The Art of Trailer Editing: Boris FX Live Episode 002Join us for another edition of Boris FX Live, this Thursday October 8th at 5pm EDT as we deep dive into the art of trailer editing with Theatrical Editors Yuhei Ogawa and Christian Capello-Colon. Both Yuhei and Christian are experienced editors at Trailer Park with finishing credits on Baby Driver, Captain America: Civil War, Dawn of the Planer of the Apes. and more. Get ready for a lively discussion about all things trailers, including the evolution of the modern trailer, the role sounds design and music play in a successful trailer, the career path that took each of these accomplished editors to where they are today, and the future of the trailer industry. One viewer will win a one year subscription to the Boris FX Suite. Sign up at borisfxlive.com
101 Green Screen Tips In 15 Minutes !Follow Zebra Zone on Instagram ! https://instagram.com/zebrazone.mov
Note : this video is not sponsored or affiliated to any brand.
Here are the articles / links I talk about in the video :
- Tip 1 : https://www.premiumbeat.com/blog/planning-green-screen-shoot/
- Tip 5 : https://www.youtube.com/watch?v=vGY4NPpkFSA
- Tip 52 : https://www.solidanim.com/
- Tip 74 : https://www.hollywoodcamerawork.com/green-screener.html
- Tip 75 : http://www.camberwellstudios.co.uk/blog/greenscreen/common-green-screen-mistakes.html
- Tip 80 : (Postprod) : https://learn.foundry.com/nuke/content/reference_guide/keyer_nodes/keylight.html
- Tip 97 : https://www.youtube.com/watch?v=H8aoUXjSfsI
Gear that I use for green screen :
- Westcott Wrinkle-Resistant Backdrop - Chroma-Key Green Screen (9' x 20')
- Neewer Sandbags
- Falcon Eyes RX-29TDX + Softbox
- Aputure COB120D MkI + Fresnel Lens (BackLight)
- Aputure COB300D MkI (Key)
- Ursa Mini Pro G2 (BMPCC 4K works great too)
- Sigma ART 50mm F1.4
Software that I use for 3D models of lighting setups : https://www.elixxier.com/en/products/setalight3d.php
0:00 - Intro
0:51 - Before the Shoot
4:07 - Lighting Preparation
5:51 - During the Shoot
9:09 - Camera Settings
11:35 - Post-Production
14:03 - Breakdown Example
14:53 - Final Tips
Special Thanks : Coralie
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Follow Zebra Zone for more content !
3 Music Editing Tips for Max ImpactThis tutorial is a short sample from our upcoming NEW course, The Art of Music Editing, releasing in July of 2019. https://www.filmeditingpro.com/musicediting/
We'll be sending out lots more training exclusively to subscribers of the Film Editing Pro newsletter. Be sure to sign up below to get them as soon as they're released!
GET MORE FREE MUSIC EDITING TUTORIALS! 👇👇👇
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WHAT IT TAKES To Edit Big TV ShowsJosh cut on House of Cards, Bloodline and currently edits COUNTERPART (w/ Oscar Winner J.K. Simmons). Here's his take on cutting it in Television.
Get 5 FREE high-end music tracks from Music Vine (offer expires Dec. 31, 2018): http://thisguyedits.com/musicvine-track-giveaway
In addition they are offering a 50% discount on your first license purchase from a special playlist I created for you: http://thisguyedits.com/musicvine-50OFF-playlist
Counterpart is a sci-fi thriller on STARZ. Editor Josh Beal is currently editing Season 2 and allows us an inside view of his timeline as he demonstrates scene work and speaks to:
- The editor's role
- Storytelling techniques
- The workflow on a TV show
- The responsibility of the Assistant Editor
- How to become a TV Editor
Check out also the BONUS VIDEO about Josh on Patreon: https://www.patreon.com/posts/bts-counterpart-18890788
- no sign up required -
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THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt and James Franco.
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My absolute favorite Film Editing Book is...
"In the Blink of an Eye" by Walter Murch: http://amzn.to/20ujg6B
Find out about Walter Murch's theory on the relationship of eye blinking and editing: https://youtu.be/0_rHsWleVmw?list=PLN...
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Check out my editing setup at http://kit.com/thisguyedits
MSG Classroom Editing 101This video was created as part of a multi-media presentation on "What an Video Editor Does in his day to day work. The Presentation starts with me reading a script of what an Editor does. the read is bumpy with a lot of stammering and mistakes. We then introduce this video as the edited version of the same script. It is polished, edited, effected and mixed with music and SFX.
7 Editing Tips That Are Simple And BeautifulThings you can do to take film editing to the next level.
Get 10% off your first purchase here: http://squarespace.com/thisguyedits
1. Don't Cut... Build
2. Say Dog... See Dog
3. Come Late... Leave Early (Watch me edit a scene this way here: https://www.patreon.com/posts/16777316)
4. Look Here
5. Don't Tip Your Hand
6. Watch The Eyes
7. Trust Your Gut
Sven, an A.C.E. Award nominee, cut for James Cameron, Joseph Gordon-Levitt, and James Franco.
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My absolute favorite Film Editing Book is...
"In the Blink of an Eye" by Walter Murch: http://amzn.to/20ujg6B
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Check out my editing setup at http://kit.com/thisguyedits
Subscribing patrons enjoy sneak peeks, worksheets, early episodes and behind the scenes bonus videos. They can also get direct feedback on their work, get real-life footage for editing exercises, and career advice.
Patrons can always get hold off me through the private Discord channel (and I hold monthly Skype calls with higher-tier patrons).
Visit Patreon to learn more here: https://www.patreon.com/thisguyedits
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End Title Song Thanks To Holmsey:
✖ Follow Holmsey
https://www.facebook.com/iamholmsey/
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3 Filmmaking Tips to Slay Your EditingFilmmaking tips that put common editing principles taught in film school to the test.
My favorite Filmmaking Book is...
"In the Blink of an Eye" by Walter Murch: http://amzn.to/20ujg6B
Find out about Walter Murch's theory on the relationship of eye blinking and film editing: https://youtu.be/0_rHsWleVmw?list=PLNEhn13QqMlY2wIkzX4tq4FDJrN0UUSee
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THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. Award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco.
TGE is about how to tell stories creatively.
Weekly video uploads can be found on THIS GUY EDITS:
videos: https://www.youtube.com/user/svenpape
Andrew Applepie: https://andrewapplepie.bandcamp.com
How to SPICE UP your videos using CAMERA TRICKS!Edit Your PHOTOS with my LIGHTROOM PRESET PACK!: https://sellfy.com/p/QjNY/ - Edit your photos with 15 brand new presets!
Colour Graded with my PM LUTS Pack : https://sellfy.com/p/EaHg/
The Music I use: https://goo.gl/IMZC9A - AMAZING for YouTubers
My Super Awesome Tactical Camera Bag : http://amzn.to/2m8jnaT
My MAIN Camera - http://amzn.to/2kdu35o
My Second Backup Camera - http://amzn.to/2r29gGg
My FAVOURITE Lens Ever - http://amzn.to/2kQNK4U
The Lens I am currently using right for EVERYTHING - http://amzn.to/2r2BssE
The Magic Canon Lens of Life - http://amzn.to/2kXF9Qm
The Mic I use - http://amzn.to/2l23rrZ
The Boom Mic I use for Crispy Audio : http://amzn.to/2t1MqyX
My Drone - http://amzn.to/2kdE3M7
My Bigger Drone - http://amzn.to/2r2czgx
My Tiny Drone - http://amzn.to/2tqWUwa
The stabilizer I use with iPhone : http://amzn.to/2kWhajI
My Slider - http://amzn.to/2sKyaeS
The BEST monopod - http://amzn.to/2lOPnn3
GoPro HERO 5 - http://amzn.to/2l1Nhit
SEND STUFF TO:
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Understanding Exports - Video TutorialThis video takes a practical approach as I go through the interface of Adobe Media Encoder, which both Premiere Pro and After Effects use, explaining what each of the sliders and checkboxes means and giving some guidelines about how and when to use them. You don't have to have seen my first tutorial first, but it will definitely help!
This tutorial follows on from my last tutorial, How Codecs Work. In that video, I explain the principles that codecs use to compress data efficiently - at least, I gave a good summary, since giving all the details would take weeks! They really are quite complex. http://vimeo.com/104554788
Follow me on facebook.com/davidkongfilm
HitFilm Express 2017: BEST FREE Video Editor for Windows & Mac!HitFilm just released the best video editing software for both Mac and Windows, again! FXHOME (hitfilm.com) and popular YouTube filmmakers Film Riot have joined forces to release HitFilm Express 2017 - the only free video editing software to include over 150 professional visual effects. With 1.2 million users worldwide, HitFilm is the fastest growing video editing & VFX software in the world and includes free comprehensive tutorials and customer support for all filmmakers and YouTube creators. This is the best free alternative for Adobe Premiere Pro CC.
Some of HitFilm Express 2017’s awesome new features include:
- Powerful new audio tools, such as Auto Sync for perfect alignment.
- Improved 360 Video Tools for distorting and controlling 360 video.
- New effects including Star Wars-style Lightswords and Heat Distortion.
- Industry Standard editing tools including J-cuts and L-cuts.
- New Export Queue for easy queuing, modification and duplication of tasks.
- Support for UHD projects and RAM preview for faster playback.
- Dynamic toolbox property searching for a faster and improved workflow.
- Full Retina and HiDPI support on Mac and Windows.
