiere exhibition of its kind in the United States, ICHEON will present over 230 objects never before seen on American soil that exemplify the revival of the ceramics tradition in Korea from antique techniques to contemporary innovations.
Icheon Public opening is from October 12th- December 29th. Join us in welcoming Icheon Dignitaries as we celebrate this major exhibition on Saturday, November 9, 2013, 6:00pm‐8:30pm.
Founded in 2001 and opened in September, 2004, AMOCA is one of the few museums in the United States devoted exclusively to ceramic art and historic innovations in ceramic technology. It is located in an area abounding with ceramic history and internationally recognized clay artists from the Arts and Crafts Movement, the 60's Clay Revolution and the current Studio Pottery Era. Geographically, the building is located in an urban downtown district where art is an important element of the continuing and successful community revitalization program. The home community consists of a rich ethnic mix and a large academic constituency with approximately fifteen institutions of higher learning within an eight-mile radius.
You can visit http://www.amoca.org for more information.
Kite Fight In the crowded favelas of Rio de Janeiro, flying kites is more than a leisurely escape: It’s also a playful form of battle. 
 
Produced by: Guilherme Tensol 
 
Click here to follow us: vimeo.com/newyorktimes 
Watch more videos at: nytimes.com/video 
Follow on Twitter: twitter.com/nytvideo
MARILYN MYLLER - Mini Making: Light Effects
Marilyn MyllerTime lapse Mikey 'Yes' Please and Dan 'two point' Ojari pull shapes and animate a shot from Marilyn Myller at Clapham Road studios. 
produced by Hornet Inc / Blink Ink / Peter Medlock / Mikey Please
Greg Klassen Furniture Maker A short introduction to the life and work of Greg Klassen, studio furniture maker.
Visit http://www.gregklassen.com/index.html for more information.
D&AD 2014 Title Sequence www.pandayoghurt.co.uk 
www.twitter.com/pandayoghurt 
 
This year we where tasked with creating the opening title sequence, title slates and idents for the prestigious D&AD awards. I provided the concept, design and art direction with additional help from Oliver Harris . These where then brought to life by Oliver and Matt Whitewood. A lot of hard work all round especially within such a short timeframe. Each machine was designed to utilise objects and materials that you would find in an art and design shop. This was to reflect the qualities of D&AD. 
 
Creative Direction / Art Direction / Design / Direction: Douglas Bowden 
3D Lead: Oliver Harris 
3D Artist: Matt Whitewood 
Audio Track: Pantha Du Prince
You are not a storyteller - Stefan Sagmeister @ FITC We had the pleasure of spending some time with Stefan Sagmeister at the recent FITC Toronto conference in April, 2014, and he had some things to say. 
 
Enjoy. 
 
Stefan Sagmeister 
Partner, Sagmeister & Walsh 
 
Stefan Sagmeister formed the New York based Sagmeister Inc. in 1993 and has since designed for clients as diverse as the Rolling Stones, HBO and the Guggenheim Museum. Having been nominated eight times, he finally won two Grammy Awards for the Talking Heads and Brian Eno & David Byrne package designs. He has also earned practically every important international design award. 
 
In 2008 Stefan authored a comprehensive book titled “Things I Have Learned In My Life So Far”, published by Abrams. Solo shows of Sagmeister Inc’s work have been mounted in Paris, Zurich, Vienna, Prague, Cologne, Berlin, New York, Miami, Los Angeles, Chicago, Toronto, Tokyo, Osaka, Seoul and Miami. 
 
Stefan teaches in the graduate department of the School of Visual Art in New York and lectures extensively on all continents. In 2012 young designer Jessica Walsh became a partner and the company was renamed into Sagmeister & Walsh. A native of Austria, he received his MFA from the University of Applied Arts in Vienna and, as a Fulbright Scholar, a master’s degree from Pratt Institute in New York. After his studies he worked as a Creative Director for Leo Burnett in Hong Kong and for M&Co. in New York. 
http://www.sagmeisterwalsh.com/
Masters of the World Cup (short documentary - ENG SUBS) GDE Bertoni è l'azienda milanese che dal 1974 costruisce la Coppa del Mondo FIFA di calcio (disegnata da Silvio Gazzaniga) ma anche la Champions League, l'Europa League e molte altre coppe internazionali. In questo piccolo documentario, raccontiamo la loro storia. http://www.gdebertoni.com/

Regia e montaggio: Riccardo Petrillo
Autore: Riccardo Pavone e Martina Ravasio
Produzione: YAM112003

Si ringrazia GDE Bertoni per la partecipazione. Grazie Valentina Losa per la grande disponibilità. Grazie ad Ahmed, Luigi, Nando, Raffaele e Savino per le loro storie e la loro simpatia.

ISCRIVITI - http://www.youtube.com/bonsaitv
FACEBOOK - http://www.facebook.com/www.Bonsai.TV
TWITTER - http://www.twitter.com/bonsaitv
SITO UFFICIALE - http://www.bonsai.tv
Juxtapoz x Adobe Present: The Making of... A Jeremy Fish Drawing For the past few months, we have been following a special project between Adobe, Juxtapoz, and Jeremy Fish, in which Fish will be creating an animated mural that utilizes the new updates to Adobe Creative Cloud and the new creative hardware, Adobe Ink & Slide. Previously we had asked, "What if Fish took his 100 drawings—telling not only his history but also a special story about San Francisco—and created an animation that could be projected in a public space in the city for passersby to see as part of a moving-mural experience?" At the end of July 2014, Fish will be projecting the mural in the North Beach neighborhood, which he calls home.

Using Adobe Illustrator CC, Photoshop CC, After Effects CC, and the collaboration features in Adobe Creative Cloud, Fish and his friends will work together to bring the mural to life. In this video we show Fish's work in the context of his day-to-day art-making process. He is an artist who works with pens and ink, meticulously crafting his narrative drawings and paintings, which begin on an 11" x 14" piece of paper. As part of this series, which shows Fish transforming his work into a projection and mural that we hope creates new opportunities to share his art, we wanted to showcase the core of Fish's studio practice: drawing. Here we capture the making of one of Fish's iconic 11" x 14" pieces, which will be part of his mural animation.

This is part 3 in a six-part video-documentary series.

For more information, visit http://j.mp/1yjMUP7
ReMoved You can alternatively view this film here: http://youtu.be/lOeQUwdAjE0 
 
We made ReMoved with the desire that it would be used to serve in bringing awareness, encourage, and be useful in foster parent training, and raising up foster parents. . 
If you would like to use the film for any of these reasons, the answer is yes. 
If you need a downloadable version, you can download it here: 
https://vimeo.com/ondemand/removed 
 
Download the music here: http://dannyklaver.bandcamp.com/releases 
 
Originally created for the 168 Film Festival, ReMoved follows the emotional story through the eyes of a young girl taken from her home and placed into foster care. 
 
After winning Best Film and Audience Choice at the 168 Film Festival, as well as winning Best Film at the Enfoque Film Festival and being an official selection at the Santa Barbara Independent Film Festival, we're extremely excited to share ReMoved online. 
 
"It would be impossible to fully understand the life and emotions of a child going through the foster care system, but this short narrative film portrays that saga in a poetic light, with brushes of fear, anger, sadness, and a tiny bit of hope." -Santa Barbara Independent 
 
This short film wouldn't be possible without the help of an incredible group of people who donated their time and energy to this project. 
 
