Single Source Lighting - A Cinematographer's PlaybookCommercial Cinematography - The Foundation Course: https://bit.ly/3o8mUFI
Cinematography Podcast (Over 250 Episodes!!!): https://apple.co/31sntQU
MORE EDUCATIONAL CONTENT (New Every Week):
Patreon: https://bit.ly/31qIsDV
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FAVORITE GEAR FOR 2020:
Youtube Set Up:
Key Light: https://amzn.to/31sa1Nb
Key Light Modifier (the MOST IMPORTANT part): https://amzn.to/37q342T
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COMMERCIAL GEAR FAVORITES:
Camera: https://bhpho.to/3jgpHsV
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Wireless Video System: https://bhpho.to/3kl1qTM
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Camera Backpack: https://amzn.to/31uGgeu
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3 Axis Wheels: https://bhpho.to/31rhf3O
101 Green Screen Tips In 15 Minutes !Follow Zebra Zone on Instagram ! https://instagram.com/zebrazone.mov
Note : this video is not sponsored or affiliated to any brand.
Here are the articles / links I talk about in the video :
- Tip 1 : https://www.premiumbeat.com/blog/planning-green-screen-shoot/
- Tip 5 : https://www.youtube.com/watch?v=vGY4NPpkFSA
- Tip 52 : https://www.solidanim.com/
- Tip 74 : https://www.hollywoodcamerawork.com/green-screener.html
- Tip 75 : http://www.camberwellstudios.co.uk/blog/greenscreen/common-green-screen-mistakes.html
- Tip 80 : (Postprod) : https://learn.foundry.com/nuke/content/reference_guide/keyer_nodes/keylight.html
- Tip 97 : https://www.youtube.com/watch?v=H8aoUXjSfsI
Gear that I use for green screen :
- Westcott Wrinkle-Resistant Backdrop - Chroma-Key Green Screen (9' x 20')
- Neewer Sandbags
- Falcon Eyes RX-29TDX + Softbox
- Aputure COB120D MkI + Fresnel Lens (BackLight)
- Aputure COB300D MkI (Key)
- Ursa Mini Pro G2 (BMPCC 4K works great too)
- Sigma ART 50mm F1.4
Software that I use for 3D models of lighting setups : https://www.elixxier.com/en/products/setalight3d.php
0:00 - Intro
0:51 - Before the Shoot
4:07 - Lighting Preparation
5:51 - During the Shoot
9:09 - Camera Settings
11:35 - Post-Production
14:03 - Breakdown Example
14:53 - Final Tips
Special Thanks : Coralie
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Follow Zebra Zone for more content !
Translating Words Into Images | Paul Schrader on Filmmakingsubscribe to Guru ⏩ https://youtube.com/user/BAFTAGuru
Paul Schrader, writer of Taxi Driver, Raging Bull, First Reformed and many more, shares his insights on filmmaking and why the story is the most important element. Learn all about moving between writing and directing, and discover how this legendary filmmaker remains responsible to no one.
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Avoid These Mistakes! 5 Filmmaking Tips You Need to KnowWe see a lot of videos on YouTube about mistakes beginner directors make when starting out, but not many on the mistakes beginner cinematographers make. In today's episode of Ask Aputure, Nerris from the A-Team walks us through 5 common mistakes many cinematographers make when starting out in the industry. Knowing these 5 cinematography mistakes will help you grow as a director of photography not only technically, but creatively as well!
Stay tuned to the end for a chance to win a prize.
Want more free lighting and cinematography tutorials? Subscribe to us so you never miss an episode: https://goo.gl/QwazdM
You Can Make the World Stretch and SquishHow does the DOLLY ZOOM work? Why do things appear smaller as they go off into the distance? How does PERSPECTIVE DISTORTION work? Come on a journey with me.
Shane Meadows and Mark Herbert on getting into the industry (Part1)Shane Meadows and Warp Films producer Mark Herbert talk about their routes into the film industry.
Shane Meadows and Mark Herbert on getting into the industry (Part2)Shane Meadows and Warp Films producer Mark Herbert talk about their routes into the film industry.
How to SPICE UP your videos using CAMERA TRICKS!Edit Your PHOTOS with my LIGHTROOM PRESET PACK!: https://sellfy.com/p/QjNY/ - Edit your photos with 15 brand new presets!
Colour Graded with my PM LUTS Pack : https://sellfy.com/p/EaHg/
The Music I use: https://goo.gl/IMZC9A - AMAZING for YouTubers
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Tips & Tricks - Creative Slider TechniquesOn this edition of Tips & Tricks, we will demonstrate how to pull off some very unique slider shots. These creative movements can help you tell a story, and enhance your production value.
8 Tripod Tricks for FilmmakersA few ways to get creative with your tripod for some cinematic results.
In collaboration with Benro - http://bit.ly/benrousa
TRIPOD:
BV-10: http://bit.ly/buybv10
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Theme Song by Hello Control: http://bit.ly/hellocontrol
Mastering Composition + Cinematography with Will SmithWe cover composition and framing techniques for filmmaking. Discuss the aesthetic of beauty, the rule of thirds, headroom, leadroom, and more.
Short film feedback sample
https://youtu.be/N1s5n75c4Bk
D4darious short film feedback
http://d4darious.com/
Music by PremiumBeat.com. You can grab your music at http://bit.ly/1UWuboT
How to Shoot Slow MotionIn this video, learn how to capture slow motion video that enhances your story, and puts you in the moment. From frame rates and shutter speeds, to flicker-free lighting and captivating blocking, you’ll be shooting beautiful slow motion in no time.