My Website: http://steven-van.com
Add me on Snapchat! (theStevenVan)
Never miss an upload. https://www.youtube.com/stevenvan?sub_confirmation=1
Discord Community Channel: https://discord.gg/3fxm3pj
Facebook Community Group: https://www.facebook.com/groups/teamvan
Facebook Community Chat Room: http://bit.ly/TeamVanChatRoom
My Gear: https://kit.com/stevenvan
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Periscope: http://periscope.tv/stevenvan
Soundcloud: https://soundcloud.com/stevenvan
iTunes: https://itunes.apple.com/podcast/vancast/id1234121771
Google Play Music: https://play.google.com/music/listen?u=0#/ps/Iq4h6sig3mbosll5g6qol4llk2y
Music: Sad Rap Beat - Storytelling Emotional Sad Hip Hop Instrumental 'THEFT'
Instrumental Produced by Chuki Beats
https://www.youtube.com/chukimusic
Intro & Outro Designer: https://www.youtube.com/ExtonGraphics
If you've read this far down, comment below "#TeamVAN"
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How to Get More VIEWS & SUBSCRIBERS on YouTube!
Watch here: http://youtu.be/LHX8VxZQWsE
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A Theory of Film MusicThis video essay is a response to the Every Frame A Painting video, 'The Marvel Symphonic Universe': https://www.youtube.com/watch?v=7vfqkvwW2fs
Should film music be original? That's a question that goes right back to the earliest of film sound. But with new technology came changes - and just maybe, the answer to why all Marvel films seem to have forgettable music.
This video was made by Dan Golding: http://www.twitter.com/dangolding
For educational purposes only.
All credit to Tony Zhou for his incredible channel, and for finally getting me motivated enough to make a video essay.
Archival and interview footage:
John Williams conducts The Empire Strikes Back: https://www.youtube.com/watch?v=hu7_dMhdciw
Hans Zimmer talks The Dark Knight Rises: http://soundworkscollection.com/videos/darkknightrises
Hans Zimmer: the making of Interstellar: https://www.youtube.com/watch?v=L_8t2VlwK4w
Man Of Steel Soundtrack - Percussion: https://www.youtube.com/watch?v=QTOMIyynBPE
The Buggles - Video Killed the Radio Star: https://www.youtube.com/watch?v=W8r-tXRLazs
Academy Awards 1936: https://www.youtube.com/watch?v=2VJU61IKJ6E
Pierre Boulez conducts The Rite of Spring: https://www.youtube.com/watch?v=dn_PGrl5vYg
S. Rachmaninov. Symphony 1: https://www.youtube.com/watch?v=2ey-Ecr_3ro
Adorno about Popular Music: https://www.youtube.com/watch?v=Xd7Fhaji8ow
John Williams conducts The Force Awakens: https://www.youtube.com/watch?v=BjNfOhbzxfI
Flash Gordon Conquers the Universe: https://www.youtube.com/watch?v=ZmWdUCiZ-RE
The Searchers: https://www.youtube.com/watch?v=30N-weocZT4
Music Cues and film score excerpts:
John Williams - Let There Be Light (Close Encounters of the Third Kind)
Hans Zimmer - Message From Home (Interstellar)
King's Row - Erich Wolfgang Korngold
How The West Was Won - Alfred Newman
Star Wars - John Williams
2001: A Space Odyssey - Strauss: Also Spruck Zarathustra
Troy - James Horner
Enemy At The Gates - James Horner
Star Trek: The Wrath of Khan - James Horner
Avatar - James Horner
Inception - Hans Zimmer
Driving Miss Daisy - Hans Zimmer
Chinatown - Jerry Goldsmith
Pirates of the Caribbean: Dead Man's Chest - Hans Zimmer
The Dark Knight - Hans Zimmer
Man of Steel - Hans Zimmer
All films and music owned by their respective rights holders.
The Godfather : Video Essay -Louis' Restaurant SceneThis video essay explores the topic of tension formed through editing, sound and use of music, focusing on the Italian restaurant scene, using supporting analysis from historical and cultural context of the film.
Produced as an assignment for MA Post Production Editing at Bournemouth University
Video Essay by Patryk Czekalski
Narrated by Jed Milton
Editing In StorytellingSupport this Channel on Patreon: https://www.patreon.com/Channel_Criswell
Follow me on Twitter: https://twitter.com/lewis_criswell
Follow me on Instagram: https://instagram.com/lewiscriswell/
Business Enquiries: lewismichaelbond@gmail.com
FURTHER READING AND RESEARCH:
M. Ondaatje (2004) The Conversations: Walter Murch and the Art of Editing Film
W. Murch (2001) In The Blink of an Eye
C.J. Bowen, R. Thompson (2009) Grammar of The Cut
S. Eisenstein (1969) Film Sense
Press the CC Button to see a list of the films shown.
SONG LIST:
0:00 - 2:34 Deafheaven - Irresistible
2:39 - 5:05 Ico Soundtrack - Castle In The Mist
5:06 - 6:45 Michael Galasso - Baroque
6:50 - 8:46 Kendrick Lamar - Hiiipower
8:54 - 11:40 DOOM & RZA - Books of War
11:58 - 14:06 Bjork - All Is Full of Love
14:43 - 15:30 Akira Yamaoka - Laura's Theme Reprise
15:36 - 17:03 Nujabes - Luv(sic) Part 3
17:27 - 20:03 Ennio Morricone - Un Amico
20:07 - 22:00 Godspeed You Black Emperor - Storm
Editing Dialogue Sequences - A Short Video TutorialRead the full post here: https://www.cinema5d.com/?p=57610
This is the second tutorial in my editing tips series. This time around, I will show you how splitting your audio and video edits will create a naturalistic flow when editing dialogue sequences. I will break down not only how to split edits, but why you should split edits.
Editing Action Sequences - a Short Video TutorialFull post: https://www.cinema5d.com/?p=55394
Ollie Kenchington shows how to effectively go about editing action sequences in Adobe Premiere and Final Cut Pro. How do you hide cuts?
How to Understand ScopesWhen shooting and editing video, the last thing you should trust, are your eyes! In this video, Chase from Zacuto shows how using tools such as waveform monitors and vector scopes is the best way to ensure proper exposure and color balance. Whether you're on location, or already in post production, using scopes will get you the best video possible.
Subscribe to the B&H Photo YouTube Channel
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Virtual Cameras (Pixar in a Box)Overview of our lesson on virtual cameras. Learn more at Pixar in a Box: https://www.khanacademy.org/partner-content/pixar/virtual-cameras
Creating The IllusionFor the month of October RocketJump FRIGHT School releases spooky, horror-themed filmmaking tutorials! However, all the concepts and principles introduced in this video have been used in every style of filmmaking, from cinema's earliest days to the present.
"Movie Magic" is something you hear pretty often. Filmmaking itself is about creating an engaging illusion; bringing an audience into a story so deeply that they forget it isn't real. In this video essay, Joey discusses the unique and creative problem solving required of filmmakers to create and maintain that illusion. Ultimately, it comes down to teamwork: the seamless interlocking of every department and the layering of the different crafts, concepts, and techniques needed to make it work.
Man, 20 minutes is still not enough time to include everything we wanted. Did we miss any of your favorite movie magic tricks? Share them here in our forum!
http://j.mp/CreatingIllusionDiscuss
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Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com
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Thanks for watching! More videos at http://school.rocketjump.com!
We are live on YouTube every Thursday at 4PM PST!
You can also follow us on Facebook & Twitter:
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Walter Murch Video EssayVideo about Walter Murch and his Rule of Six
The Science of Editing: Is Good Editing Just Instinct?Martin Scorsese, Quentin Tarantino & George Lucas say the editor writes the last draft of the script. So why not bring in the editor sooner, while you are still writing the script?
"Editor's Thinking" is a cognitive skill set you can use to improve your screenplay before you start principal photography of your film.
Onscreen Drafting is the first chapter in our new series "The Science of Editing" by @ThisGuyEdits and Dr. Karen Pearlman, based on her book "Cutting Rhythms - Intuitive Film Editing": http://amzn.to/2cqkz5J
Karen holds a Doctorate of Creative Arts and is currently a lecturer in Screen Production at Macquarie University. She is a former President of the Australian Screen Editors Guild and a three-time nominee for Best Editing at the Australian Screen Editors Guild Annual Awards. Karen is also a full member of the Society for Cognitive Studies of the Moving Image and the Film Critics Circle, Australia.
The onscreen draft is the process of test shooting your story and getting the editor involved early to make it work visually and emotionally, taking advantage of her sense of movement and flow.
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Subscribe for weekly THIS GUY EDITS videos: https://www.youtube.com/user/svenpape
Watch my Playlist with Quick Film Editing Tips: https://youtu.be/FxKkzb5gJEw?list=PLNEhn13QqMlY2wIkzX4tq4FDJrN0UUSee
THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt and James Franco.
You get to see my timeline and as I cut scenes. I show work in progress. TGE is not about how to run a piece of software, but rather how to tell stories creatively.
I cut my latest film "Flesh & Blood" for Sundance filmmaker Mark Webber.
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My absolute favorite Film Editing Book is...
"In the Blink of an Eye" by Walter Murch: http://amzn.to/20ujg6B
Find out about Walter Murch's theory on the relationship of eye blinking and editing: https://youtu.be/0_rHsWleVmw?list=PLNEhn13QqMlY2wIkzX4tq4FDJrN0UUSee
Freddie's Keyboard Shortcuts [For Editing]Keyboard shortcuts (also called “hot keys”) assign the commands and tools of your editing program to specific keys on your keyboard, allowing you to access them instantly. Most editing programs already have default keyboard shortcuts programmed in, but allow you to customize them to your liking. Freddie has a unique keyboard layout that allows him to, as he calls it, "edit at the speed of thought."
(Please keep in mind, this video is about the customization of your keyboard. A pre-requisite tutorial on the different types of tools found within editing programs is in the works!)