And then of course Tony Cruz. I asked him early on if he’d be willing to tackle this with me. I wasn’t sure if I was really going to pursue it unless he said yes. He graciously agreed and was, to me, a huge source of confidence in knowing this project would turn out well. He and i discussed everything during the pre-production, and i counted on his creative mind to keep me on the right path. He even persuaded another key creative on the project, Greg Pickard, to join us. On Set Tony was my right hand man. On set, if I just wasn’t feeling it, I had the trust in him to be able to just hand the scene off to him and know he would make it work. And he stepped in plenty of times when i just needed a break, or a separate perspective. Some of the best moments in the film are of his doing. Go check him out at www.tonycruz.co 
 
We were very fortunate with Abby White, the young actress. Without her we wouldn’t have a film. 
 
Her parents were so amazing as well. I don’t think they anticipated how much involvement it would take on their end, but they stuck with it the whole way. Abby’s dad, Andy White from Good Times Guitar, even recorded Abby’s Voice Over for us in his studio. 
 
We also owe a huge thanks to Sabrina Culver, the birth mom, who brought so much to her role. Please be sure to check out her credits here: http://www.imdb.com/name/nm0191747/ 
We can vouch for her. She's worth working with!
Waves of Grain Images by Keith Skretch 
Sound by Ennio Morricone, "The Big Gundown" 
 
To create this strata-cut animation, I planed down a block of wood one layer at a time, photographing it at each pass. The painstaking process revealed a hidden life and motion in the seemingly static grain of the wood, even as the wood itself was reduced to a mound of sawdust. 
 
Official Selection, Chicago Underground Film Festival 2013 
Official Selection, Brooklyn Film Festival 2013 
Official Selection, Provincetown International Film Festival 2013 
Official Selection, Corona Fastnet Short Film Festival 2013 
Official Selection, DC Shorts Film Festival 2013
The Putter Ernest Wright & Sons of Sheffield, is one of the last remaining hand manufacturer of scissors . The film documents ' Putter ' Cliff Denton literally a putter togetherer of scissors . This Film is part of Storying Sheffield , part funded by the Arts & Humanities department under Professor Brendan Stone at The University of Sheffield . Music and Sound Design by The Black Dog .
Made by Hand / No 5 The Bike Maker A project from bureauofcommongoods.com, Made by Hand is a new short film series celebrating the people who make things by hand—sustainably, locally, and with a love for their craft. 
 
Our fifth film turns to bike maker Ezra Caldwell (Fast Boy Cycles), who was diagnosed with cancer in 2008. When the cancer threatens to shatter his love of bikes, Ezra survives by documenting his illness as thoroughly as his craft. 
 
director-producer KEEF 
editor MATT SHAPIRO 
director of photography ADAM MCDAID 
assistant camera JOSH LAWSON 
additional camera ELIAS RESSEGATTI 
music NATHAN ROSENBERG 
music produced at THE DOG HOUSE NYC 
sound recordist ROBERT ALBRECHT 
re-recording mixer NICHOLAS MONTGOMERY 
colorist JAIME O'BRADOVICH at COMPANY 3 
title design MANDY BROWN 
line producer JOHN SEABRIGHT 
 
special thanks 
EZRA & HILLARY CALDWELL (AND PUTNEY) 
FAST BOY CYCLES 
TEACHING CANCER TO CRY 
CREW CUTS 
KATHERINE ANDREWS at COMPANY 3 
 
www.thisismadebyhand.com 
http://bureauofcommongoods.com 
www.fastboycycles.com 
www.teachingcancertocry.com 
http://keef.tv 
www.crewcuts.com 
www.company3.com 
www.doghousenyc.com
Made by Hand / No 4 The Cigar Shop A project from www.bureauofcommongoods.com, Made by Hand is a new short film series celebrating the people who make things by hand—sustainably, locally, and with a love for their craft. 
 
In 1974, Dominican immigrant Don Antonio Martinez started a small shop in New York City selling hand rolled cigars. Thirty-eight years later his son, Jesus, carries on the tradition. The shop combines craftsmanship with community, mixing equal parts work and play. 
 
director-producer KEEF 
co-director ELIAS RESSEGATTI 
director of photography JOSHUA KRASZEWSKI 
editor MATT SHAPIRO 
title design MANDY BROWN 
composer NATHAN ROSENBERG / DOGHOUSENYC 
re-recording mixer NICHOLAS MONTGOMERY 
assistant re-recording mixer JOHN GUMAER 
sound recordist ROBERT ALBRECHT 
additional sound recording JON MOORE 
 
special thanks 
JESUS MARTINEZ / MARTINEZ CIGARS 
CREW CUTS 
MATT DICKEY 
ALEX KAHN & MARY WOOD / FRISBIE 
DAVID HAYAN / SUPERSONIC CREATIVE 
 
http://thisismadebyhand.com 
http://bureauofcommongoods.com 
http://www.martinezcigars.com 
http://keef.tv 
http://doghousenyc.com 
http://www.crewcuts.com 
http://frisbienyc.com/ 
http://supersoniccreative.com
Made by Hand / No 3 The Beekeeper A project from http://bureauofcommongoods.com, Made by Hand is a new short film series celebrating the people who make things by hand—sustainably, locally, and with a love for their craft. 
 
Local farmer Megan Paska has witnessed beekeeping as it morphed from an illegal (and possibly crazy) habit to a sustainable, community-supported skill. Mirroring beekeeping’s own ascendance, she found more than just a living: “This is the first time in my life when I’ve just felt absolutely on the right path.” 
 
 
director-producer KEEF 
director of photography JOSHUA KRASZEWSKI 
editor MATT SHAPIRO 
title design MANDY BROWN 
colorist ANDY WITKOWSKI 
music ALESSANDRO CORTINI 
sound recordist ROBERT ALBRECHT 
re-recording mixer NICHOLAS MONTGOMERY 
assistant re-recording mixer JOHN GUMAER 
additional camera ELIAS RESSEGATTI & ADAM ORELLANA 
 
 
special thanks 
MEGAN PASKA / BROOKLYN HOMESTEADER 
ANNIE NOVAK / GROWING CHEFS 
EAGLE STREET ROOFTOP FARM 
CREW CUTS 
 
www.thisismadebyhand.com 
http://bureauofcommongoods.com 
www.brooklynhomesteader.com 
www.growingchefs.org 
www.rooftopfarms.org 
http://keef.tv 
http://sonoio.org 
www.crewcuts.com
Made by Hand / No 2 The Knife Maker A project from http://bureauofcommongoods.com, Made by Hand is a new short film series celebrating the people who make things by hand—sustainably, locally, and with a love for their craft. 
 
In our second film, we meet writer turned knife maker Joel Bukiewicz of Cut Brooklyn. He talks about the human element of craft, and the potential for a skill to mature into an art. And in sharing his story, he alights on the real meaning of handmade—a movement whose riches are measured in people, not cash. 
 
director-producer KEEF 
director of photography JOSHUA KRASZEWSKI 
editor MATT SHAPIRO 
music MICHAEL TRAINOR & NATHAN ROSENBERG 
music produced at THE DOG HOUSE NYC 
sound recordist ROBERT ALBRECHT 
re-recording mixer NICHOLAS MONTGOMERY 
assistant re-recording mixer JOHN GUMAER 
gaffer ADAM ORELLANA 
title design MANDY BROWN 
 
 
special thanks 
JOEL BUKIEWICZ & CUT BROOKLYN 
 
http://thisismadebyhand.com 
http://bureauofcommongoods.com 
http://cutbrooklyn.com 
http://keef.tv 
http://doghousenyc.com
Made by Hand / No 1 The Distiller A project from http://bureauofcommongoods.com, Made by Hand is a new short film series celebrating the people who make things by hand—sustainably, locally, and with a love for their craft. 
 