Suggested Videos:
4 Simple Cinematic Lighting Setups for Filmmakers
https://youtu.be/FBeqbsaC_zY
How to Shape Outdoor Light
https://youtu.be/f_gl7Dx9F4E
Subscribe to the B&H Photo YouTube Channel
http://bit.ly/SubscribetoBHPhoto
Follow us on Social Media
-- https://www.facebook.com/bhphoto
-- https://www.instagram.com/bhphoto
-- https://twitter.com/BHPhotoVideo
One Shot at a Time: The Art of the Hollywood Camera OperatorWhat does a camera operator do, anyway? How are they involved in telling the story? Hollywood camera operators Mitch Dubin, Steve Fracol, Dave Thompson are the guys behind some of your favourite films and TV shows — Saving Private Ryan, The Wire, The Hunger Games: Mockingjay, Scandal, Lincoln. Check out what these true pros have to say about working on set and trying to get that perfect shot.
Dubin, Fracol, and Thompson were at The Banff Centre for Story Summit 2016, presented by AMPIA and The Banff Centre.
FilmSkills - How to Shoot a Scene Part I - BlockingVisit FilmSkills.com for over 1,000 videos that cover the entire filmmaking process.
The key to successfully shooting a scene for a movie is to block the actors and camera, light the set, rehearse the action, tweak the lighting and set, then shoot the scene. In this video, Hollywood directors, cinematographers, gaffers and camera operators give you dozens of of tips, tricks and techniques for your own productions. This video provides an overview of the blocking process, but for more comprehensive videos, be sure to visit FIlmSkills - the world's largest online film school.
Please like, comment, and subscribe!
Also, visit us on Facebook at https://www.facebook.com/FilmSkills
Composition In StorytellingThe cinema screen is just another canvas for an artist to create images. Composition is the tool that gives those images structure and purpose.
SONG LIST:
0:00-1:58 The Smashing Pumpkins - Melancholy and The Infinite Sadness
1:59-2:49 Funkadelic - Maggot Brain
2:49-6:39 Michael Nyman - Fish Beach
6:42-8:52 David Bowie - Space Oddity
8:52-12:33 Cowboy Bebop OST - Space Lion
12:24-15:55 Arcade Fire - Dimensions
Directing - The Fine Arts of Blocking and CompositionWhen it comes to directing, one set of skills that always separates the wheat from the chaff, are the fine arts of blocking and composition. They're the extra punch in selling great performances, and reeling your audience in. In this video, I look at what makes and breaks great directing, through clever staging and camera movement.
Turn on the captions if you want to know what films the footage onscreen is from.
For educational purposes only.
Edited and Spoken by me
@HelloFilmGuy
Films used (in order of appearance):
Fallen Angels - c.1995 - dir Wong Kar-Wai
Guardians of the Galaxy - c. 2014 - dir James Gunn
Super8 - c. 2011 - dir J.J. Abrams
Mission Impossible: Ghost Protocol - c. 2011 - dir Brad Bird
Close Encounters of the Third Kind - c. 1977 - dir Steven Spielberg
In The Mood For Love - c. 2000 - dir Wong Kar-Wai
Unforgiven - c. 1992 - dir Clint Eastwood
High and Low - c. 1960 - dir Akira Kurosawa
The Iron Giant - c. 1999 - dir Brad Bird
Taken 2 - c. 2011 - dir A Dog that just licked a Lime (Olivier Megaton)
Jaws - c. 1975 - dir Steven Spielberg
The Bourne Ultimatum - c. 2007 - dir Paul Greengrass
Snowpiercer - c. 2013 - dir Bong Joon-ho
Haywire - c. 2011 - dir Steven Soderbergh
13 Assassins - c. 2010 - dir Takashi Miike
Gone Girl - c. 2014 - dir David Fincher
Cure - c. 1997 - dir Kiyoshi Kurosawa
Tinker Tailor Soldier Spy - c. 2011 - dir Tomas Alfredson
Animal Kingdom - c. 2010 - dir David Michôd
Songs used:
Yumeji's Theme - Shigeru Umebayashi
What A Difference A Day Makes - Dinah Washington
There's another song at the start that comes from the footage of Fallen Angels, but i cant seem to find a source for it. If anyone knows, share it with me and I'll credit it here.
This video is for comparative review purposes only and is protected under section 107 of the Copyright Act, which states: "the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright."
Joel & Ethan Coen - Shot | Reverse ShotHow do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.
For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting
This video was co-written with Taylor Ramos. Follow her on:
Instagram: https://instagram.com/taylor.ramos/
Twitter: https://twitter.com/glassesattached
And follow me here:
Twitter: https://twitter.com/tonyszhou
Facebook: https://www.facebook.com/everyframeap...
Music:
Carter Burwell - Way Out There (Raising Arizona)
Carter Burwell - A Serious Man
Oscar Isaac - Green Green Rocky Road (Inside Llewyn Davis)
Carter Burwell - Little Blackie (True Grit)
Carter Burwell - End Titles (Miller’s Crossing)
Creedence Clearwater Revival - Run Through the Jungle
Recommended Reading & Viewing:
ASC Magazine on Bruno Delbonnel & Inside Llewyn Davis: http://bit.ly/1OxkCoP
ASC Magazine’s profile of Roger Deakins: http://bit.ly/1TGUNKV
Roger Deakins forum post on the lenses he uses: http://bit.ly/1KNKToa
Help us caption & translate this video!
http://amara.org/v/HuuZ/
How to Film a Dialogue Scene: Angles, Framing & Rule of Thirds - Tutorial 17Exclusive Film Tutorials: http://tomantosfilms.com/store/
Watch all my video & photo tutorials here: http://bit.ly/Tmd65z
Contact me http://www.facebook.com/TomAntosFilms & Twitter @TomAntos
Learn how to avoid the most common mistakes that many people make when setting up a simple scene in a film. Learn all about proper framing, camera angles and the rule of thirds
Memories of Murder (2003) - Ensemble StagingHow do you emphasize to the audience that something is important? Well, you could always cut to a close-up, but how about something subtler? Today I consider ensemble staging — a style of filmmaking that directs the audience exactly where to look, without ever seeming to do so at all. NO SPOILERS.