In this video, Freddie shows you his personal keyboard layout and explains why he has certain tools placed on certain keys, and how this customized set up allows him to focus on story rather than the tech.
DOWNLOAD the in-depth PDF guide as well as Freddie's Adobe Premiere Keyboard Preferences here in the official forum post: http://bit.ly/FreddiesKeys (it's FREE!)
Please feel free to ask Freddie and RJFS your questions there, too!
Watch "The Horn" horror short: http://bit.ly/1sR6Evw
p.s. We love Dio
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Special thanks to RØDE Microphones! Check them out here:
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Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/
Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com
We're on TWITCH every Thursday at 3PM PST!
http://twitch.tv/rocketjump
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
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Thanks for watching! More videos at http://school.rocketjump.com!
Aputure Explains Vectorscopes
Die Hard Editing Concepts**Turn on CC to see film credits**
One of the first run-ins Joey had with film editing was through a special feature on the Die Hard 5 Star Collection DVD. It was an interactive "Editing Workshop" which allowed you to choose different takes and angles from two scenes from the movie, and edit each scene together yourself. By comparing the difference options available to you against the final film, we get a unique look into the editors' decision-making process. Joey walks us through the workshop to demonstrate these "die-hard" concepts that are essential to film editing, as well as examples of how other films have used them to great effect.
What have you learned from your favorite movies? Tell us in the forum!
http://j.mp/DieHardEditingConcepts
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Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com
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Thanks for watching! More videos at http://school.rocketjump.com!
We're on TWITCH every Thursday at 4PM PST!
http://twitch.tv/rocketjump
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
Holding Long and Cutting Short: 2 Brilliant Moments in EditingThis weeks list is a close up look at a pair of brilliant editing moments. One from the film Ida, a cut lingers for what seems like an eternity, the other from No Country For Old Men, where the edit cuts short to remarkable effect.
Let us know what you think about these 2 moments and also be sure to let us know if you have any other great moments of holding long or cutting short that we didn't mention.
As always, subscribe to Cinefix for more of our Movielists and Brilliant Moments!
More Recent Cinefix Videos:
Things You Didn't Know About Jaws!
https://youtu.be/J-kDfBjy1oU
Make You Own Mega Man Costume
https://youtu.be/hoL5FPWMATk
Star Trek Beyond - CineFix Review!
https://youtu.be/tuKQZTJS8kk
The Infiltrator - CineFix Review!
https://youtu.be/YZbbnpCLvUM
Make Leeloo Dallas’ Costume from The Fifth Element - DIY Costume Squad
https://youtu.be/q6ioCqJixYk
7 Scariest Movie Moments of All Time
https://youtu.be/cAWttx6JJQE
The Bourne Identity - What's the Difference?
https://www.youtube.com/watch?v=ogrrJujAcLQ
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How To Become A (Wanted) Film EditorWhat does it take to master the art of film editing? How to start cutting and how to end up getting paid. I share seven recommendations that may just turn you into a storyteller in demand.
Quotes:
"Ten thousand hours is the magic number of greatness.” - Malcolm Gladwell: http://problogservice.com/2012/03/15/what-malcolm-gladwell-really-said-about-the-10000-hour-rule/
"Showing up is 80 percent of life." - Woody Allen: http://quoteinvestigator.com/2013/06/10/showing-up/
"Real artists ship." - Steve Jobs: https://en.wikiquote.org/wiki/Steve_Jobs
"Two roads diverged in a wood, and I — I took the one less traveled by, And that has made all the difference." - Robert Frost: https://en.wikipedia.org/wiki/The_Road_Not_Taken
"Defeat is not the worst of failures. Not to have tried is the true failure." - George Edward Woodberry: http://www.calebwojcik.com/blog/2012/01/30/quotes-overcome-fear-of-failure
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THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt and James Franco.
TGE is not about how to run a piece of software, but rather how to tell stories creatively. Sven cuts his latest film for Sundance filmmaker Mark Webber. “Flesh & Blood” is their third collaboration.
Film Editing Book Recommendation - "In the Blink of an Eye" by Walter Murch: http://amzn.to/20ujg6B
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Today's ONE SINGLE CUT comes from T. CILLA: https://www.youtube.com/watch?v=70HXzIFLdYQ&feature=youtu.be
I WANT YOU:
"One Single Cut": Upload a max. 10 sec. clip to your channel. This clip has two shots and a single cut in it. Leave a comment here so I know. I will pick a couple to feature in future episodes.
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Several times a week TGE will post update videos. You get to see the timeline and the editor's play-by-play-commentary as he cuts scenes. It shows work in progress.
★- - - - - - - - - - - - - - - - - - - - - - - - - - - ★
Want More THIS GUY EDITS?
☆Connect With Me On My:☆
➜ CHANNEL-
https://www.youtube.com/user/svenpape
For example TGE puts Walter Murch’s theory of “The Blink of an Eye” to the test. Another segment reveals editing tips on how to dramatically get into and out of scene. A future episode includes David Mamet’s philosophy on scene writing as it applies to editing.
Editing Software: Final Cut Pro X
Over Under Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
http://creativecommons.org/licenses/by/3.0/
Divertissement - Odyssey Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
http://creativecommons.org/licenses/by/3.0/
The Rule of SixA preview of oscar-winning editor Walter Murch (Apocalypse Now, The English Patient) talking at an NFTS post-production symposium, introducing his 'Rule of Six', for the Imaginox Online Creative Academy of Film and Television.
For more info on our online courses please register at imaginox.co.uk
How to get a job as an Assistant Film EditorLucy Mitra, top assistant film editor gives 5 tips on how to launch yourself into the cutting room.
How to make yourself Indispensable in the Cutting RoomLucy Mitra, assistant editor gives 5 great tips on how to become an efficient member of the editorial team.
How To Edit A Video In SEVEN EASY Steps!! (Regret may vary..)Follow us @lixistudios on Twitter, Instagram and Facebook.
www.lixistudios.com
Big thanks to Ben Berman, who inspired us to create our take on this concept.
https://www.youtube.com/watch?v=9mbp0DugfCA
How a TV show gets madeFrom script to screen making a TV show is a fast and furious process. Here's how they get made. We took a look inside one of the best shows on television, The Americans to see how they go from script to screen. You can check out the full feature here: http://www.vox.com/2016/4/14/11411564/how-tv-gets-made-americans-fx-production
Subscribe to our channel! http://goo.gl/0bsAjO
Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com to get up to speed on everything from Kurdistan to the Kim Kardashian app.
Check out our full video catalog: http://goo.gl/IZONyE
Follow Vox on Twitter: http://goo.gl/XFrZ5H
Or on Facebook: http://goo.gl/U2g06o
How Does an Editor Think and Feel?For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking and feeling my way through the edit. So today, I’d like to describe that process: how does an editor think and feel?
A very special thanks to David Poland for the use of DP/30 clips.
And a very special thanks to Aso for the use of his music.
For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting
And you can follow us through
Taylor’s Instagram: https://instagram.com/taylor.ramos/
Taylor’s Twitter: https://twitter.com/glassesattached
Tony’s Twitter: https://twitter.com/tonyszhou
Tony’s Facebook: https://www.facebook.com/everyframeapainting
Music:
Aso - Soul Traveling (Freddie Joachim Remix)
Harry James - I’ve Heard That Song Before
Harry James - You Made Me Love You
Shigeru Umebayashi - Yumeji's Theme
Aso - Jazz Intro
Nujabes - Perfect Circle (Instrumental)
George Benson - On Broadway (Live)
Interview Clips:
DP/30 Michael Kahn (2011) https://www.youtube.com/watch?v=xjdOG-w0Zz4
Michael Caine - Acting in Film (1987) https://www.youtube.com/watch?v=bZPLVDwEr7Y
DP/30 Thelma Schoonmaker (2013) https://www.youtube.com/watch?v=KIKRcV4kHzg
DP/30 Thelma Schoonmaker (2011) https://www.youtube.com/watch?v=KgXcpZqQy8M
BAFTA - Walter Murch on Editing (2013) https://www.youtube.com/watch?v=WcBpXLNmS3Q
Recommended Reading & Viewing:
On Film Editing by Edward Dmytryk http://amzn.com/dp/0240517385
Cut to the Chase by Sam O’Steen & Bobbie O’Steen http://amzn.com/dp/094118837X
In the Blink of an Eye by Walter Murch http://amzn.com/dp/1879505622
The Conversations with Walter Murch by Michael Ondaatje http://amzn.com/dp/0375709827
Help us caption & translate this video!
http://amara.org/v/IWcW/
Frame.io's Feature-Rich Collaboration Tools Integrate Deeply with Premiere ProFrom No Film School's complete coverage of NAB 2016:
http://nofilmschool.com/tags/nab-2016
At NAB 2016 we got a demo of the slick new Frame.io Premiere Pro integration, which allows editors to collaborate with clients and directors remotely, accurately and in real-time—without leaving the NLE. Frame.io started with Apple Final Cut Pro X in building out direct integration right inside the edit software. Ryan Koo talks with Frame.io founder Emery Wells at NAB 2016.