In our inaugural film, we visit the Breuckelen Distilling Company, the first gin distiller in Brooklyn since prohibition. Founder Brad Estabrooke talks about starting from nothing and the imperfect process of perfecting a craft. His experience bears a lesson for us all: knowing you could fail brings you that much closer to success. 
 
director-producer KEEF 
director of photography JOSHUA KRASZEWSKI 
editor MATT SHAPIRO 
title design MANDY BROWN 
music ROMAN ZEITLIN 
sound recordist ROBERT ALBRECHT 
re-recording mixer NICHOLAS MONTGOMERY 
 
special thanks 
BRAD ESTABROOKE & BREUCKELEN DISTILLING CO. 
 
http://thisismadebyhand.com 
http://bureauofcommongoods.com 
http://keef.tv 
http://brkdistilling.com
#MAD14 Main Titles by Sebas & Clim / @MadInSpain @Domestika Main Titles for #MAD14 by Sebas & Clim 
@MadInSpain @Domestika
The Elephant's Garden A film I made with elephants in it, and a bunch of other things too.

This was my third year film at RMIT University Melbourne, Bachelor of Animation and Interactive Media.
The soundtrack, composed by the lovely Red M, can be acquired here: http://redm.bandcamp.com/album/the-elephants-garden-original-soundtrack
LLAPSE "A visual metaphor of the positive and negative aspects of humanity, and its path on Earth." 
 
Official website: http://llapse.net 
Facebook: http://www.facebook.com/llapse 
Contact: contact@llapse.net 
 
Story: 
 
“This is the way the world ends 
Not with a bang but a whimper.” - TS ELLIOTT 
 
Transience reflects the condition of every being in the universe seen through a sensitive, intellectual or even felt experience. 
Even further, what humanity can’t describe, touch or identify is also linked to the same vanishing flow. 
As big can be atoms or minuscule the stars, it’s all about sequences, pace, sudden apparitions or slow decay. 
Humanity seems to have a unique potential in this constant struggle between life and entropy. 
Whether our aptitudes help us prevail and evolve or instead accelerates our doom we have yet to decide. 
That hesitation would come to an end with self-annihilation, but an end may just be a transition, a transformation. 
 
 
Process: 
 
Structured in a pseudo-timeline, the film is visually bringing a balance of positive and negative aspects in humanity. Slow or fast paced scenes, soft nature or hard concrete environments are shown as global human experience. 
Initially a personal practice to bring mental concepts to life, this movie is achieved by two individuals, Julien Vanhoenacker as writer/director/VFX artist and Nicolas Vitte as music composer. 
A great deal of computing power is needed to generate CGI images and the availability of the renderfarm of The Post Bangkok is a chance that allows this film to exist. 
Creating these visual metaphors is a lengthy process spanning over many months. This allows ideas to be refined and become stronger in time, but also requires organisation, endurance and perfectionism, as well as the ability to stay focused on the initial intention. 
 
 
Credits: 
 
Writing / Direction: 
JULIEN VANHOENACKER 
 
CGI / VFX: 
JULIEN VANHOENACKER 
 
Music: 
NICOLAS VITTE 
 
Production / Renderfarm: 
THE POST BANGKOK 
 
Thanks: 
YA CHUNG TENG 
GABRIEL MAYMON 
MOONTIARA SANPHECHUDA 
PICHAYA POPANYASAK 
APIWAT SRIMONGKOLKUL
Custom Namiki Falcon, Part 2 Pen: Namiki Falcon, resin, custom ground (extra fine with added flexibility) by nibmeister John Mottishaw

Inks: Iroshizuku Tsuki-yo, Iroshizuku Yama Budo, Noodler's Black, Noodler's Apache Sunset
Paper: Bristol board, Leuchtturm1917 dot grid notebook
Camera: Sony DSC-HX9V

This pen can be found at the following address:
http://www.nibs.com/NamikiFalconPage.htm

Special thanks to Drexel University
-AR
Selfie More at http://www.andymartin.info & twitter.com/handymartian 
 
A 60 second warning about self obsession. 
 
This was created for Pictoplasma's #CharacterSelfie project which you can follow at http://characterselfies.tumblr.com/
Ben Edmonds - Blok Knives // Profile After a decade-long career in graphic design, Derbyshire-based knife maker Ben Edmonds has transferred his fastidious eye for use and function into producing these remarkable hand-made kitchen knives. 
http://www.blok-knives.co.uk 
 
Music thanks to the extraordinary Chihei Hatakeyama 
http://whitepaddymountain.tumblr.com 
http://www.chihei.org 
http://chihei-mastering.com
ParaNorman - Faces of ParaNorman Agency: Wieden + Kennedy 
Behind the Scenes footage: Produced and Directed by Grow Film Company 
Director of Photography: Reed Harkness
Too Old To Be New, Too New To Be Classic: 12 Years of DFA Red Bull Music Academy Presents: 12 Years of DFA Records, narrated by Marc Maron. 
 
Directed by Max Joseph 
Edited by Jeff Conrad 
Produced by Aaron Weber 
A m ss ng p eces Production
Balan the Blowpipe Maker Only a few elders of Borneo’s Penan tribe still know how to make their unique hunting tool, the blowpipe. Balan is the last person in his village who practices the dying craft. 
 
-- 
 
This short film is an extract from the 30 minute documentary Sunset Over Selungo, which will be released online later this year. 
Please like the Facebook page to be notified of the release ---> www.facebook.com/SelungoFilm 
 
Watch the trailer here: https://vimeo.com/95975471 
 
Twitter: www.twitter.com/SelungoFilm 
 
Music: http://soimanislander.bandcamp.com 
 
100% of Tip Jar donations will go to Balan's village co-operative. The co-op works to benefit and strengthen the local community and preserve their ancestral home, the surrounding rainforest.
Bjork - "Mutual Core" Making Of Director: Andrew Thomas Huang - http://www.andrewthomashuang.com 
Producer: Árni Björn Helgason 
Production Company: Sagafilm 
 
REYKJAVIK UNIT: 
 
Cinematographer: August Jakobsson 
Production Designer: Gudjon Olafsson 
Art Director: Thorgeir Odinsson 
Makeup Artist: Frida Maria Hardardottir 
 
LOS ANGELES UNIT: 
 
Cinematographer: Laura Merians 
Production Designer: Hugh Zeigler 
Art Director: Orion Martin 
 
POST PRODUCTION: 
 
Executive Producer: David Lyons 
VFX Company: Moo Studios 
 
Editor: Andrew Thomas Huang 
VFX Supervisor: Andrew Thomas Huang 
 
Lead Compositor: Lindsey Fry 
Compositors: Nate Jess, Aaron Rovner 
 
Lead CG Supervisor: Michael Ranger 
FX Technical Director: Nico Sugleris 
CG Modelers: Michael Barela, Daniel Edery, Iordanis Kioumourtzoglou 
Animators: Olivia Hong, Dan Wilson, Othon Castro 
 
Director's Rep: Jamie Kohn-Rabineau at LARK Creative 
 
Sponsored by The Museum of Contemporary Art Los Angeles MOCATV
BJÖRK - "MUTUAL CORE" Director: Andrew Thomas Huang - http://www.andrewthomashuang.com 
Twitter: https://twitter.com/Andrew_T_Huang/ 
 
Producer: Árni Björn Helgason 
Production Company: Sagafilm 
 
REYKJAVIK UNIT: 
 
Cinematographer: August Jakobsson 
Production Designer: Gudjon Olafsson 
Art Director: Thorgeir Odinsson 
Makeup Artist: Frida Maria Hardardottir 
 
LOS ANGELES UNIT: 
 
Cinematographer: Laura Merians 
Production Designer: Hugh Zeigler 
Art Director: Orion Martin 
 
POST PRODUCTION: 
 