Eight Ways to Get the Audience to Look at a Character:
1) Let Them Speak
2) Make Them Brighter or Bring Them Closer
3) Let Them Move (Especially Hands or Eyes)
4) Put Them in the Center of Frame
5) Turn Them Towards the Lens
6) Separate Them from the Group
7) Isolate Them by Moving the Camera
8) Have Other People Look at Them
For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting
And follow me here:
Twitter: https://twitter.com/tonyszhou
Facebook: https://www.facebook.com/everyframeapainting
Music:
Freddie Joachim - Sauced
Taro Iwashiro - You Gotta Turn Yourself In
Freddie Joachim - Strawberries
DJ Shadow - Why Hip Hop Sucks in ‘96
Recommended Reading & Viewing:
David Bordwell - Hands and Faces Across the Table (There Will Be Blood): http://bit.ly/1YB44Ye
David Bordwell - Modest Virtuosity (Panic in the Streets): http://bit.ly/1QZaevi
Alexander Mackendrick - On Filmmaking: http://www.amazon.com/dp/0571211259
DP/30 Samuel L. Jackson (2012) Django Unchained: http://youtu.be/QMyjYCuYKEM
DP/30 Samuel L. Jackson (2015) The Hateful Eight: http://youtu.be/Reb74Elx83E
Help us caption & translate this video!
http://amara.org/v/HcA8/
How to Shoot an InterviewIn this video Chase from Zacuto gives seven simple steps on how to shoot a video interview on location and in the studio. Topics discussed include assessing the physical space, any ambient and/or lighting considerations, setting up lights and the types of lights you might want to use,’ choosing the right type of mics based on the shooting environment, camera positioning, and other details required to produce professional-looking video interviews.
Bloood, Sand & Gold
Why Props MatterA look at the hidden power of film props.
And how filmmakers use the everyday (and not so everyday) objects in their scenes to enhance cinematic storytelling.
Written, edited, & narrated by Rishi Kaneria (@rishikaneria).
Music from:
“Baba O Riley” by the Who
“Kid-A” by Punch Brothers
“Rabbit In Your Headlights” by Unkle
“Where is my mind” by Vitamin String Orchestra
“Magic” by Mick Smiley
“Sinnerman” by Nina Simone
“Intermezzo” by Pietro Mascagni
“Monkey Fight Snake” by the Bombay Royale
“I Hung My Head” by Johnny Cash
“The Thing That Made You” by Dan Romer
Iconography from "Famous Objects From Classic Movies."
http://www.famousobjectsfromclassicmovies.com/
Footage from:
00:04 Boogie Nights
00:10 Sunset Boulevard
00:11 2001: A Space Odyssey
00:11 Black Swan
00:12 Close Encounters Of The Third Kind
00:13 Inception
00:20 Ghostbusters
00:26 Star Wars Episode VI: Return Of The Jedi
00:29 Star Wars Episode IV: A New Hope
00:30 Ed Wood
00:43 E.T. the Extra-Terrestrial
00:46 Big
00:47 Rushmore
00:48 Gattaca
00:50 Pulp Fiction
00:50 The Hundred Foot Journey
00:51 The Hundred Foot Journey
00:52 Pulp Fiction
00:53 The Breakfast Club
00:54 Terminator 2
00:55 Boogie Nights
00:55 Money Ball
00:57 Whiplash
00:58 Saving Private Ryan
01:01 2001: A Space Odyssey
01:11 2001: A Space Odyssey
01:17 American Beauty
01:23 The Usual Suspects
01:25 Jurassic Park
01:28 Forrest Gump
01:31 Lawrence Of Arabia
01:35 The Lord Of The Rings: Fellowship Of The Ring
01:38 Raiders Of The Lost Ark
01:40 The Bicycle Thief
01:42 The Maltese Falcon
01:47 Raiders Of The Lost Ark
01:50 The Dark Knight
01:53 The Dark Knight
01:59 Fight Club
02:03 Pulp Fiction
02:08 Rain Man
02:13 Mommie Dearest
02:18 Cast Away
02:24 Citizen Kane
02:31 The Red Balloon
02:36 Aliens
02:44 Blade Runner
02:58 Citizen Kane
03:03 E.T. the Extra-Terrestrial
03:06 Christmas Story
03:08 The Prestige
03:10 The Gods Must Be Crazy
03:17 Inception
03:20 The Prestige
03:23 Juno
03:25 Back To The Future Part II
03:27 Magnolia
03:30 The Red Balloon
03:34 The Sixth Sense
03:39 2001: A Space Odyssey
03:45 The Godfather
03:48 The Godfather Part II
03:49 The Godfather
03:51 The Godfather Part II
03:53 The Godfather
03:55 The Godfather
04:01 The Shining
04:11 Memento
04:19 Interstellar
04:29 Memento
04:41 Police Story
04:48 Pulp Fiction
04:56 Say Anything
04:59 The Godfather
05:05 The Shining
05:07 E.T. the Extra-Terrestrial
05:08 The Goonies
05:13 Raiders Of The Lost Ark
05:20 Batman
05:32 Pulp Fiction
05:40 Seven
05:47 Rear Window
05:53 Alfred Hitchcock Presents: Man From The South
06:01 The Untouchables
06:07 Fight Club
06:12 The Dark Knight
06:14 Back To The Future
06:17 Signs
06:20 Jurassic Park
06:24 Aliens
06:27 Jaws
06:33 It's A Wonderful Life
06:39 The Gold Rush
06:42 Office Space
06:45 Annie Hall
06:47 The Breakfast Club
06:48 The Breakfast Club
06:57 Mary Poppins
07:00 The Wizard Of Oz
07:03 E.T. the Extra-Terrestrial
07:07 The Shawshank Redemption
07:14 The Karate Kid
07:17 The Avengers
07:20 Superman: The Movie
07:22 The Manchurian Candidate
07:26 The Matrix
07:30 Jurassic Park
07:34 Saving Private Ryan
07:40 Dog Day Afternoon
07:42 The Apartment
07:44 Raiders Of The Lost Ark
07:48 The Shining
07:52 The Breakfast Club
07:54 Singin In The Rain
07:57 Mary Poppins
07:59 Taxi Driver
08:09 Scarface
08:11 Terminator 2
08:14 Dirty Harry
08:25 No Country For Old Men
08:31 Kingsman: The Secret Service
08:34 There Will Be Blood
08:37 Rear Window
08:41 Raiders Of The Lost Ark
08:43 Ghostbusters
08:44 The Shining
08:46 Titanic
08:48 Back To The Future Part II
08:50 Indiana Jones And The Temple Of Doom
08:54 Poltergeist
08:56 The Grand Budapest Hotel
08:58 The Lord Of The Rings: Fellowship Of The Ring
09:01 Titanic
09:03 Citizen Kane
09:07 The Usual Suspects
10:01 Risky Business
“If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.”