Constructive Editing in Robert Bresson's Pickpockethttp://www.davidbordwell.net/
TECH TIP - Show Don't TellMotion Pictures are a "show me" medium, not a "tell me" medium. This tech tip demonstrates the difference that visual storytelling can make.
starring
Brooke Curtis
Mike Maletic
and Jocelyn Tanis
Director - Peter John Ross
Cinematographer - Greg Sabo
Producers - Peter John Ross
Greg Sabo
Co-Producer - Mike Maletic
Camera Operators - Greg Sabo and Zach Sabo
Gaffer - Jon Spannhake
Grips - Steve Steinmetz
Joseph Fuller
Boom Operator - Micah Jenkins
Production Assistant - Brad Sherman
2nd Assistant Director - Cordelia Calrissian DeVille
Lighting provided by Zabolights
www.zabolight.com
Cameras provided by 4K Cine
www.4kcine.com
Props provided by Production Partners Media
www.productionpartnersmedia.com
Post Production Facilities provided by Sonnyboo Productions
www.sonnyboo.com
FRAMELINES (http://www.framelines.tv) is brought to you in part by
SABO STUDIOS
www.sabostudios.com
PRODUCTION PARTNERS MEDIA http://www.productionpartnersmedia.com/
and grants from THE GREATER COLUMBUS ARTS COUNCIL http://www.gcac.org and the Ohio Arts Council http://www.oac.org
What Is A LUT? Explained with Cats.More Info: http://www.groundcontrolcolor.com/blog/learn-about-luts-from-cats
FREE LUTS for GoPro, Blackmagic, & More: groundcontrolcolor.com
Are you confused about what a LUT is? How do they work? How are they used? Why should you care?
These questions and many more will now be answered... with cats.
Drawing by: Dan Bernard
VO by: Aaron Smith
6 Reasons You have to respect Michael Bay!!!!!!!!!!!!!!! - Film School'DEveryone who knows anything about movies loves to hate on Michael Bay... Or do they? Over-the-top he may be, but is Michael Bay really the worst? We'll give you six (really good) reasons, you've got to respect the guy. Subscribe: http://goo.gl/9AGRm
So is Michael Bay the hackiest hack who ever hacked? Or is he a hero to filmmakers everywhere, a shining beacon of hope for the future? We're taking you through six really really good reasons that Michael Bay is not as bad as you though he was. Really!
From Bad Boys to Teenage Mutant Ninja Turtles, Armageddon and Transformer, Michael Bay has unabashedly made his mark on the Hollywood scene. Is it a mark that we should mock, or can we be proud of his legacy? The answer may not be what you expect!
What did you think? Did you learn something new about the craft of action movies? Did you learn something that made you respect Michael Bay a little bit more? Can you spot Michael Bay's influences in some of your favorite movies? What other topics would you like to get Film School'D about?
Welcome to Film School... 'D: where we cover everything film. From what it all means, to who what when where and why things get made... we do it all with some animation and a laissez faire attitude. Because history already happened, so what's the rush?
CineFix
c/o Mike Cruz
PO BOX 351213
Los Angeles, CA 90035
Watch More Recent Cinefix Videos:
9 Things You (Probably) Didn’t Know About Superbad!
https://www.youtube.com/watch?v=VBQaPXYMROE
RUBY RHOD vs JAR JAR BINKS - Worst Wars
https://www.youtube.com/watch?v=FRi8bQr1l7E
MR. YUNIOSHI vs DR. MANN - Worst Wars
https://www.youtube.com/watch?v=UtR6M7pMqvs
Psycho - What’s The Difference?
https://www.youtube.com/watch?v=Akn4X3fSFKY
Everest Review! - CineFix Now
https://www.youtube.com/watch?v=Q61_FMiFLOE
Ferris Bueller’s Day Off - 8 Bit Cinema
https://www.youtube.com/watch?v=dd9KwxT9phw
Maze Runner: The Scorch Trials Review! - CineFix Now
https://www.youtube.com/watch?v=3LK0N3uRvq0
Top 10 Movie Heroes of All Time
https://www.youtube.com/watch?v=__79_jyrKcw
What If George Lucas Hadn’t Made Star Wars? - CineFix Now Roundtable
https://www.youtube.com/watch?v=cJG8BUXCG3A
Movie Wars - Prepare for ROUND 5!
https://www.youtube.com/watch?v=0HJdXbP8nHE
Sleeping With Other People Review! - CineFix Now
https://www.youtube.com/watch?v=th9-z-eETh0
Se7en's "Box Scene" - Art of the Scene
https://www.youtube.com/watch?v=ecbmy50sl0M
The Visit Review! - CineFix Now
https://www.youtube.com/watch?v=NRxOWytpVtQ
Make Your Own Deadpool Costume! - Homemade How-to!
https://www.youtube.com/watch?v=zEfnMG50pCc
7 MORE Things You (Probably) Didn’t Know About Fight Club!
https://www.youtube.com/watch?v=WNzaGDpUxz8
Can Hollywood Do a Good Remake - CineFix Now Roundtable
https://www.youtube.com/watch?v=_M7Atv0pXoA
CAPTAIN PICARD vs CAPTAIN MAL - Captain Wars
https://www.youtube.com/watch?v=JTyepTfVM1U
The Transporter Refueled Review! - CineFix Now
https://www.youtube.com/watch?v=7Em-7LvfJ4w
WE GET TURNED INTO ACTION FIGURES? - Superhero In Training
https://www.youtube.com/watch?v=daROBoP24LI
Alice In Wonderland - What's the Difference?
https://www.youtube.com/watch?v=D8VMM5YMjA8
INSIDE THE EDIT Free Tutorial 8.5: Underlaying & GellingWe're all in the festive spirit here at INSIDE THE EDIT and to mark the coming of the holidays we're releasing another free tutorial from The Creative Editing Course. In partnership with our friends at Universal Production Music we're running a 25% discount off all our subscriptions for the whole of December. Enter the promo code UPPM25 at checkout and start 2016 with the most in depth editing course in the world.
Cuts & Transitions 101Director/Editor Joey Scoma is here to talk to you about something simple: cuts and transitions. Except... there are so many different kinds!! In this video essay, Joey lists and defines the different cuts and transitions available to you as an editor, with examples from classic and modern films. It's up to you to decide when and why you'd use them!
What movie is that clip from?! Just turn on Closed Captioning!
Written and edited by Joey Scoma
Assistant edited by Sean Przano
Joey can answer your editing questions directly here in our forum!
http://j.mp/CutsTransitions101
Want to know more about secrets cuts and the art of editing? Check out these cool videos that we love:
The Film Theorists - Birdman Secret Edits You Probably Missed:
https://www.youtube.com/watch?v=FthEJGR61c8
The Cutting Edge - Full Documentary:
https://www.youtube.com/watch?v=pKKS5ohFo2I
Special thanks to RØDE Microphones! Check them out here:
http://www.rode.com
Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/
Questions about our sponsors and how they work? We have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com
We're on Twitch every Thursday at 3PM PST!
http://twitch.tv/rocketjump
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
Thanks for watching! More videos at http://school.rocketjump.com!
Se7en's "Box Scene" - Art of the SceneWhat’s in the box? If those four words called to mind the 1995 serial killer thriller Se7en you know the answer… and a chill just shivered down your spine. Today, we're looking at the gory climax of David Fincher’s Se7en. Subscribe: http://goo.gl/9AGRm
Se7en is a master class in setup and payoff and the final scene helped make a connect-the-dots police procedural an instant classic. It’s an ending that never would have happened if the studio had their way. Everything from the camera movements to the way Kevin Spacey highlights specific words bring out the artistry of the scene and evoke unease as we watch Detective Mills unravel.
So much of this movie came together due to a series of mistakes and rejections. First choice actors and directors weren’t interested, Fincher was accidentally sent an earlier draft of the script, the cinematographer had to leave before reshoots... all came together to create one of the most intense movies with one of the most unsettling endings of all time.
What did you think? Did you learn something new about the final scene of Se7en? What do you think is the most mind-blowing scene in movie history? What other scenes would you like us to explore in future episodes?
Let us know in the comments!
Want to know what's going on with Cinefix in the future?
Follow us Twitter for updates: http://www.twitter.com/CineFixNetwork
Oh and we're on The Facebook: http://www.facebook.com/CineFixNetwork
Love breaking down and learning about the history, influences that led to your favorite scenes of all time? Want to know what that scene inspired? Art of the Scene will be coming to you once a month here on Cinefix, and we will dissect some of the most iconic scenes in film history. We'll break it down so all you have to do is sit back and enjoy! Make sure to Subscribe for more awesome movie content!
Want to send us stuff?
CineFix
c/o Mike Cruz
PO BOX 351213
Los Angeles, CA 90035
Watch More Recent Cinefix Videos:
Make Your Own Deadpool Costume! - Homemade How-to!
https://www.youtube.com/watch?v=zEfnMG50pCc
7 MORE Things You (Probably) Didn’t Know About Fight Club!
https://www.youtube.com/watch?v=WNzaGDpUxz8
Can Hollywood Do a Good Remake - CineFix Now Roundtable
https://www.youtube.com/watch?v=_M7Atv0pXoA
CAPTAIN PICARD vs CAPTAIN MAL - Captain Wars
https://www.youtube.com/watch?v=JTyepTfVM1U
The Transporter Refueled Review! - CineFix Now
https://www.youtube.com/watch?v=7Em-7LvfJ4w
WE GET TURNED INTO ACTION FIGURES? - Superhero In Training
https://www.youtube.com/watch?v=daROBoP24LI
Alice In Wonderland - What's the Difference?
https://www.youtube.com/watch?v=D8VMM5YMjA8
Goodnight Mommy Review! - CineFix Now
https://www.youtube.com/watch?v=6hcE4n0bAN8
Dragon Blade Review! - CineFix Now
https://www.youtube.com/watch?v=qQu_NqBJGuM
Top 10 Movie Villains of All Time
https://www.youtube.com/watch?v=6NgNDdMbfA0
Small Movies Big Plots - CineFix Now Roundtable
https://www.youtube.com/watch?v=2gHnChUGOo4
CAPTAIN MALCOLM REYNOLDS vs CAPTAN STEVE ZISSOU - Captain Wars
https://www.youtube.com/watch?v=gorFeThyVFQ
CAPTAIN PICARD vs HAN SOLO - Captain Wars
https://www.youtube.com/watch?v=VjukbhKGxI8
Die Hard to Dark Knight: A History of Kicking Ass, Part 3 - Film School'D
https://www.youtube.com/watch?v=nOwZoz1HOvQ
Batman V Superman Trailer- Homemade Shot for Shot
https://www.youtube.com/watch?v=TEjxYPwK3WY
9 Things You (Probably) Didn’t Know About Back to the Future!
https://www.youtube.com/watch?v=ksey16tAqr0
ALL THE DISNEY! - CineFix Now Roundtable
https://www.youtube.com/watch?v=WCyeTzkmepk
Where the Wild Things Are - What’s the Difference?
https://www.youtube.com/watch?v=TXZBN40j6EE
American Ultra Review - CineFix Now
https://www.youtube.com/watch?v=68KK6-zRokg
Princess Mononoke - 8 Bit Cinema
https://www.youtube.com/watch?v=jhkQOj_kkMU
Top 10 Most Important Film Movements of All Time
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Make Your Own Batman Mecha Armor Suit! - Homemade How-to!
https://www.youtube.com/watch?v=PnNzmOR8gU8
Creative Spark: William GoldenbergEditor William Goldenberg ("Argo", "The Imitation Game", "Zero Dark Thirty") takes viewers inside his creative process in an exploration of where ideas come from.