Executive Producer: David Lyons 
VFX Company: Moo Studios 
 
Editor: Andrew Thomas Huang 
VFX Supervisor: Andrew Thomas Huang 
 
Lead Compositor: Lindsey Fry 
Compositors: Nate Jess, Aaron Rovner 
 
Lead CG Supervisor: Michael Ranger 
FX Technical Director: Nico Sugleris 
CG Modelers: Michael Barela, Daniel Edery, Iordanis Kioumourtzoglou 
Animators: Olivia Hong, Dan Wilson, Othon Castro 
 
Director's Rep: Jamie Kohn-Rabineau at LARK Creative 
 
Sponsored by The Museum of Contemporary Art Los Angeles MOCATV
MAKING OF: Atoms for Peace - "Before Your Very Eyes" Directed by Andrew Thomas Huang 
http://www.andrewthomashuang.com 
https://www.facebook.com/AndrewThomasHuang 
https://twitter.com/Andrew_T_Huang/ 
 
Producers: Brian Welsh & Matt Marsh 
Executive Producer: Tamsin Glasson 
 
Director of Photography: Laura Merians 
Production Designer: Rebecca Stillman 
Hair & Makeup Artist: Olive Meyer 
Production Supervisor: Lauren Simpson 
 
1st AC: Robby Hart 
2nd AC/DIT: Daniel Wurschl 
Camera PA: Rebecca Carpenter 
Gaffer: Jamie Davis 
Key Grip: Mark Hyde 
Jib Operator: Stephen Winders 
 
Art Director: Adrian Romo 
Makeup Assistant: Tina Martinez 
Stop Motion Animator: Eileen Kohlhepp 
 
Art Department Artists: 
Emily Franz 
Jody Hughes 
Nancy Jean Tucker 
Jeff Knowlton 
Jenn Rose 
Chris Swanson 
Amanda Tasse 
 
Production Assistant: Brian Steffen 
 
POST PRODUCTION & VFX: 
 
Visual Effects Supervisor: R James Healy 
Lead CG Lighter: Carlos Diego 
Lead Compositor: Andrew Thomas Huang 
Lead CG Modeler: Lucas Cuenca 
 
Compositors: 
Leo Bridle 
Mathias Cadyck 
Elisa Ciocca 
Alix Fizet 
Jonathan Gallagher 
Duncan Gist 
Sami Guellaï 
Stefano Lari 
Adriano Vessichelli 
 
CG Technical Directors: 
Mathias Cadyck 
Gianmarco Colalongo 
Gareth Ermisz 
Sami Guellaï 
Tim Jenkinson 
Simon Renaud 
Johannes Sambs 
 
CG Tracking: 
Grant Hewlett 
Dan Newlands 
Natalie Rocks 
 
Behind-the-Scenes Crew: 
On Set Photographers: Chris Sinclair & Leandro Santini 
Editor: Leandro Santini 
 
Visual Effects created at Blinkink Studios 
Head of Production: Josephine Gallagher 
 
Color Correction by The Mill 
Colorist: James Bamford 
Mill Producer: Cath Short 
 
Props Workshop provided by Screen Novelties 
 
Sound Stage provided by Milk Studios 
 
Special Thanks to: 
Blinkink Studios 
Screen Novelties: Chris Finnegan, Seamus Walsh & Mark Caballero 
Logan Schneider 
The Mill 
Milk Studios & LEGS Media: Mazdack Rassi, Shaun Murdock, Adam Joseph & Tom Berendsen 
 
A Colonel Blimp & Good Company Production 
 
Video Commissioner: Phil Lee 
Record Label: XL Recordings
Atoms for Peace - "Before Your Very Eyes" Directed by Andrew Thomas Huang 
http://www.andrewthomashuang.com/ 
https://www.facebook.com/AndrewThomasHuang 
https://twitter.com/Andrew_T_Huang/ 
 
Producers: Brian Welsh & Matt Marsh 
Executive Producer: Tamsin Glasson 
 
Director of Photography: Laura Merians 
 
Production Designer: Rebecca Stillman 
Hair & Makeup Artist: Olive Meyer 
 
Production Supervisor: Lauren Simpson 
 
1st AC: Robby Hart 
2nd AC/DIT: Daniel Wurschl 
Camera PA: Rebecca Carpenter 
 
Gaffer: Jamie Davis 
Key Grip: Mark Hyde 
 
Jib Operator: Stephen Winders 
 
Art Director: Adrian Romo 
Makeup Assistant: Tina Martinez 
Stop Motion Animator: Eileen Kohlhepp 
 
Art Department Artists: 
 
Emily Franz 
Jody Hughes 
Nancy Jean Tucker 
Jeff Knowlton 
Jenn Rose 
Chris Swanson 
Amanda Tasse 
 
 
Production Assistant: Brian Steffen 
 
 
POST PRODUCTION & VFX: 
 
Visual Effects Supervisor: R James Healy 
Lead CG Lighter: Carlos Diego 
Lead Compositor: Andrew Thomas Huang 
Lead CG Modeler: Lucas Cuenca 
 
 
Compositors: 
 
Leo Bridle 
Mathias Cadyck 
Elisa Ciocca 
Alix Fizet 
Jonathan Gallagher 
Duncan Gist 
Sami Guellaï 
Stefano Lari 
Adriano Vessichelli 
 
 
CG Technical Directors: 
 
Mathias Cadyck 
Gianmarco Colalongo 
Gareth Ermisz 
Sami Guellaï 
Tim Jenkinson 
Simon Renaud 
Johannes Sambs 
 
 
CG Tracking: 
 
Grant Hewlett 
Dan Newlands 
Natalie Rocks 
 
 
Behind-the-Scenes Crew: 
 
On Set Photographers: Chris Sinclair & Leandro Santini 
Editor: Leandro Santini 
 
 
Visual Effects created at Blinkink Studios 
Head of Production: Josephine Gallagher 
 
 
Color Correction by The Mill 
Colorist: James Bamford 
Mill Producer: Cath Short 
 
 
Props Workshop provided by Screen Novelties 
 
 
Sound Stage provided by Milk Studios 
 
 
Special Thanks to: 
 
Blinkink Studios 
Screen Novelties: Chris Finnegan, Seamus Walsh & Mark Caballero 
Logan Schneider 
The Mill 
Milk Studios & LEGS Media: Mazdack Rassi, Shaun Murdock, Adam Joseph & Tom Berendsen 
 
 
A Colonel Blimp & Good Company Production 
 
Video Commissioner: Phil Lee 
Record Label: XL Recordings
SOLIPSIST - Making Of Behind the Scenes of "Solipsist" 
 
Directed by Andrew Huang: http://www.andrewthomashuang.com 
 
Facebook 
facebook.com/AndrewThomasHuang 
facebook.com/Solipsistfilm 
Twitter - twitter.com/Andrew_T_Huang 
Tumblr - http://andrewthomashuang.tumblr.com/ 
 
Original Soundtrack: http://itunes.apple.com/us/artist/the-nautilus-diary/id514184687 
 
Cast: Mary Elise Hayden, Marissa Merrill, & Dustin Edward 
Cinematography by Laura Merians 
Costumes by Lindsey Mortensen 
Production Design by Hugh Zeigler 
Makeup & Hair Design by Jennifer Cunningham 
 
Producers Laura Merians & Stephanie Marshall 
Executive Producer David Lyons 
 
Live Action & VFX Produced at Moo Studios in Hollywood, CA
John Lewis 'The Bear & The Hare' - The Making Of Making of film directed by Jake & Josh 
www.jakeandjosh.co.uk 
 
The Bear & the Hare is the first John Lewis campaign to embrace the emotive power of animation, a filmic technique so evocative of Christmasses gone by. 
 