-Anton Chekhov
Full transcript can be found here: http://raging-cinema.tumblr.com/post/131987929538/a-look-at-the-hidden-power-of-film-props-and-how
HANNIBAL - Script to ScreenFULL ARTICLE: http://vashivisuals.com/hannibal-script-to-screen/
Watch the first 5 minutes of the pilot script superimposed against the final image.
Crafting abstract visuals from creative screenwriting...
How the Business of Hollywood Has Changed - FULL CONVERSATIONNetflix’s Ted Sarandos and CAA’s Bryan Lourd reveal how the movie and television industries have changed for audiences and actors. Moderated by Mellody Hobson, of CBS News and president of Ariel Investments.
Still haven’t subscribed to Vanity Fair on YouTube? ►► http://vnty.fr/1yNomg4
Want even more? Subscribe to The Scene: http://bit.ly/subthescene
ABOUT VANITY FAIR
Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.
How the Business of Hollywood Has Changed - FULL CONVERSATION
Starring: Ted Sarandos , Bryan Lourd , and Mellody Hobson
Audio Mic Test for Interviews - OnSet ep.01Daniel Norton of Adorama Pro gives a tutorial showing the differences between the various audio recording options for interview video work. Compare the Sennheiser G3 Wireless Lav Kit, to the RODE NTG-2 shotgun, to the Zoom H6 recorder internal microphone, to the Shure LensHopper on-camera mic. Listen and decide for yourself what sounds best and what to use on your next shoot!
RSVP for ADORAMA events at:
ADORAMAPRO_EVENTS.EVENTBRITE.COM
Gear:
http://www.adorama.com/SEEW122PG3G.html
http://www.adorama.com/RDNTG2.html
http://www.adorama.com/RDMINIBOOM.html
http://www.adorama.com/SOICDAX412.html
http://www.adorama.com/AUATR3350.html
http://www.adorama.com/ZOH6.html
http://www.adorama.com/SHVP83F.html
http://www.adorama.com/INKD300S.html
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http://www.adorama.com/BGMVK502AM.html
http://www.adorama.com/CMTRLET2P.html
On
For more information email Daniel at danieln@adorama.com
507 Indie Filmmaking in Hollywood: A Conversation with Jay DuplassJay Duplass (writer/director "Jeff Who Lives at Home", "The Puffy Chair") recollects his journey with brother Mark Duplass onto the DIY indie film scene, along with their specific approach to storytelling. Followed by "Future Hero", the story of a father, son, and a time-travelling killer android, in a short film by Ramin Serry.
Mad Max: Fury Road. Q&A with George Miller (live stream)
5 Secret Tips For Getting Hollywood-Level Chroma KeysThe Cinematographer's best kept secrets
Director/Cinematographer Matthew Rosen explains 5 of his tricks and secrets on shooting and compositing chroma keys.
John Cassavetes: Spaces of SeductionJohn Cassavetes is considered the father of American independent cinema for his self-funded productions and fresh, improvisational approach to storytelling and acting. But he doesn't get enough credit for his mastery of cinematic craft. This video essay shows his command of camerawork, lighting and editing in his first feature film, the 1959 landmark SHADOWS, often considered the first American indie feature. A video essay by Kevin B. Lee.
Watch Shadows on Fandor: https://www.fandor.com/films/shadows
Other films by John Cassavetes: https://www.fandor.com/filmmakers/director-john-cassavetes
Coming soon to Keyframe: http://www.fandor.com/keyframe
Panic Room - Production/Shooting Panic Room BTS 1/5from the Panic Room Special Edition
**No Copyright Infringement Intended**
Panic Room - Production/Shooting Panic Room BTS 2/5from the Panic Room Special Edition
**No Copyright Infringement Intended**
Panic Room - Production/Shooting Panic Room BTS 3/5from the Panic Room Special Edition
**No Copyright Infringement Intended**
Panic Room - Production/Shooting Panic Room BTS 4/5from the Panic Room Special Edition
**No Copyright Infringement Intended**
Panic Room - Production/Shooting Panic Room BTS 5/5from the Panic Room Special Edition. There are a LOT of extras. If you want the rest tell me and i'll upload them. ;) Enjoy!
**No Copyright Infringement Intended**
Panic Room Commentary with David FincherDavid Fincher commentary of PANIC ROOM (2002)
(for educational purposes only)
David Fincher - And the Other Way is WrongFor sheer directorial craft, there are few people working today who can match David Fincher. And yet he describes his own process as “not what I do, but what I don’t do.” Join me today in answering the question: What does David Fincher not do?