Subscribe and see Academy Originals first: http://bit.ly/SubscribeToAO
Follow The Academy everywhere.
Web: http://Oscars.org
Twitter: https://twitter.com/theacademy
Facebook: https://www.facebook.com/TheAcademy
Google+: https://plus.google.com/+Oscars
Tumblr: http://theacademy.tumblr.com
Editing 'Steve Jobs' - Variety ArtisansWhen editor Elliot Graham read the script for “Steve Jobs,” he felt it read like an action movie, with the fights all done with words. But bringing the energy of screenwriter Aaron Sorkin’s verbal brawls to the screen isn’t always so easy. Graham joined Variety’s Tim Gray to reveal how he and director Danny Boyle kept Sorkin’s script sizzling.
26 Simple Tricks For Faster Editing (Premiere Pro CC)This video covers the keyboard shortcuts, features and techniques that I most frequently use in Premiere Pro CC. It ranges from the MOST basic to advanced techniques. Just about all of these are part of my editing muscle memory and I think if you don't use any of these that they'll help you be a faster editor.
Full blog post and breakdown here: http://www.derek-lieu.com/2014/07/08/26-simple-tricks-for-faster-editing-premiere-pro-cc/
The blog post contains full explanations and also equivalent functions in Avid Media Composer, Final Cut Pro 7, and Final Cut Pro X (if they exist)
Music: "Slow Burn" by LaCron (soundcloud.com/jeremy-chandra/slow-burn-free-download-on)
INSIDE THE EDIT Free Tutorial 7.8: Gear ChangesHappy holidays from everyone at Inside The Edit! In partnership with our friends at Universal Production Music, we're kicking off December with a month long seasonal promotion. 25% off all memberships from the industry's only creative editing course. Learn hundreds of pro theories, techniques and stylisation concepts not taught in any book, training course of film school for less with our December Discount. Check out our Twitter or LinkedIn feed for the discount code!
Sally Menke, Editor (1953 - 2010)Two annotated excerpts from "Inglourious Basterds" demonstrate why Quentin Tarantino considered his late editor Sally Menke his closest collaborator from the very beginning of his career. She edited all of his films, from "Reservoir Dogs" on.
INVISIBLE SPLIT-SCREEN TUTORIAL (The David Fincher Technique)Tutorial showing how and why to use the invisible split-screen/spit-comping technique that David Fincher's editors (Angus Wall & Kirk Baxter) have become known for. I break down some stills from Fincher films as well as showing some practical applications from my own work.
Also, I've compiled a bunch of interviews with Fincher's editors concerning this technique if you want to check them out:
http://www.mediafire.com/view/j1229xdk3fd8b2b/Invisible_Split-Screening_Interviews_&_Research.pdf
Joe Simon—Guide to Speed RampingView this full tutorial, and over 40 more just like it, at the Academy of Storytellers. www.storyandheart.com/Academy
Joe Simon's Guide To Speed RampingJoin the Academy and get access to 125+ filmmaking tutorials, fresh weekly content, interactive webinars, downloadable resources, and so much more.
http://www.academyofstorytellers.com/
*
Speed ramping is great for creating smooth transitions in and out of slow motion. It also has the power to advance people through story lines in different spaces or times. Joe Simon is here to share some tips on how to use speed ramping to your advantage.
Understanding Interview EyelinesJoin the Academy and get access to 80+ filmmaking tutorials, fresh weekly content, interactive webinars, downloadable resources, and so much more.
http://www.academyofstorytellers.com/
*
Too often we forget to plan an eye-line ahead of time, and then end up with whatever occurs after we position the lights, camera, and the interviewer. Make a story-conscious decision and get the right eye line for your next interview. Watch this Academy of Storytellers lesson to learn how.
Academy of Storytellers: Cutting Mini Docs (Part 1)This week only: register for the Academy of Storytellers and save $80 off the annual Academy membership fee. As a bonus, you'll also receive a promo code for 25% off a new Vimeo PRO subscription.
Click here for details: http://blog.storyandheart.com/story-and-heart-vimeo
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Short form documentaries are an amazing way to build compelling and long-lasting connections with your audiences. But, how do you tackle your hours of interview and b-roll to distill the best 5 minutes from it? Join Ryland from Story & Heart as he walks through a solid, repeatable, and scalable workflow to turn your vision into reality.
Introducing the Academy of StorytellersGet the knowledge, support and tools you need to tell amazing stories and build an incredible filmmaking business.
Join us at the Academy of Storytellers. storyandheart.com/Academy/
It's collaborative. Respected and experienced filmmakers from a variety of industries—commercials, weddings, documentaries—share their secrets to what they do best. Then you join the conversation. Ask questions, share your experiences. Learn from one another.
It's educational and entertaining. Other platforms are boring and ineffective because of one major missing piece: Pre-production. Lessons at the Academy are the culmination of interviews, scripts, rehearsals. They're not too complex that you get lost and not too simple that you get bored. They're the very best ideas with the best presentation.
It's story-driven. No talking heads here. Lessons are dynamic—they show filmmakers in action, step-by-step screen flows, helpful graphics to break down bigger concepts, and B-roll to demonstrate techniques. You get to see and experience as much as possible. And more than just lessons, it is a complete community with discussions,webinars, downloadable cheat sheets and templates, gear discounts, and so much more.
Join us at the Academy of Storytellers. storyandheart.com/Academy/
1,001 Movies You Must See (Before You Die)I started piecing this together in February of 2013. It was finished and uploaded on February 2 of 2014 on YouTube where it currently lives no more. It contains over 200 extra titles not featured in the book edited by Steven Jay Schneider, not because I think they're must sees, but because I felt they complimented the video better.<br />
<br />
Animated graphics in the title sequences were done by EE Seitz (https://vimeo.com/84735644).
Walter Murch 2015: FCPX, Avid, Premiere ProWalter Murch speaks openly about the state of play of the major editing systems in use in 2015.
In the aftermath of the end-of-life of the original Final Cut Pro, there are 3 main systems used by professionals: Abobe Premiere Pro, Apple Final Cut Pro X, Avid Media Composer.
Walter provides his perspective on what works for him, and his latest experience working with Adobe Premiere Pro.
As one who has experienced, and been part of, the process of technological change in cinema, Walter's insights are deep and profound.
**Walter Murch Bio.**
Walter Murch has been editing picture and mixing sound in Hollywood since starting on Francis Ford Coppolas film The Rain People (1969). He co-wrote, sound-edited and mixed George Lucass THX-1138 (1971), and then supervised the sound editing on The Godfather (1972), sound-edited and mixed American Graffiti (1973) and The Godfather: Part II (1974), got his first Academy Award nomination and won a double BAFTA for picture editing and mixing The Conversation (1974), won his first Oscar for Apocalypse Now (1979), and an unprecedented double Oscar for sound and film editing for his work on The English Patient (1996).
**Editing Credits**
* Tomorrowland 2015
* Cutaways (Documentary short) 2014
* Particle Fever (Documentary) 2013
* Hemingway & Gellhorn (TV Movie) 2012
* The Wolfman 2010
* Tetro 2009
* Youth Without Youth 2007
* Jarhead 2005
* Cold Mountain 2003
* K-19: The Widowmaker 2002
* The Talented Mr. Ripley 1999
* The English Patient 1996
* First Knight 1995
* I Love Trouble 1994
* Romeo Is Bleeding 1993
* House of Cards 1993
* The Godfather Trilogy: 1901-1980 (Video) 1992
* The Godfather: Part III 1990
* Ghost 1990
* Call from Space (Short 1989
* The Unbearable Lightness of Being 1988
* Captain EO (Short) 1986
* Apocalypse Now 1979
* Julia 1977
* The Conversation 1974
* Touch of Evil (1998 re-edit) 1958
* Dickson Experimental Sound Film (Short) (2003 release) 1894
**Sound Department Credits**
* Cutaways (Documentary short) (sound designer) 2014
* Particle Fever (Documentary) (sound re-recording mixer) 2013
* Tetro (sound re-recordist) 2009
* Youth Without Youth (sound re-recording mixer) 2007
* Seeing in the Dark (TV Movie documentary) (sound mixer) 2007
* Jarhead (re-recording mixer) 2005
* Cold Mountain (sound re-recording mixer) 2003
* K-19: The Widowmaker (sound re-recording mixer) 2002
* The Talented Mr. Ripley (sound re-recording mixer) 1999
* The English Patient (sound re-recording mixer) 1996
* First Knight (sound re-recording mixer) 1994
* Crumb (Documentary) (sound re-recording mixer) 1995
* Romeo Is Bleeding (sound re-recordist) 1993
* The Godfather: Part III (sound re-recording mixer) 1990
* Ghost (sound re-recording mixer) 1990
* Dragonslayer (sound re-recordist) 1981
* Apocalypse Now (sound designer) / (sound montage) / (sound re-recording mixer) 1979
* The Godfather: Part II (sound montage) / (sound re-recordist) 1974
* The Conversation (re-recording) / (sound editor - uncredited) / (sound montage) 1974
* American Graffiti (sound montage) / (sound re-recordist) 1973
* THX 1138 (sound montage) 1971
* Gimme Shelter (Documentary) (sound) 1970
* The Great Walled City of Xan (Short) (sound) 1970
* The Rain People (sound montage) 1969
* The New Cinema (TV Movie documentary) (sound) 1968
* Dickson Experimental Sound Film (Short) (sound designer - 2003 release) 1894
The History of Cutting - The Birth of Cinema and Continuity EditingCinema began as a novelty - projecting dancing shadows on a screen of simple every day scenes. But through the contributions of talented artists, a new cinematic language of editing emerged. Trace the development of editing from The Lumiere Brothers through Georges Méliès, Edwin S. Porter, and D.W Griffith.