Elliot and Yves took the two most traditional and time-honoured animation processes – stop-motion and traditional hand-drawn 2D animation – and combined them to create something innovative and unique. Their aim was to do almost everything in camera, using real lighting, lens and film craft to build a world where the audience can see and feel the painstaking work behind it. The 2D animation’s physical interaction with the set and the human imperfections inherent in the process create a hand-crafted piece full of heart and integrity. 
 
The animation process involved constant shifts between 2D and 3D worlds. In order to achieve this complicated combination the whole film was first created in Blinkink Studios as a 3D previsualisation animatic with all the sets and characters built to scale. This allowed everything to be developed and planned alongside the modelmakers and animators, thus integrating the different disciplines and processes before the set was built or the characters were printed. 
 
Aaron Blaise (Brother Bear, The Lion King, Mulan) and his team of veteran Disney animators at Premise Entertainment in Orlando, Florida, designed and animated the characters. The 2D-animation frames were printed onto mounted paper and cut with a laser. Each frame (nearly 4,000 in total) was then individually hand-labelled before going on set. Feature-film stop-frame animators then spent 6 weeks bringing the world to life. 
 
The set was built by our production designer John Lee (Aliens, Fantastic Mr Fox, Frankenweenie) and his team at Shepperton Studios before being transported to Clapham Road Studios ready for the stop-motion shoot. 
 
Post-production was done in-house in Blinkink’s animation studio, and the final grade was completed at MPC. 
 
CREDITS 
 
Directors: 
Elliot Dear & Yves Geleyn 
 
Executive Producers: 
Bart Yates 
Michael Feder 
 
Producers: 
Bart Yates 
James Stevenson Bretton 
Josephine Gallagher 
 
Line Producer: 
Kev Harwood 
 
Production Manager: 
Benjamin Lole 
 
2D Animation: 
Premise Entertainment LLC 
 
2D Animation Supervisors: 
Aaron Blaise 
Dominic Carola 
 
2D Line Producer: 
Iris Pearson 
 
2D Animators: 
Erin Humiston 
Darko Cesar 
 
Head of Clean-up 2D Animation: 
Janelle Bell-Martin 
 
2D Clean-up Artists: 
Mi Yul Lee 
Teresa Quezada-Geer 
Jacque Pierro 
Chad Thompson 
Jason Peltz 
 
2D Compositor/Scene Setup: 
Mac Masters 
 
2D Artistic Coordinator: 
Pam Darley 
 
2D Digital Artist: 
Anthony West 
Enoc Castaneda 
 
2D Lead Colourist/Coordinator: 
James Lancett 
 
2D Colourists: 
Sean Weston 
Joseph Sparkes 
Frankie Swan 
Harriet Gillian 
 
Assistant 2D Colourist: 
Lila Peuscet 
 
2D Illustrator Technician: 
Albert Sala 
 
Printers: 
The Graphical Tree 
 
Laser Cutting: 
Ewen Dickie 
 
Designer/Typographer: 
Robert Frank Hunter 
 
Storyboard Artists: 
Sav Akyuz 
Steve Tappin 
James Lancett 
Robert Frank Hunter 
 
3D Technical Director: 
Patrick Hearn 
 
3D Previsualisation Artist: 
Simone Ghilardotti 
Lucas Cuenca 
Johannes Sambs 
 
Lead Stop-Frame Animator: 
Andy Biddle 
 
Stop-Frame Animators: 
Daniel Ojari 
Daniel Gill 
 
Production Designer/ Supervising Modeller: 
John Lee 
 
Art Department Modellers: 
Colin Armitage 
Sonya Yu 
Maggie Haden 
Collette Pidgeon 
Yossel Simpson Little 
Richard Blakey 
Gary Welch 
Christy Matta 
Lucy Begent 
 
Scenic Painters: 
Fiona Stewart 
Beth Quinton 
 
Rigging Department: 
Richard Blakey 
 
Art Department Assistants: 
Morgan Faverty 
Anna Ginsburg 
Jennifer Newman 
 
MOCO/Camera Assistant: 
Max Halstead 
 
Director of Photography: 
Toby Howell 
 
Gaffer: 
Aldo Camilleri 
 
Runner: 
Robert Gould 
 
Post Production: 
Blinkink Studios 
 
Post Production/Compositing: 
Alasdair Brotherston 
Ian Sargent 
Carlos Diego 
Jonathan Gallagher 
Elliot Dear 
 
Editors: 
Sam Sneade at Speade 
Ellie Johnson at Speade 
 
Music Consultants: 
Leland Music 
 
Sound Design: 
Sam Robson at Factory Studios 
 
Colourist: 
Jean-Clement Soret at MPC 
 
‘Making of’ Film: 
Jake Hopwell & Josh Hine 
 
Studio Manager: 
Elizabeth Day 
 
Studio Assistant: 
Toby Goodyear 
 
Catering: 
Laura Barbi 
 
Advertising Agency: 
Adam & Eve DDB 
 
Executive Creative Director: 
Ben Priest 
 
Creative Directors: 
Aidan McClure Laurent Simon 
 
Agency Producer: 
Anthony Falco 
 
Assistant Producer: 
Catherine Cullen
Making RAEN - Carlo and Dante Mondavi Meet Vita Brevis Films | www.vitabrevisfilms.com 
 
Two brothers from winemaking lineage venture out on their own to break from the estate vineyard model and to show that young winemakers can still have a harvest. RAEN is the first creation from Carlo & Dante Mondavi. The Mondavi legacy has spread outward from Napa Valley for more than a century. Carlo and Dante strive to explore and to find their own path in the creation of their own wine while testing the rules and boundaries of their childhood. These contrasting worlds and trials lead to their first 2013 RAEN creation. The brothers are showing that a world class Pinot Noir can be made by young winemakers from the unusual climate of the Sonoma Coast. 
 
To learn more about the wine: 
www.RaenWine.com 
 
To read the entire story about the film "Making RAEN" visit: 
www.VitaBrevisFilms.com 
 
The Trailer for "Making RAEN" 
https://vimeo.com/90708024 
 
Directed by: Skylar Nielsen 
Director of Photography: Ian Rigby 
Cinematography: Lance Clayton & Josh Fletcher 
Music: Midas Whale, Apparat 
Produced by: Vita Brevis Films
20syl - Kodama (official music video) "Motifs" EP on iTunes : http://smarturl.it/MotifsEP 
 
Directors : Mathieu Le Dude & 20syl 
Executive Producer : On And On 
Post Production & Motion design : Doze Studio (http://www.doze-studio.com/), Mathieu Le Dude & 20syl 
 
Thanks to : 
Richard / Dugast Family, Marie Groneau, Sebastien Marqué, Eva & Greg Moongaï, Adeline Moreau, Romaric Dabin. 
 
Special S/O to Kafutchino (https://soundcloud.com/kafutchinobeat) for giving me the opportunity to create Kodama. 
 