For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting
And follow me here:
Twitter: https://twitter.com/tonyszhou
Facebook: https://www.facebook.com/everyframeapainting
Music:
Nine Inch Nails - Closer (Precursor)
Trent Reznor & Atticus Ross - Magnetic
The Dust Brothers - What is Fight Club?
Trent Reznor & Atticus Ross - Procedural
Donovan - Hurdy Gurdy Man
Help us caption & translate this video!
http://amara.org/v/FWZN/
The Dutch AngleThe Dutch Angle is a technique created by tilting the camera any number of degrees to either side. Here is a look at the Dutch angle used in a variety of films to a variety of extremes. By Jacob T. Swinney
Coming soon to Keyframe: http//www.fandor.com/keyframe/the-dutch-angle
83 Ways To Film a Road MovieBreaking down a road movie into every shot. A visual index of all the different ways to film a car. From the movie THURSDAY TILL SUNDAY / DE JUEVES A DOMINGO by Dominga Sotomayor.
Video essay by Kevin B. Lee.
http://fandor.com/keyframe
Let's Discuss HorrorIn both past and present I think that horror has never quite reached it's full potential. So I decided to make a video expressing my feelings on the subject.
LEAVE ANNOTATIONS ON TO AVOID SPOILERS
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
City of God - The Open World MovieToday we look at the 2002 masterpiece City of God and how it managed to create a city that had just as much character as it's people.
Breaking The Rules - The French New WaveA look into the influence of the new wave and how it managed to become the cinematic bridge between the classic and the modern.
Cinematographer Profile with Alex BuonoLydia sat down for a conversation with Alex Buono, Co-Director and DP of the new IFC comedy series Documentary Now! and DP of the Saturday Night Live Film Unit. Alex really gives a sense of himself and shares pearls of wisdom from his years of experience on set. We also talk about his new Visual Storytelling 2 Tour, a quality educational event that Shane and I both think is a great addition to anyone’s filmmaking education.
Use Discount code: AVS2HUV for $15 off. (Expires on July 30; valid for full experience tickets only.)
http://vs2.mzed.com/
PRO TIP: How to Read a Call SheetIn order to make sure your crew shows up on time, in the right place, with everything they need to have ready for that day, you're going to need a call sheet. RocketJump Producer Ashim Ahuja walks you through everything you will find on the most production call sheets!
Want to see the call sheet we used? Take a look here and ask us about it: https://discuss.rocketjump.com/t/pro-tip-how-to-read-a-call-sheet-official-discussion/2872
Your very own downloadable RJFS callsheet template is coming soon!
And as always, major thanks to RØDE for the rad mics we record on.
http://www.rode.com
Thanks for watching! More videos at http://school.rocketjump.com!
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
Power of Story: Visions of Independence at 2015 Sundance Film FestivalKicking off Art of Film Weekend, a program celebrating the craft of filmmaking, join Robert Redford and George Lucas—two iconic filmmakers who epitomize the spirit of independence in American cinema—in conversation with critic Leonard Maltin.
Conversations in Video EditingIn this series, Ashley Kennedy chats with veteran video editors about their latest projects and their unique approaches to editing and storytelling with video. The subject for the first installment is veteran documentary film editor Steve Audette. Look for a new conversation every other Friday.
FRONTLINE's Michael Kirk on how to produce a documentaryGo behind the scenes of the acclaimed February 2009 FRONTLINE documentary Inside the Meltdown with producer Michael Kirk, and learn how he tackles hugely complex events to emerge with a coherent, powerful and engaging story. Watch Inside the Meltdown and more than 80 full-length FRONTLINE reports at http://www.pbs.org/frontline/view .
Over his award-winning career, Kirk has produced more than 200 national television programs including the recent FRONTLINE films Breaking the Bank, Dreams of Obama, The Choice 2008 and the two-part special Bushs War.
This video is a part of the YouTube Reporters' Center. See more videos on how to report the news - and share your ideas - at http://www.youtube.com/reporterscenter .
EditFest NY 2009 - Sam Pollard Discusses a Scene from the Film "4 Little Girls"Editor Sam Pollard discusses sound design using as seen in "4 Little Girls." For more information on Editfest please go to editfest.com.
Samuel D. Pollard is an editor and producer, known for "25th Hour" (2002), "4 Little Girls" (1997) and "When the Levees Broke: A Requiem in Four Acts" (2006). "Every project forces me to answer questions about what I am trying to say and how important is it for me to say it. [This] is and should always be part of the creative process." -Sam Pollard
“4 Little Girls” is a 1997 American historical documentary film about the 15 September 1963 murder of four African-American girls in the 16th Street Baptist Church bombing in Birmingham, Alabama, United States. It was directed by Spike Lee and nominated for an Academy Award for "Best Documentary".
Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced manufacturer certified training courses, from the Avid, Autodesk, Assimilate and Apple products to the complete suite of Adobe applications.
Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.
More information about Manhattan Edit Workshop and the classes offered visit: http://www.mewshop.com/
Follow us on Twitter: @MEWshop / https://twitter.com/mewshop
Like us on Facebook Manhattan Edit Workshop: https://www.facebook.com/ManhattanEditWorkshop
Friend us Manhattan Edit: https://www.facebook.com/mewshop
ACE, American Cinema Editors (http://americancinemaeditors.org/)
ACE is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.