This lesson is proudly sponsored by:
BlackMagicDesign.com
Creating the world's highest quality solutions for the feature film, post production and television broadcast industries.
If you like this lesson you may like:
The Evolution of Modern Non-Linear Editing: Part 1 - From Tape To Digital
https://vimeo.com/66531658
The History of Hollywood Censorship and the Ratings System
https://vimeo.com/80528838
The History and Science of the Slit Scan Effect used in Stanley Kubrick's 2001: A Space Odyssey
https://vimeo.com/71702374
The Origins and Formatting of Modern Screenplays
https://vimeo.com/67418669
Potemkin, scene with lions / σκηνή λιοντάρια - chaniart.grPotemkin movie, scene with lions, η σκηνή με τα λιοντάρια απο την ταινία''ΠΟΤΕΜΚΙΝ''
Understanding Jump CutsA jump cut is is an abrupt transition, typically in a sequential clip that makes the subject appear to jump from one spot to the other, without continuity.
Read about how to avoid jump cuts and how to use them creatively in the Video School lesson: https://vimeo.com/videoschool/lesson/360/understanding-jump-cuts
Song is "Stay on the Grind" by Kero One from the Vimeo Music Store: https://vimeo.com/musicstore/track/131542/stay-on-the-grind-instrumental-by-kero-one
Fight Club (2/5) Movie CLIP - The First Rule of Fight Club (1999) HDFight Club movie clips: http://j.mp/1TCviZu
BUY THE MOVIE:
iTunes - http://apple.co/1dcpPHK
Google Play - http://bit.ly/1KBe4G2
Amazon - http://amzn.to/1BHHgpJ
Fox Digital HD - http://bit.ly/1QmITQl
FoxConnect - http://bit.ly/1Q3L0NZ
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
CLIP DESCRIPTION:
Tyler Durden (Brad Pitt) lays down the ground rules for Fight Club. First and foremost, you don't talk about Fight Club.
FILM DESCRIPTION:
In this darkly comic drama, Edward Norton stars as a depressed young man (named in the credits only as "Narrator") who has become a small cog in the world of big business. He doesn't like his work and gets no sense of reward from it, attempting instead to drown his sorrows by putting together the "perfect" apartment. He can't sleep and feels alienated from the world at large; he's become so desperate to relate to others that he's taken to visiting support groups for patients with terminal diseases so that he'll have people to talk to. One day on a business flight, he discovers Tyler Durden (Brad Pitt), a charming iconoclast who sells soap. Tyler doesn't put much stock in the materialistic world, and he believes that one can learn a great deal through pain, misfortune, and chaos. Tyler cheerfully challenges his new friend to a fight. Our Narrator finds that bare-knuckle brawling makes him feel more alive than he has in years, and soon the two become friends and roommates, meeting informally to fight once a week. As more men join in, the "fight club" becomes an underground sensation, even though it's a closely guarded secret among the participants. (First rule: Don't talk about fight club. Second rule: Don't talk about fight club.) But as our Narrator and Tyler bond through violence, a strange situation becomes more complicated when Tyler becomes involved with Marla (Helena Bonham Carter), whom our Narrator became infatuated with when they were both crashing the support-group circuit. Based on the novel by Chuck Palahniuk, Fight Club was directed by David Fincher, who previously directed Pitt in the thriller Seven.
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The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
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SKYFALL Clip - Meet Your New Quartermaster - In Theaters 11/9Daniel Craig is back as Ian Fleming’s James Bond 007 in Skyfall, the 23rd adventure in the longest-running film franchise of all time. In Skyfall, Bond’s loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.
Genre: Action / Adventure
Cast: Daniel Craig, Javier Bardem, Ralph Fiennes, Naomie Harris, Judi Dench
Director: Sam Mendes
Screenplay By: Neal Purvis, Robert Wade, John Logan
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Handmade Portraits: Liberty Vintage MotorcyclesIn a crowded Philadelphia garage, Adam Cramer revives vintage motorcycles and the American tradition of grease-stained self-reliance.
Read the Etsy blog post: http://etsy.me/libertyvintage.
Music by:
MONO
http://www.monoishere.com
Courtesy of Temporary Residence Ltd.
http://temporaryresidence.com
The Lobby Shootout - The Matrix (6/9) Movie CLIP (1999) HDThe Matrix movie clips: http://j.mp/1uuZTz5
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CLIP DESCRIPTION:
Neo (Keanu Reeves) and Trinity (Carrie-Anne Moss) face down a squad of Matrix-spawned soldiers with a combination of martial arts and fire power.
FILM DESCRIPTION:
What if virtual reality wasn't just for fun, but was being used to imprison you? That's the dilemma that faces mild-mannered computer jockey Thomas Anderson (Keanu Reeves) in The Matrix. It's the year 1999, and Anderson (hacker alias: Neo) works in a cubicle, manning a computer and doing a little hacking on the side. It's through this latter activity that Thomas makes the acquaintance of Morpheus (Laurence Fishburne), who has some interesting news for Mr. Anderson -- none of what's going on around him is real. The year is actually closer to 2199, and it seems Thomas, like most people, is a victim of The Matrix, a massive artificial intelligence system that has tapped into people's minds and created the illusion of a real world, while using their brains and bodies for energy, tossing them away like spent batteries when they're through. Morpheus, however, is convinced Neo is "The One" who can crack open The Matrix and bring his people to both physical and psychological freedom. The Matrix is the second feature film from the sibling writer/director team of Andy Wachowski and Larry Wachowski, who made an impressive debut with the stylish erotic crime thriller Bound.
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Watchtower of TurkeyOver than 3500 km traveled in 20 days, capturing landscapes from the bluish tones of Pamukkale to the warm ones of Cappadocia, the all passing by a great variation of colors, lights and weathers through six other cities.
I've crossed Cappadocia, Pamukkale, Ephesus, Istanbul, Konya; and tasted baklava, kunefe, doner, the turkish tea; and got the chance to meet the soul of Turkey, its people.. and got their smiles and their hospitality.
This is Turkey lived by me from north to south, and I hope you enjoy it :)
Directed and edited by Leonardo Dalessandri
Music: "Experience" by Ludovico Einaudi - facebook.com/ludovicoeinaudi
Voice off: Meryem Aboulouafa. You can follow her on soundcloud in the following link:
soundcloud.com/meryemaboulouafa
I have a new page on Facebook: facebook.com/leonardolucadalessandri
You can like it, share it, or just have a look on it :)
Watch my previous work "Watchtower Of Morocco": vimeo.com/66659080
This is My Town (The Quick and The Dead movie).wmvThe Quick and the Dead is a 1995 western film directed by Sam Raimi and starring Sharon Stone, Gene Hackman, Russell Crowe and Leonardo DiCaprio. The story focuses on "The Lady" (Stone), a gunfighter who rides into the 1878 Wild West town of Redemption, controlled by the ruthless John Herod (Hackman). The Lady joins a deadly dueling competition in an attempt to exact revenge for her father's death.
Writer Simon Moore's script for The Quick and the Dead was purchased by Sony Pictures Entertainment in May 1993, and actress Sharon Stone signed on as both star and co-producer. Development was fast tracked after director Sam Raimi's hiring, and principal photography began in Old Tucson Studios in Arizona on November 21, 1993. Distribution duties were covered by Sony-owned TriStar Pictures and Columbia Pictures. The Quick and the Dead was released in the United States on February 10, 1995 to a dismal box office performance, and received mixed but generally favorable reviews from critics.
This was Woody Strode's final performance (the film is dedicated to him), as well as the last theatrical release of Roberts Blossom.
Mr. Rooney's Phone Call (Ferris Bueller's Day Off)Mr. rooneys phone call. Awesome movie.
INCEPTION Movie Best SceneInception is a 2010 science fiction action heist film which was written, co-produced, and directed by Christopher Nolan.In this movie DiCaprio plays Dom Cobb, a specialised corporate spy and thief whose work consists of secretly extracting valuable commercial information from the unconscious minds of his targets while they dream. Wanted for murder and unable to visit his children, Cobb is offered a chance to regain his old life as payment for a task considered to be impossible.Inception appeared on over 273 critics' lists of the top ten films of 2010, being picked as No.1 on 55 of those lists. It was the second most mentioned film behind The Social Network and one of the most critically acclaimed films of 2010, alongside the former, The King's Speech and Black Swan.