Follow 20syl : 
https://soundcloud.com/20syl 
https://www.facebook.com/mr20syl 
https://twitter.com/mr20syl 
 
Follow Mathieu le Dude : 
https://twitter.com/dasswassupdude 
 
Follow on and on : 
https://www.facebook.com/onandonrecords 
https://twitter.com/onandonrecords
25 dresses for 25 cities "Entfaltung" for Bershka 
A shop window exhibition at 25 Bershka flagship stores 
in January 2014 
 
London 2x 
Paris 
Bruessels 
Milan 
Bologna 
Amsterdam 
Berlin 
Frankfurt 
Vienna 
Prague 
Moscow 
Madrid 
Barcelona 
Istanbul 
Shibuya (Tokyo) 
Singapore 
Macau (Hong Kong) 
Mexico City 
Bucharest
Val Follow me on my journey through the most significant and emotional year of my life. 
'Val' is a chronological documentation day by day from 15 Feb 2013 to 15 Feb 2014. 
Starting as a sort of travel/visual diary animation, the film took a big transformation. it turned out a completely different proposition altogether, covering huge milestones in my life beyond any of my expectations. 
Within this time frame you will see in order- 
My time in Brazil for my friends wedding. 
My journey traveling the east coast of Australia. 
The last days in Salisbury leading up to my Mother passing away. 
A stag festival. 
Getting married in Peru. 
My mothers funeral. 
A lot of London, whilst getting a visa for my wife. 
A second trip to Peru. 
Moving into a new house. 
Getting a new Job. 
And then finally getting my wife Lisi here just in time to give birth to our son Leonard. 
A year by no means as I planed, filled with emotion from euphoria to despair and back. 
The process of making this film has helped me get through this time. It has kept my brain active and been a challenge that I have endured in the name of my beautiful mother. 
The name Val is taken from both my mum Valerie Sheppard and my son Leonard Valentino Graham. I felt this truly represents this crazy circle of life. 
The mandala that appears with the logo and on the locket is symbolic of a year. The inner 12 circles for months the middle 56 for weeks and outer 365 for days. 
 
All the photos are hand stabilised and taken using my iPhone, 80% 4S, 20% 5S. 
The shots when I was overseas where mainly spontaneous but the ones in London had too be far more considered. I would plan locations before hand and work out times of the day or year that I would visit them. This meant in the winter months I would have to get up early and travel London before starting work. 
I nearly forgot a couple of times and I thought I had lost my phone a few times too which would have ruined the project. Thankfully i managed to keep hold of both laptop and phone whilst on my travels and armed with an alarm on my phone I remembered everyday. Maybe my mum was looking out for me. 
 
simongraham.tv/val
"I Dream of Wires: Hardcore Edition" trailer (09/2013 re-issue) I Dream of Wires: Hardcore Edition 
DVDs, BluRays and accessories available to order now: 
http://sciencewithsynthesizers.com 
 
Due to overwhelming demand, we're pleased to announce a repress of I DREAM OF WIRES: HARDCORE EDITION, our independent documentary epic exploring the history, demise and resurgence of the ultimate electronic music machine, the MODULAR SYNTHESIZER. Available to order now from our new SCIENCE WITH SYNTHESIZERS webshop (sciencewithsynthesizers.com), and coming soon to other select retailers. 
 
I Dream of Wires: Hardcore Edition is a companion to the forthcoming feature-length documentary, I DREAM OF WIRES. An alternate/extended cut, I Dream of Wires: Hardcore Edition is 4 hours in length, custom made for hardcore modular synthesizer and electronic music fanatics. Originally intended as a limited-edition pressing, available exclusively to IndieGoGo and pre-order customers, interest and demand for the 4-hour Hardcore Edition has surged since copies were shipped in August 2013. It seems that a 4-hour documentary about modular synthesizers isn't as niche as we thought! While a 4-hours may seem excessive, feedback has been overwhelmingly positive, which has only reinforced our own feelings that the Hardcore Edition is a fun and compelling watch, one that deserves to be seen by a wider audience. 
 
I Dream of Wires: Hardcore Edition includes an exclusive, lengthy historical primer, exploring the early development of modular synthesizers from pioneering companies Moog Music Inc. and Buchla and Associates. From there, we find out what's happening now: the phenomenal resurgence of the modular synthesizer — exploring the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. What started out as a "vintage-revival scene" in the '90s has grown into an underground phenomena with a growing market of modular obsessives craving ever more wild and innovative sounds and interfaces. Today, the modular synthesizer is no longer an esoteric curiosity or even a mere music instrument — it is an essential tool for radical new sounds and a bona fide subculture. 
 
Interview subjects include musicians and producers Trent Reznor (Nine Inch Nails), Gary Numan, Vince Clarke (Erasure), Morton Subotnick, Chris Carter (Throbbing Gristle), Daniel Miller, Carl Craig, Flood, cEvin Key (Skinny Puppy), James Holden, Factory Floor, Legowelt, John Foxx and Bernie Krause, as well as manufacturers and modular industry leaders Doepfer, Modcan, Make Noise, Intellijel, Metasonix, Synthesis Technology/MOTM, Muffwiggler Mike, and Andreas Schneider. 
 
I Dream Of Wires 
idreamofwires.org 
vimeo.com/idreamofwires 
twitter.com/IDOWdocumentary 
facebook.com/idreamofwiresdocumentary
Made in Tohoku After the devastation of the March 2011 earthquake and tsunami in Tohoku The Inoue Brothers travelled to the region to start a project with some of the affected local artisans. The result of this collaboration is their “Made in Tohoku” collection. 
 
Credits 
A FILM BY The Inoue Brothers - http://theinouebrothers.net 
DIRECTED BY Joppe Rog - http://jopperog.com 
SECOND CAMERA BY Lennert Rog - http://lennertrog.com 
MUSIC BY Sorenious Bonk - http://soreniousbonk.co.uk 
PRODUCTION Present Plus - http://presentplus.com/
The Expert (Short Comedy Sketch) Funny business meeting illustrating how hard it is for an engineer to fit into the corporate world! Staring: Orion Lee, James Marlowe, Abdiel LeRoy, Ewa Wojcik, Tatjana Sendzimir

Written & Directed by Lauris Beinerts
Based on a short story "The Meeting" by Alexey Berezin
Produced by Connor Snedecor & Lauris Beinerts
Director of Photography: Matthew Riley
Sound Recordist: Simon Oldham
Production Designer: Karina Beinerte
1st Assistant Director: James Hanline
Make-up Artist: Emily Russell
Editor: Connor Snedecor
Sound Designer: James Bryant
Colourist: Janis Stals
Animator: Benjamin Charles

The original short story "The Meeting" (in Russian): http://alex-aka-jj.livejournal.com/66984.html
Nuance Avec l'aimable autorisation de Planet Mu Records 
Musique / "Ants" de Edit 
Danse / Lucas Boirat 
Coproduit par Supermouche Productions 
Réalisé à l'E.S.A.L / Épinal 
Marc-Antoine Locatelli / 2013
霓虹的製作 The Making of Neon Signs | NEONSIGNS.HK 探索霓虹由霓虹老師傅親自解說霓虹招牌的製作過程，包括設計、屈管、充氣、通電等工序；與此同時希望公眾透過短片，了解閃閃發亮的霓虹燈牌背後，這項傳統工業正面對的現況與難題。

Get to know how neon signs are made as the masters go through the production processes from design, tube bending, gas filling and more.
Through this video you will also discover more about the current situation and challenges of the industry in Hong Kong behind the glowing neon signs.

關於「NEONSIGNS.HK 探索霓虹」
西九文化區M+博物館將舉辦首個網上展覽「NEONSIGNS.HK 探索霓虹」，對香港霓虹招牌作出探索、連繫及記錄。展覽同時邀請公眾上載喜愛的香港霓虹招牌照片至網上平台，共同展示香港獨有的城市景觀。

About NEONSIGNS.HK - an interactive online exhibition celebrating Hong Kong's neon signs
Presented by M+, Hong Kong's museum for visual culture, NEONSIGNS.HK will celebrate a key feature of the city's streetscapes by exploring, mapping and documenting its neon signs - while inviting the public to upload images of their favourite examples from throughout Hong Kong.

NEONSIGNS.HK 探索霓虹
21.3.2014 - 30.6.2014
http://www.neonsigns.hk
Instagram: #HKNEON
The Making of Kings of Leon ‘Beautiful War’ Artwork (4K) David A. Smith has become renowned for specialising in reverse gilded embossed glass signs and ornate mirrors. Today he is increasingly called upon to design and produce decorative album covers and gilded glass signs for some of the world’s leading brands. 
 