“Samuel D. Pollard”. n.d. In IMDB. Retrieved September 18, 2014, from http://www.imdb.com/name/nm0689498/
“4 Little Girls”. n.d. In Wikipedia. Retrieved September 18, 2014, from http://en.wikipedia.org/wiki/4_Little_Girls
Doug Blush: A.C.E. : War Stories from the Documentary TrenchesAward winning documentary editor Doug Blush visited LACPUG to talk Docs. Everything from war stories to what it takes to make a "good" doc and a good edit. If you are making a doc or soon will be making a doc, then grab a notepad because you are going to learn a lot. This presentation had lots of clips and had lots of time for questions.
Hosted by Michael Horton.
BOSCPUG: Zack Arnold - GO FAR: The Christopher Rush StoryZack Arnold, editor of the hit USA Network series Burn Notice, discusses the completion of his first documentary, GO FAR: The Christopher Rush Story. Presented at the Boston Creative Pro User Group on August 22, 2013 in the Bright Family Screening Room at The Paramount Center at Emerson College.
The purpose of this film is simple: To tell Christopher's amazing story and share his GO FAR program with those that it can truly help. In life, Chris was incredibly accomplished, optimistic, spiritual, and inspirational to everyone that knew him. He developed his GO FAR program just before his death and was unable to share it with the world. With this film, Chris' message and legacy can live on through his teachings. Chris was an incredibly passionate advocate for the disabled, and his goal was very simple - for people to understand that having a physical disability does not necessarily mean having a mental one. After viewing this film, those with disabilities will have an example for how to achieve their goals in life, no matter the obstacles. And those without disabilities will gain a new perspective on the amazing abilities those with disabilities can possess.
To learn more about GO FAR: The Christopher Rush Story, visit: http://www.gofarmovie.com/
Zack Arnold has been a professional editor for 15 years. His background includes editing feature films, scripted dramatic television, documentaries, theatrical trailers, and DVD bonus content. He considers himself genre-agnostic. He is also just finishing his directorial debut of the documentary film GO FAR: The Christopher Rush Story.
Zack's big break came shortly after winning several awards for editing the high-octane action web series "The Bannen Way" for Sony Pictures. He was hired onto the hit USA Network series "Burn Notice" where he has been a staff editor for the last four seasons. During his hiatus he edited an episode of "Glee," and his most recent job was editing a Chinese feature film, "My Lucky Star," spoken in Mandarin.
Filmed at BOSCPUG with the Blackmagic Cinema Camera - Screen capture via Atomos Ninja 2
Visit BOSCPUG online at http://boscpug.org
SENNA - Official TrailerSpanning his decade-long career as a Formula One racer, SENNA explores the life and work of triple world champion Ayrton Senna, his physical and spiritual achievements on the track, his quest for perfection and the mythical status he has since attained. Far more than a film for F1 fans, SENNA unfolds a remarkable story in a remarkable manner, eschewing many standard documentary techniques in favor of a more cinematic approach that makes full use of astounding footage, much of which is drawn from F1 archives and previously unseen. Follow SENNAMovie on Facebook and Twitter for more.
Release Dates:
AUG 12: LA, NYC
AUG 19: Chicago, Philadelphia, Cambridge, SF, Berkeley, DC, Detroit, San Diego, Miami, Nashville, Dallas
AUG 26: Atlanta, Minneapolis, Denver
AUG 29: Seattle
SEPT 2: Indianapolis, St Louis
... MORE TO COME!
Gregers Sall: Editing Mini MasterclassThe documentary editor whose credits include Senna, McLibel and the forthcoming Shadows of Liberty delivers an Editing Mini Masterclass.
AJVR Nepal timelapseARMAN JA VIIMEINEN RISTIRTEKI NEPAL EDIT TIMELAPSE / JESSE JOKELA
How To Brainstorm Ideas For A Short FilmHere are some tips and advice on how to come up with ideas for a short film.
Index
Routine 1:04
Write What you know 1:35
Game of opposites 2:00
Watch other Films 2:45
The Magic Notebook 3:16
Research 4:04
List your resources 4:35
Keep it Simple 5:02
Live A Little 5:42
Shot with Canon EOS 60D
Microphone Nady SGM - 12
Edited in Adobe Premiere pro cs6
Commercial use license youtube info for mixcraft.
The music and sound effects are from mixcraft 6 which I own a license for and can be used for commercial purposes. Acoustica is the company that owns the mixcraft 6 sound product. Below is a link that explains that license holders can use music and audio
for commercial use
Film School, Ambitions and Making Mistakes - Interview with Kyle Patrick Alvarez (Part 1 of 5)Join The Camera Sharing Community
http://www.sharegrid.com
Here is part 1 of a 5 part series featuring writer, director and ShareGrid Featured Member, Kyle Patrick Alvarez. ShareGrid co-founder and filmmaker, Brent Barbano, sits down with Kyle to talk about his early days as a film student and his thoughts on film school today. Should you go to film school or should you not and what it means to be a budding indie filmmaker seeking an education in 2015.
Made by ShareGrid members with ShareGrid gear.
Featuring:
Kyle Patrick Alvarez
Brent Barbano
Special Thanks:
John Mokhtarei
David Rodriguez
Music by:
AG Music - Sparks of Silence
The WETA Effect, or, Why Special Effects Peaked in the 90's. - StoryBrainA lot of people have said that Special Effects in movies feel hollow compared to the movies from 10 or 20 years ago. Obviously, CGI plays a part, but there's a very specific reason that things aren't working as well.
Background Music is "Ridin' Wavs" by R. Dilly from Incompetech's Archive. Clips from X-Men: Days of Future Past, King Kong, The Hobbit, Hulk 2003 and 2008, Star Wars, Marvel and DC Comics, Avatar, Mad Max: Fury Road, Prometheus, and Game of Thrones.