The Good, the Bad and the Ugly (11/12) Movie CLIP - Three-Way Standoff (1966) HDThe Good, the Bad and the Ugly movie clips: http://j.mp/1BxfuOn
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CLIP DESCRIPTION:
Blondie (Clint Eastwood) shoots Angel Eyes (Lee Van Cleef), knocking him into an open grave while Tuco (Eli Wallach) fumbles with his gun.
FILM DESCRIPTION:
In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release.
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The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
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Joe Esposito - You're The Best Around (Karate Kid soundtrack)Joe Esposito - You're the Best Around.
From The Karate Kid soundtrack.
Annotations relating to some of the London Tekken players/personalities, and hopefully inspiring a new D1 Daniel-san to take them on!
Next ranking battle: http://www.tekkenzaibatsu.com/forums/showthread.php?threadid=117276
Try to be best
cause you're only a man
and a man's gotta learn to take it.
Try to believe though the going gets rough
that you gotta hang tough to make it.
History repeats itself,
try and you succeed.
Never doubt that youre the one
and you can have your dream!
You're the best, around
nothings gonna ever keep you down,
x2
Fight till the end cause your life will depend
on the strength that you have inside you.
Oh, gotta be proud, standing out in the crowd
where the odds in the game defy you.
Try your best to win them all
and one day time will tell
when you're the one that's standing there
you've reached the final bell!
You're the best, around
nothings gonna ever keep you down,
x2
Fight till you drop,
you never stop,
can't give up until you reach the top.
(fight) Youre the best in town. (fight)
Listen to that sound.
A little bit of all you got could never bring you down.
2001: A Space Odyssey (see description)Directed by Stanley Kubrick. Novel written by Arthur C Clarke.
Distributed by Metro-Goldwyn-Mayer.
No copyright infringement intended. Uploaded as an incentive to buy original copy.
I think the most profound scene in movie history. The bone, (weapon of pre-historic man) thrown skyward, gives way to a similar shaped 'nuclear weapons platform', (weapon of modern man) in Earth orbit. In a fraction of a second, the viewer has jumped millions of years in the evolution of mankind.
Lawrence of Arabia (1/8) Movie CLIP - A Funny Sense of Fun (1962) HDLawrence of Arabia movie clips: http://j.mp/15vV8u2
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CLIP DESCRIPTION:
Lawrence (Peter O'Toole) tells Mr. Dryden (Claude Rains) that the expedition with the Bedouin tribe is going to be fun. After blowing out a match, Lawrence begins his journey in the desert.
FILM DESCRIPTION:
This sweeping, highly literate historical epic covers the Allies' mideastern campaign during World War I as seen through the eyes of the enigmatic T. E. Lawrence (Peter O'Toole, in the role that made him a star). After a prologue showing us Lawrence's ultimate fate, we flash back to Cairo in 1917. A bored general staffer, Lawrence talks his way into a transfer to Arabia. Once in the desert, he befriends Sherif Ali Ben El Kharish (Omar Sharif, making one of the most spectacular entrances in movie history) and draws up plans to aid the Arabs in their rebellion against the Turks. No one is ever able to discern Lawrence's motives in this matter: Prince Feisal (Alec Guinness) dismisses him as yet another "desert-loving Englishman," and his British superiors assume that he's either arrogant or mad. Using a combination of diplomacy and bribery, Lawrence unites the rival Arab factions of Feisal and Auda Abu Tayi (Anthony Quinn). After successfully completing his mission, Lawrence becomes an unwitting pawn of the Allies, as represented by Gen. Allenby (Jack Hawkins) and Dryden (Claude Rains), who decide to keep using Lawrence to secure Arab cooperation against the Imperial Powers. While on a spying mission to Deraa, Lawrence is captured and tortured by a sadistic Turkish Bey (Jose Ferrer). In the heat of the next battle, a wild-eyed Lawrence screams "No prisoners!" and fights more ruthlessly than ever. Screenwriters Robert Bolt and Michael Wilson used T. E. Lawrence's own self-published memoir The Seven Pillars of Wisdom as their principal source, although some of the characters are composites, and many of the "historical" incidents are of unconfirmed origin. Two years in the making (you can see O'Toole's weight fluctuate from scene to scene), the movie, lensed in Spain and Jordan, ended up costing a then-staggering $13 million and won seven Academy Awards, including Best Picture and Best Director. The 1962 Royal Premiere in London was virtually the last time that David Lean's director's cut was seen: 20 minutes were edited from the film's general release, and 15 more from the 1971 reissue. This abbreviated version was all that was available for public exhibition until a massive 1989 restoration, at 216 minutes that returned several of Lean's favorite scenes while removing others with which he had never been satisfied.
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Eddie HamiltonThis previously missing gem with features editor Eddie Hamilton was recorded live on our stage at NAB 2012. Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.
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Using Blend Modes with Gradientshttp://www.larryjordan.com - You start with a good image – then you make it look even better with visual effects like fires, light leaks, or degraded film looks. And all of these require blend modes to look right.
In this short video tutorial, excerpted from our "Light Leaks, Fire and Blend Modes" webinar, Larry illustrates how to use blend modes with gradients to enhance exterior wide shots. (This demo uses Final Cut, but the effect works exactly the same in Adobe Premiere Pro CC.)
Want to download all of this great webinar? Become a member today and access it, along with all of Larry's training, at your convenience - http://www.larryjordan.biz/subscriptions/ . Also, if you're not a member, you can find it for sale in our great Online Store - https://larryjordan.com/store/ .
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Editing: Creating the "OH F**K" MomentIn this video, Director/Editor Joey Scoma walks us through a few classic scenes in cinema that demonstrate editing as an effective storytelling tool, and focuses in on a specific technique that he likes to call “The “Oh F**K” Moment.”
Editing is about controlling information – it determines how, when and why we see certain pieces of information or story. There are many different styles and techniques within the art of editing to accomplish this, but the main purpose of each of them is to further the story. In other words: “You need a reason to cut.”
Questions for Joey? Want to dissect these scenes a little further? Talk with RJFS directly in our forums: http://bit.ly/1h46jim
Some other resources to check out:
Hitchcock Interview about Editing http://bit.ly/1Jir9TT
The Cutting Edge documentary http://bit.ly/1VmDOdb
Happy cutting! And watch out for the Sundance Kid.
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Creative Spark: Crispin StruthersEditor Crispin Struthers ("Silver Linings Playbook," "American Hustle," "Earth to Echo") takes viewers inside his creative process in an exploration of where ideas come from.
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Editing as Punctuation in FilmIn January 2014 Kathryn Schulz published an article in Vulture called "The Five Best Punctuation Marks in Literature."
Link: http://www.vulture.com/2014/01/best-punctuation-marks-literature-nabokov-eliot-dickens-levi.html
It got me thinking about what the five best "punctuation marks" in film might look like. I wanted to assemble a video essay with a rapidfire list of nominees of great moments of editing-as-punctuation in film. But as I started putting it together, the project grew into a twofold piece: an analysis of and response to Schulz's article as well as an attempt to spur new insights about editing by examining it through the metaphor of punctuation.
So, here it is: 20 minutes long, clips from 100 films (101 if you count that Woody Allen quotes Duck Soup in Hannah and her Sisters), and, I hope, an inspiration to anyone else who loves film on a formal level and believes, as Bazin did, that the language of cinema isn't done being invented yet.
Thanks to Kathryn Schulz for sending me down this wonderful rabbit hole of thought, and to the editors (in order of their cuts): Sally Menke, Buster Keaton, Abel Gance, Yelizaveta Svilova & Dziga Vertov, Michael Snow, Jonathan Amos & Paul Machliss, Harry Gerstad, William Reynolds & Peter Zinner, David E. Blewitt & Robert K. Lambert & David Newhouse, Sergei Eisenstein, Daniel Rezende, Valeriya Belova, Richard Pearson & Christopher Rouse, Lou Lombardo, Marguerite Beaugé & Carl Theodor Dreyer, George Tomasini, D.W. Griffith & James Smith & Rose Smith, Lev Kuleshov, Charles Chaplin & Willard Nico, Ron Fricke & Alton Walpole, Sam O'Steen, Edgar Adams & Edward L. Cahn, Ray Lovejoy, Siro Asteni, Anne V. Coates, Robert Wise, Susan E. Morse, LeRoy Stone, Ken Eluto, Spike Lee, Jerome Thoms, Lyudmila Feyginova, Peter Przygodda, Ferris Webster, Andrew Weisblum, Léonide Azar feat. Anton Walbrook, Alan Heim, Claudia Castello & Michael P. Shawver, Michal Leszczylowski & Andrei Tarkovsky, Ralph Rosenblum, William Hornbeck, Barbara McLean, William Chang & Kit-Wai Kai & Chi-Leung Kwong, Véronique Parnet, Kim Hyeon, Andreas Prochaska, Mary Sweeney, John Smith, Jolanda Benvenuti, Harold F. Kress & Argyle Nelson Jr. & J. Frank O'Neill, Florence Eymon, Nicholas T. Proferes, Marie-Josèphe Yoyotte, Mohsen Makhmalbaf, Yoshiyasu Hamamura, Cécile Decugis, Joe Bini, Robert Leighton, Milton Carruth, Jay Rabinowitz, Owen Marks, Ted Cheesman, George Tomasini (again), Blanche Sewell, Georges Méliès, Reginald Mills, Siv Lundgren, Thelma Schoonmaker (finally!), Kôichi Iwashita, Alex O'Flinn, Kirk Baxter, Peter Kubelka, Paul Sharits, Chris Marker, Jean Ravel, Roderick Jaynes (Ethan and Joel Coen), Sharon Rutter, Miroslav Hájek, Fernand Léger & Dudley Murphy, Melvin Van Peebles, Martin Arnold, Bruce Conner, Walter Murch, and Yelizaveta Svilova & Dziga Vertov again. Plus unseen contributions from Jacqueline Sadoul, Jim Miller & Paul Rubell, Monique Bonnot, Ralph Foster & Stephen Perkins & Andrew Weisblum, Verna Fields, Jack Murray, Daniel Mandell, Françoise Collin, Solange Leprince, Patricia Canino, Nelly Quettier, Matt Chesse, George McGuire, John Seabourne Sr., Takis Davlopoulos & Giorgos Triandafyllou, and a few VFX teams, too.