Captured over a period of 6 days and made up of over 300GB’s of still photographs, this short film showcases David’s hand-rendered illustration of the 'Kings of Leon’, ‘Beautiful War’ single cover. 
 
Artwork by David A. Smith www.davidadriansmith.com 
A film by Danny Cooke www.dannycooke.co.uk 
Time-lapse photography by Alex Thornton
ADBNE 2013 – Opening Titles Double-exposures in motion. 
 
- 
SXSW Excellence in Title Design 2014 – Finalist 
Desktop Magazine's Create Design Award for Motion 2013 – Winner 
Australian Production Design Guild Award for Title Design 2013 – Winner 
- 
 
Breeder was invited back to create the opening titles for Analogue/Digital, so once again, we threw ourselves into the project and didn't hold back. This year, we developed an ambitious aesthetic based upon the idea of double exposure, inspired by Alabaster's amazing track and the conference's program design. We worked around the theme of binary, juxtaposing the urban sprawl and nature, black and white, flight and fall, and unification and disintegration. It was a labour of love and we couldn't be prouder with the end result. 
 
BREAKDOWN VIDEO: http://vimeo.com/breeder/adbne2013-breakdown 
 
http://analoguedigital.com.au 
http://www.studiobreeder.com 
http://iamalabaster.bandcamp.com 
 
Credits 
Creative Direction: Joyce Ho 
Producer: Adam Sebastian West 
Cinematography: Chris Morris, Alex Gee, Adam Sebastian West 
Editing: Alex Gee 
Design Lead: Joyce Ho 
Design: Alex Gee, Timothy Lovett, Jai Mitchell 
Compositing: Chris Morris 
Animation: Alex Gee, Joyce Ho, Grayson Huddart 
 
Starring: Abagail Pirie, Anthony Trojman 
 
Sound by ALABASTER
The Making of John Mayer's 'Born & Raised' Artwork David A. Smith is a traditional sign-writer/designer specialising in high-quality ornamental hand-crafted reverse glass signs and decorative silvered and gilded mirrors. David recently produced a wonderful turn-of-the-century, trade-card styled album cover for popular American singer/songwriter John Mayer. 
 
This film captures the 'Behind The Scenes' creation of the 'Born & Raised' and 'Queen of California' artwork, as well as 2 unique reverse glass panels, hand-crafted in England by David A. Smith. 
 
Music by John Mayer www.johnmayer.com 
A Film by Danny Cooke www.dannycooke.co.uk 
Featuring David A. Smith www.davidadriansmith.com 
Special Thanks to Sony Music and Columbia Records 
 
To watch David's original documentary, http://www.vimeo.com/14985356
The Making of "Hero" The making of "Hero," a drawing of my dad composed entirely out of 3.2 million ink dots. 
 
Directed, Filmed, Edited and Drawn by Miguel Endara 
Limited Edition prints now available at www.miguelendara.com/prints/hero 
Twitter: www.twitter.com/miguelendara 
Facebook: www.facebook.com/artbymiguelendara 
 
Music by Bonobo - Noctuary 
Song written by Simon Green, published by Just Isn't Music 
(P) Ninja Tune 2003. Licensed courtesy of Ninja Tune - www.ninjatune.net 
Song Download: http://bit.ly/rubVeD
O (Omicron) O (Omicron) 
A permanent installation directed by Romain Tardy & Thomas Vaquié 
Hala Stulecia, Wroclaw, Poland. 
 
-> Be sure to watch the making of the piece here: https://vimeo.com/41475403 
 
_________________________ 
 
 
When opened, Hala Stulecia was the largest reinforced concrete structure in the world. With a diameter of 65m it was home to the largest dome built since the Pantheon in Rome eighteen centuries earlier. 
 
The piece proposed for the Centennial Hall of Wroclaw is based around the notion of timelessness in architecture, and the idea of what future has meant throughout the 20th century. 
 
Taking the 1910’s as a starting point (the dome was erected in 1913), historical and artistic references were used to reveal the architecture of the space. 
By using references such as Fritz Lang’s Metropolis or the utopian projects of Archigram to confront the different visions of the future at different times, Romain Tardy and Thomas Vaquié were interested in trying to create a vision of a future with no precise time reference. A timeless future. 
 
Read more about the project on the ANTIVJ BLOG: http://blog.antivj.com/2012/o/ 
 
Contact: Nicolas Boritch / hello@antivj.com 
 
________________________________________________ 
 
DIRECTED by Romain Tardy & Thomas Vaquié 
ARCHITECTURE by Max Berg (1913) 
VISUALS by Romain Tardy, Guillaume Cottet 
MUSIC composed by Thomas Vaquié 
2D / 3D MAPPING by Joanie Lemercier, Romain Tardy 
MANAGEMENT & PRODUCTION Nicolas Boritch 
________________________________________________ 
 
Filmed by Jerome Monnot, Joanie Lemercier, Romain Tardy 
Edited by Jerome Monnot 
 
________________________________________________ 
 
http://WWW.ANTIVJ.COM
O (Omicron) / Making of The making of O (Omicron) 
Permanent installation directed by Romain Tardy & Thomas Vaquié 
Hala Stulecia, Wroclaw, Poland. 2012. 
 
-> Watch the piece here: https://vimeo.com/41486619 
 
When opened, Hala Stulecia was the largest reinforced concrete structure in the world. With a diameter of 65m it was home to the largest dome built since the Pantheon in Rome eighteen centuries earlier. The Centennial Hall was listed as a UNESCO World Heritage Site in 2006. Taking the 1910’s as a starting point (the dome was erected in 1913), historical and artistic references were used to reveal the architecture of the space, its timeless and, more surprisingly, very modern dimension. 
 
A deliberately minimalist visual aesthetic allowed to highlight the very architecture of Hala Stulecia’s dome and re-affirm its place at the core of the piece. 
 
Read more about the project on the ANTIVJ BLOG: http://blog.antivj.com/2012/o/ 
 
Contact: Nicolas Boritch / hello@antivj.com 
________________________________________________ 
 
DIRECTED by Romain Tardy & Thomas Vaquié 
ARCHITECTURE by Max Berg (1913) 
VISUALS by Romain Tardy, Guillaume Cottet 
MUSIC composed by Thomas Vaquié 
2D / 3D MAPPING by Joanie Lemercier, Romain Tardy 
MANAGEMENT & PRODUCTION Nicolas Boritch 
________________________________________________ 
 
Filmed & edited by Jerome Monnot 
________________________________________________ 
 
http://WWW.ANTIVJ.COM
PTEROIS Twitter: www.twitter.com/@Neekoe 
Website: www.neekoe.com 
 
Personal Project to step out of my "comfort zone". 
Process/Breakdown: https://vimeo.com/76321710 
 
Software: Cinema4D // Vray // AfterEffects 
Sound by: Zelig Sound (http://zeligsound.com) 
 
Sound and HD recommended. 
Enjoy.
PTEROIS - Process Twitter: www.twitter.com/@Neekoe 
Website: www.neekoe.com 
 
Process Video of my personal project " PTEROIS" - https://vimeo.com/76320930 
Work kept me quite busy, so this one took me a while to create. 
As always, I've learned so much along the way - crazy. 
Can't wait to take advantage of all that in future projects. 
 
Used this piece to step out of my 'comfort zone' and try out new tools, etc ... 
Therefore there are a couple of first timers in there: 
Subdivision modeling // UV layouts // Using Vray as main render engine //SSS ( SubSurfaceScattering), etc ... 
 
I kept some descriptive text in case anyone wants to know more about the technical bits and pieces. 
 