Enjoy!
the x files theme song (full version)the x files theme song
"The Changing Role of the Cinematographer" with Haskell Wexler, ASCTwo-time Oscar Winner, Director of Photography Haskell Wexler, ASC (Guest Instructor at GCI April 2015 Session) sits down with GCI Co-Founder Yuri Neyman, ASC to discuss technology and the role post-production played in his own career, and how it continues to impact cinematography today. http://bit.ly/1ydvV1r
The Psychology of Framing | Creating Cinematic Camera FramingHow to: Creating Cinematic Framing
○ In this episode, we're focusing on the language of film. Using a deeper understanding of cinematography to tell a story and convey specific emotions.
If you enjoyed this video, then subscribe for your free weekly business and life advice!
Model: Caryssa Ramirez
○ Thought Experiments is an online tutorial series for anyone wanting to turn their passion into a career. My goal is to cultivate the creator that is already within you, by sharing experiences and ideas from myself and other professionals in all creative backgrounds. These new perspectives will allow you to build strength, expand your knowledge, and gain clarity on your life's path, by reinforcing concepts you may already be aware of but don't keenly understand and creating connections with new concepts that progress you on your path to become a creator.
○ Connect with me at → linkedin.com/in/julianmelanson ←
○ Leave any questions below about all things creative that you want to be answered in the next episode of this series!
The Psychology of Cinematography | Creating Cinematic Camera MovementHow to: Creating Cinematic Camera Movement
In this episode, I share some insight about using camera movement to create a film, commercial, music video, or documentary with purpose. The choices we have when it comes to the technical aspect are endless, dollies, cranes, steady cams, sliders etc. but the underlying key is understanding the theories and principles that don't change with time.
If you enjoyed this video, then subscribe for your free weekly business and life advice!
Photographer: Luis Trujillo
pactography.com
Model: Caryssa Ramirez
http://tinyurl.com/l6jcun7
○ Thought Experiments is an online tutorial series for anyone wanting to turn their passion into a career. My goal is to cultivate the creator that is already within you, by sharing experiences and ideas from myself and other professionals in all creative backgrounds. These new perspectives will allow you to build strength, expand your knowledge, and gain clarity on your life's path, by reinforcing concepts you may already be aware of but don't keenly understand and creating connections with new concepts that progress you on your path to become a creator.
○ Connect with me at → linkedin.com/in/julianmelanson ←
○ Leave any questions below about all things creative that you want to be answered in the next episode of this series!
The Psychology of Film Editing | Creative Post Production TechniquesThe Psychology of Film Editing | Creative Post Production Techniques
Post production is where all the pieces of your film come together. Understanding the psychology of your audience will help you create a film with purpose. In this episode, I go over some key editing principles and ideas behind understanding when to cut, the effect that film editing has on the mind, and how to successfully connect with your audience.
If you enjoyed this video, then subscribe for your free weekly business and life advice!
Model: Caryssa Ramirez
http://tinyurl.com/l6jcun7
○ Thought Experiments is an online tutorial series for anyone wanting to turn their passion into a career. My goal is to cultivate the creator that is already within you, by sharing experiences and ideas from myself and other professionals in all creative backgrounds. These new perspectives will allow you to build strength, expand your knowledge, and gain clarity on your life's path, by reinforcing concepts you may already be aware of but don't keenly understand and creating connections with new concepts that progress you on your path to become a creator.
○ Connect with me at → linkedin.com/in/julianmelanson ←
○ Leave any questions below about all things creative that you want to be answered in the next episode of this series!
Kuleshov Effect / Effetto Kuleshov
Two Faces...Behind the Scenes
How To Shoot B-Roll - Transom.orgFor the full post and tutorial on shooting B-Roll, go to: http://transom.org/?p=42515
Produced for Transom.org with support from the Knight Foundation
A portion of this video was made into an episode for Indie Alaska, a PBS Digital Studios series: http://youtu.be/T9bMbvTvYUA
A New Way To Break Into Hollywood by Bill DukeCONNECT WITH BILL DUKEhttp://www.billduke.com
http://www.imdb.com/name/nm0004886
https://twitter.com/RealBillDuke
CONNECT WITH US
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SUBSCRIBE TO OUR FILM COURAGE YOUTUBE CHANNEL
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PROMOTE YOUR WORK ON FILM COURAGE
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Walter Murch: On EditingThe Film & Sound Editor behind Apocalypse Now & The English Patient reveals the relationship between editing and dance, the importance of rhythm - "like telling a good joke" - and how digital film has transformed his work.
Many thanks to Sheffield Doc/Fest for giving us access to interview Walter Murch.
Find out more about the festival by visiting http://sheffdocfest.com/
Discover more about editing on BAFTA Guru: http://guru.bafta.org/craft/editing
Andrea Chlebak: What does a colourist do? TeaserJust like Photoshop on steroids - setting the colour tone of a feature film
Andrea Chlebak at CreativeMornings Vancouver, September 2014. Free events like this one are hosted every month in dozens of cities. Discover hundreds of talks from the world’s creative community at http://creativemornings.com/talks
Don't miss a video. Subscribe! http://bit.ly/1jeJwut
"What is a Colorist?"Not a showreel. This movie is trying to explain what a Colorist does and how he or she can add value to a project
Making Magic(Now in HD)<br />
<br />
I really appreciate everyone who has taken the time to view this short montage. I casually uploaded it for a friend to see and, to my surprise, it's been viewed by many others!<br />
I made it as part of a personal project. It is the conclusion to a private film history class I taught. I felt the best way to end the class was to evoke just a bit of the magic that the movies have brought to us.<br />
<br />
Music Source:<br />
Life Chronicles - Audiomachine<br />
<br />
Quote Sources (In order):<br />
Psycho<br />
The Great Dictator<br />
Mr. Smith Goes to Washington<br />
Lawrence of Arabia<br />
2001: A Space Odyssey<br />
Patton<br />
One Flew Over the Cuckoo's Nest<br />
Annie Hall<br />
Stripes<br />
Ferris Bueller's Day Off<br />
Malice<br />
A Few Good Men<br />
Good Will Hunting<br />
Gangs of New York<br />
The Notebook<br />
Rocky Balboa<br />
12 Years a Slave<br />
The Godfather
Filmmaker Pass: The State of CinemaAn intimate, in-depth interview series with filmmakers on the festival circuit.
with:
Fernando Frias (https://www.facebook.com/RezetaLaPeli)
T.J. Misny (http://www.tjmisny.com)
Leah Meyerhoff (http://www.leahmeyerhoff.com)
Jack Lewars (http://www.mountjoymovie.com)
music by Coma Cinema (https://comacinema.bandcamp.com)
interviews by Micah Van Hove (http://umuima.com)
Quentin Tarantino On Making MoviesThe Charlie Rose Show (21 December 2012)
Quentin Tarantino, the most distinctive writer-director in Hollywood these days, turns 50 years old today.
He grew up in L.A. and worked as a teen behind the counter at a video store, where he devoured everything he could learn about the cinema. He famously described his training: "People ask if I went to film school, and I tell them, 'No - I went to films.' "
In 1992, he wrote the screenplay for "Reservoir Dogs," an ensemble heist movie built around blood-soaked action sequences and the type of hard-boiled dialogue that felt like updated Raymond Chandler. His screenplays for other people's movies, such as "True Romance" and "Natural Born Killers," continued to develop his reputation as a writer.
The success of "Reservoir Dogs" set the stage for "Pulp Fiction," which created a sensation. It gave John Travolta his career back, gave Samuel L. Jackson his iconic role, and earned Tarantino an Oscar for Best Original Screenplay.
"Jackie Brown" followed, built around wonderful performances by Pam Grier and Robert Forrester, and then it was "Kill Bill," a revenge epic that was so spectacular it had to be released in two parts - wall to wall filled with extraordinary action scenes and fascinating soliloquies.
He rewrote World War II in "Inglorious Basterds" and last year he won another Oscar for his screenplay for "Django Unchained."
We can't wait to see what he gives us next.
(www.dailypress.com)
(This video was originally uploaded on March 27, 2013)
Staircases to Nowhere: Making Stanley Kubrick's 'The Shining'Endorsed by The Kubrick Estate and Warner Brothers - the only modern documentary about The Shining to have this honour! Tweeted about by the British Film Institute and The Academy of Motion Picture Arts and Sciences! This is the oral history story of the making of Stanley Kubrick's horror masterpiece 'The Shining'.<br />
<br />
In October 2012 we made a 17-minute oral history using five interviews from The Elstree Project, an oral history project designed to record, preserve and share the memories of people who have worked at the studios of Elstree and Borehamwood. In under six months it received over 100,000 hits and was shared on numerous blogs and websites. We weren't expecting such a response, so when we realised how popular the short was, we looked to see what other content we had in our archive and who else we could ask to interview.<br />
<br />
Now we present the full story, at 55-minutes in length, and with contributions from nine crew members who worked on the film and Stanley Kubrick's widow, Christiane. We believe this is the most in-depth exploration into the making of "The Shining" on film, from the perspective of those who actually worked on the production.<br />
<br />
Interviewees are:<br />
Brian Cook - 1st AD<br />
Jan Harlan - Producer<br />
Christiane Kubrick - Wife of Stanley Kubrick<br />
Mick Mason - Camera Technician<br />
Ray Merrin - Post-Production Sound<br />
Doug Milsome - 1st AC and Second Unit Camera<br />
Kelvin Pike - Camera Operator<br />
Ron Punter - Scenic Artist<br />
June Randall - Continuity<br />
Julian Senior - Warner Bros. Publicity<br />
<br />
The interviews in this film were recorded over a period of three years, as part of The Elstree Project, and with eight students getting the chance to gain live work experience as part of their undergraduate degree course in Film and Television in the School of Creative Arts at the University of Hertfordshire.<br />
<br />
The Elstree Project is a partnership between Howard Berry of the University and Bob Redman and Paul Welsh MBE who run the volunteer group Elstree Screen Heritage. Please consider contributing to the project, by using the "tip jar" feature on this video, and help us make more videos like this.<br />
<br />
We would like to thank all of our interviewees, and an extra thanks to Jan Harlan for his help and assistance, as well as Lee Unkrich for his encouragement and assistance with research. We would also like to thank Steven Adams, Associate Dean (Research) and Judy Glasman, Dean, in the School of Creative Arts.<br />
<br />
Please share and comment! We would love to hear your thoughts.<br />
And please do visit our website, http://theelstreeproject.org<br />
We're also on Facebook: http://www.facebook.com/TheElstreeProject<br />
And Twitter: http://twitter.com/elstreeproject
New Discovery in Stanley Kubrick's THE SHINING: THE SHONE REPORThttp://www.zerozerotwo.org/KUBRICK/KUBROLOGY/MAZEgate.html
A Subliminal Audio Insert found in Stanley Kubrick's THE SHINING. The sound of Kubrick himself calling out the word "SHONE" (which is the past tense of the word SHINE) in a quick, barely audible report. This "report" is heard 16 times in the first third of the film.
The 16 "SHONE REPORTS" are arranged strategically to label certain THEMES and to identify certain NUMBERS and NUMBER PATTERNS.
This video is a partial analysis meant primarily to introduce, identify, and catalog the 16 SHONE REPORTS - and also to demonstrate that they are intelligently arranged with a purpose... that is, that they are NOT random.
A more comprehensive analysis of their purpose will follow in a subsequent analysis.
Analysis (and discovery) by Shawn Montgomery
Music by Drysdale
12 YEARS A SLAVE Press Conference | Festival 2013http://tiff.net/festival