Special thanks go out to some awesome pals: 
Andreas Preis, for inspiration - Designer/Illustrator (http://www.behance.net/designerpreis) 
BioWorkZ, for inspiration - Designer/Illustrator (http://www.behance.net/BioWorkZ) 
Alexander Lehnert for helping solving Vray trouble (http://www.alexander-lehnert.com/) 
Sam Welker for some Xpresso fixes (http://thinkparticle.com/) 
 
Software: Cinema4D // Vray // AfterEffects 
Music: DJ Shadow - What does your soul look like Pt 3 
 
Sound and HD recommended. 
Apologies for the compression artifacts. 
Enjoy.
Sue Paraskeva // Altered Porcelain The second of two films following Isle of Wight based porcelain artist Sue Paraskeva. This piece captures the process behind a collection of altered one-off works appearing at the Aspex Gallery, Portsmouth, from May 26th. 
http://www.sueparaskeva.co.uk/ 
http://www.aspex.org.uk/home 
 
Audio courtesy of the brilliant Chihei Hatakeyama 
http://www.chihei.org/ 
 
Huge thanks to Camden Arts Centre for the use of their wonderful space 
http://www.camdenartscentre.org/home/
Sue Paraskeva // Artist profile Isle of Wight based artist Sue Paraskeva produces exquisite thrown porcelain installation work, altered one-offs, and sublime tableware. 
http://www.sueparaskeva.co.uk/ 
 
Music courtesy of the excellent Chihei Hatakeyama 
http://www.chihei.org/
Upside Down, Left To Right: A Letterpress Film A short film about letterpress and one of the few remaining movable-type printing workshops in the UK, situated at Plymouth University, featuring Paul Collier. www.plymouth.ac.uk 
 
Subtitles available here: http://goo.gl/iuaKY 
 
A film by Danny Cooke www.dannycooke.co.uk 
Soundtrack by Tony Higgins www.tonyhiggins.org 
(Available to download here: http://goo.gl/exGL1) 
 
Follow us on twitter @dannycooke @junior85
A DAY IN THE LIFE OF A BRITISH CLOTHING FACTORY 'A day in the life of a British clothing factory' explores Sunspel’s unique philosophy of design and craft. 
 
Filmed, Directed and Edited by Danny Cooke 
Timelapse Photography by Alex Thornton 
Production: Laura Holmes Production 
www.sunspel.com
time flies by dessin des seins 
 
music: http://music.dirtymelody.com/album/mc-acoustic-as-fuck
J&B Tattoo by Sphinx Real Tattooed Limited Edition Bottle by Sphinx directed by ButtonButton
FITC Amsterdam 2013 titles. For FITC Amsterdam 2013, we created these titles based on the creative designed by mr Bradley G Munkowitz (aka GMUNK) 
Since Bradley was already working on the creative for the print campaign of FITC Amsterdam 2013, and we loved his design work, we decided to step in and give FITC a complete and cohesive visual package instead of visually creating something completely new or different. 
And so here it is.. our "Pyradical" main titles for FITC Amsterdam 2013. Pure disco! 
 
Produced for FITC Amsterdam 2013. More info at fitc.ca/amsterdam 
 
Credits: 
Design & Concept: GMUNK (http://www.gmunk.com/) 
Production & Direction : ONESIZE (http://www.onesize.com) 
Type Font Design: Brian M Gosset (http://www.briangossett.com/) 
Music & Sound Design: MassiveMusic (http://www.massivemusic.com/) 
 
The soundtrack was composed and designed by our friends @ MassiveMusic Amsterdam
Wes Anderson // Centered Music: The New Lobby Boy by Alexandre Desplat
WOOD get the Dead Pirates track here : http://music.dirtymelody.com/ 
and get mcbess book with a free 7" from the dead pirates here : http://www.nobrow.net/128 
a music video by simon & mcbess , music by mcbess and the dead pirates
POV Rooftop Parkour in Southampton with James Kingston | POV Adventures | Episode 1 The first in what will undoubtedly be a long series of POV videos. I will be travelling the globe producing videos just like this in as many major cities as possible. I couldn't think of a better way to start this series off than with a video in my hometown of Southampton!
Want me to visit your city? Let me know where I should go next in a comment below :)

Add me on Facebook! http://facebook.com/JamesLKingston
Follow me on Twitter! http://twitter.com/JamesLKingston
Also on Instagram! http://instagram.com/mrjamesk
Check out my website! http://jameskingston.co.uk

Big thanks to Sativa Shakes for the support.
Check out this interview I did with them: http://sativashakes.com/james-kingston/

Music: Zeff - The Sequel | http://soundcloud.com/zeffofficial
Buy this track - http://bit.ly/19Eokeh
DJ Snake & Lil Jon - Turn Down for What Download the single on iTunes: http://smarturl.it/TD4W

Music video by DJ Snake & Lil Jon performing Turn Down for What. (C) 2013 Columbia Records, a Division of Sony Music Entertainment
The Birth Of A Tool. Part I. Axe Making (by John Neeman Tools) This is a short documentary movie that shows the whole process of how John Neeman Tools are being hand crafted. 
 
"It is a tragedy of the first magnitude that millions of people have ceased to use their hands as hands. Nature has bestowed upon us this great gift which is our hands. If the craze for machinery methods continues, it is highly likely that a time will come when we shall be so incapacitated and weak that we shall begin to curse ourselves for having forgotten the use of the living machines given to us by God." 
Mahathma Ghandi 
 
Music by Foreign Fields - "Names and Races". Special thanks to the band Foreign Fields from Nashvile (especially for Clayton Fike) for allowing to use their music as a soundtrack for our movie. http://foreignfields.bandcamp.com/ 
 
Please visit us: 
www.neemantools.com 
facebook.com/neemantools 
flickr.com/photos/neemantools/ 
 
Contact us: 
neemantools@gmail.com
The Birth Of A Tool. Part II. Chisel Making (by John Neeman Tools) This is the second part of a short documentary movie that shows the whole process of how John Neeman Tools are being hand crafted. 
 
"It is a tragedy of the first magnitude that millions of people have ceased to use their hands as hands. Nature has bestowed upon us this great gift which is our hands. If the craze for machinery methods continues, it is highly likely that a time will come when we shall be so incapacitated and weak that we shall begin to curse ourselves for having forgotten the use of the living machines given to us by God." 
Mahathma Ghandi 
 
Please visit us: 
neemantools.com 
facebook.com/neemantools 
flickr.com/photos/neemantools/ 
 
Contact us: 
neemantools@gmail.com
The Secret Story of TOYS
The Birth of a Barrel Shot inside the storied walls of the Brown Forman Cooperage in Louisville, Kentucky, this short film follows the creation of a whiskey barrel from start to finish. Jack Daniel's is the only major distiller in the world that still makes their own barrels. 
 
Agency: Arnold Worldwide 
Client: Jack Daniel's 
Creative Director: Wade Devers 
ACD/Art Director: Travis Robertson 
ACD/Copywriter: Greg Almeida 
Director of Global Marketing: Carmen D'Ascendis 
Director of Photography: Stebs Schinnerer, Paper Fortress 
Producer: Ben Ouellette, Alex Saevitz, William Near 
Account: Nate Stewart, Shannon Coletti 
Editor: Paul Snyder, Lost Planet NYC 
Music: Neil Cleary, Made to Feel
NIKKOR Special Movie Optical Glass NIKKORレンズの礎となる光学ガラスの製造工場の様子をD800で写したムービーです。ひとつひとつ丁寧につくる様子から、NIKKORレンズに対する情熱とクラフトマンシップが感じられます。

ウェブサイトはこちらをご覧ください。
http://www.nikon-image.com/sp/nikkor_lenses/3/

Play