For the full list of films featured, click here: http://10oclockdot.tumblr.com/post/129417606958
6 Tips for Efficient Video EditingGet access to 80+ filmmaking tutorials on all things filmmaking (+ save $100 this week only!)
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Join Joe Simon, Matt Brue, Locomotive, and Story & Heart in tutorial all about dialing in your editing process to be more efficient.
INSIDE THE EDIT Tutorial 7.4: Dramatic Sync TempoA detailed study of decompression in sync tempo and the magical effect it can have on the dramatic impact of a scene. Monthly subscriptions to our huge library of creative tutorials, 35 hours of documentary footage and 100 tracks from Universal Production Music start at just £33/$50 per month.
Premiere Pro CC - April 2015- New Features TeaserSee full article at:
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While we don't have our full in depth coverage of the upcoming release of Premiere Pro ready yet, we didn't want to leave you guys hanging. The newly announced update to Premiere Pro features a bunch of small user enhancements and a few major features too. In this video we cover what we think are some of the best updates coming to Premiere Pro.
New Workspace Bar
The New Color Workspace and the Lumetri Color Panel
Clip Markers are now visible even when a track is collapsed.
Track Output Assignments in the Timeline
New Frame Hold Option to use Source Timecode
Increase on Handles in Project Manager and Render and Replace to 999
Ability to Relocate the Anchor Point Like After Effects
Ability to Hide Items in your Project panel
Morph Cut
Editing High-Profile Films and Documentaries with Powerful FlexibilityVashi Nedomansky talks through several projects where he utilized Creative Cloud - specifically Premiere Pro - including Sharknado 2 & That Which I Love Destroys Me. Learn more about Adobe pro video & audio tools: http://adobe.ly/1GLHWzr
Montage ExamplesMetric
Tonal
Rhythmic
Intelligent
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
How to Cut a Film - The Secrets of Editing - Film School'dIntercut! Montage! The illusion of continuity! All hallmarks of the edit - the point in a film’s production where a film comes together and becomes greater than the sum of its shots. SUBSCRIBE: http://goo.gl/9AGRm
Kuleshov said that film is born in the edit. And you gotta take him seriously, because he used the magic of editing to convince an audience that a blank-faced man was hungry/sad/lustful.
Later, montage showed audiences how to get in shape and learn to dance in under 2 minutes! (Of screen time). And that's the magic of film editing - understanding that comes from what isn't shown.
In less than 7 minutes (and plenty of cuts), we’ll show you just how important editing is to the creation of film: from the first stop trick to today.
What did you think - did you learn something new? Did you get SCHOOL’D? What topic should we cover next? What other movies and filmmaking techniques would you like to be film school’d in?
Let us know in the comments!
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Use Animated Mattes to Stylize Your Edit in Adobe Premiere ProVisual Effects artist and Rampant Design Lead Creative Sean Mullen http://twitter.com/smvfx shows us how to use animated mattes to instantly stylize your video in Adobe Premiere Pro.
► Download a free sample of the Rampant 4K Studio Mattes here:
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►For Easy to Use Visual Effects for Your Video, Check Out the Rampant Website:
http://rampantdesigntools.com/rampant-products/
The Hunger Games: Catching FireEditor Alan Edward Bell, ACE is known for his innovative work. His collaboration with director Francis Lawrence on "The Hunger Games: Catching Fire", turned into a blockbuster film that has grossed over $800 million at the box office. In this behind the scenes interview, Bell offers valuable tips for advancing your career in the industry.
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Avid is the world's leading provider of audio and video technology for media organizations and independent professionals. Our customers use Avid solutions to create, distribute, and monetize the most prestigious and award-winning films, videos, music recordings, TV shows, live concerts, and news broadcasts.
Gunned Down Saturday EditHow I spent my Saturday at FRONTLINE. No phone calls, no office visits. A great way to get things done.
An Overview of After Effects for Documentary editorsA presentation given at WGBH TV in Boston.
Steve Audette USOS Titles Built in After EffectsI thought these titles were pretty smoking so I thought I would share how I made them.
FRONTLINE's Michael Kirk on how to produce a documentaryGo behind the scenes of the acclaimed February 2009 FRONTLINE documentary Inside the Meltdown with producer Michael Kirk, and learn how he tackles hugely complex events to emerge with a coherent, powerful and engaging story. Watch Inside the Meltdown and more than 80 full-length FRONTLINE reports at http://www.pbs.org/frontline/view .
Over his award-winning career, Kirk has produced more than 200 national television programs including the recent FRONTLINE films Breaking the Bank, Dreams of Obama, The Choice 2008 and the two-part special Bushs War.
This video is a part of the YouTube Reporters' Center. See more videos on how to report the news - and share your ideas - at http://www.youtube.com/reporterscenter .
Cutting Gunned Down Prologuefollowing my obsession with documenting my cutting using time-lapse, I offer this. Not as good as warhing the timeline on the avid, but the coffee cup is telling. <br />
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Hope you enjoy<br />
SMA
Amsterdam SuperMeet: Maryann Brandon, ACE and Mary Jo Markey, ACE (Editing Feature Films)We welcome picture editors Maryann Brandon, ACE and Mary Jo Markey, ACE, editors of 'STAR WARS: EPISODE VII,' to the SuperMeet stage.
Both Ms. Markey and Ms. Brandon show Before and After scenes they cut from the movies, 'STAR TREK INTO DARKNESS' and 'SUPER 8' - Then interact with audience by answering questions. This is a rare opportunity to learn the editing process from two of the best editors working in feature films. Moderated by Matt Fuery of Avid.
Recorded Live at the Seventh Annual Amsterdam SuperMeet during IBC Show 2014 at the NH Grande Hotel Krasnapolsky on Sunday, 14 September, 2014.
Stay tuned for 2015 SuperMeets! http://supermeet.com
In Focus: EditingWhat does it take to be a top editor? Hear from the experts who have worked on films such as 12 Years A Slave, Gravity and Django Unchained.
Mat Newman: In ConversationEditor and long-time Nicolas Winding Refn collaborator Mat Newman talks about directors in the editing room, the time he told Refn not to take on Drive and why he thinks editors should steer clear of the shoot.
Chris King: Editing Mini MasterclassThe Senna editor gives a Mini Masterclass to BAFTA Guru.
For more inspiration in film, TV and games visit http://www.bafta.org/guru
Manhattan Edit Workshop presents: Sight, Sound & Story - Michael Kahn, ACE on Raiders of the Lost ArkEditor Michael Kahn, ACE discusses the most difficult scene to cut in Spielberg's "Raiders of the Lost Ark." From Sight, Sound & Story - June 14th, 2014.<br />
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For more information on Sight, Sound & Story please visit: sightsoundandstory.com<br />
More more information on Manhattan Edit Workshop please visit: mewshop.com
Douglas Crise (Part 1), editor Babel, Craft Truck - In the Cut - S01EP16Douglas Crise cut his teeth first assisting on Ocean's Eleven, Good Night and Good Luck, and Traffic before going on to cut Babel, Arbitrage and Spring Breakers.
In this episode, we chat cutting Good Night and Good Luck and some interesting stories on Babel...
... oh, and one story about George Clooney's house too.
Douglas Crise (Part 2), editor Arbitrage, Spring Breakers - Craft Truck - In the Cut - S01EP17We're back for part 2 of our exclusive interview Douglas Crise editor of Spring Breakers and Arbitrage.
In this episode we dive deeper into "finding the cut" and working with great performances including Cate Blanchett. We also get a glimpse of how Steven Soderbergh works with his editors.
Kevin Stitt, editor "A Knight's Tale", "The Kingdom" - Craft Truck - In the Cut - S01EP19Kevin Stitt knows his action. He's edited films for Brian Helgeland, John Woo, J.J. Abram's and Peter Berg.
In this episode, he chats with us about "Payback", "A Knight's Tale", "Paycheck", "The Kingdom" and "Jack Reacher".
Kevin Stitt (Part 2), editor Jack Reacher - Craft Truck - In the Cut - S01EP20Really excited to feature Kevin Stitt on part 2 of our exclusive interview with him.
In this episode we talk Tom Cruise driving and in-depth discussion on Jack Reacher and what Christopher McQuarrie's editing.
We also chat Harrison Ford and 42 and working with Brian Hegeland.
Kevin Stitt (Part 3), editor Cloverfield - Craft Truck - S01EP21In our final episode of season 1 of In the Cut, this is our bonus episode --- Kevin Stitt rocked it so much that we decided to put out a third part.
Kevin talks about a crazy story about how J.J. Abrams selected Kevin for the job.
This episode is 100% Cloverfield, working with J.J. Abrams and Steven Spielberg and his advice on the film.
Lisa Zeno Churgin, editor Gattica, The Cider House Rules - Craft Truck - In the Cut - S01EP18Lisa Zeno Churgin, master editor of Gattica, The Cider House Rules, Dead Man Walking.
In this episode, we talk some of the greats in the business --- Susan Saradon, Michael Caine, Sean Penn and much much more.
Fitness In PostSitting is literally killing us. We all work ridiculous hours in our caves. We all need more sunlight. We visit the snack wall too often. We don’t socialize enough. And we are all tired of feeling like garbage.
Enter Zack Arnold, http://www.imdb.com/name/nm2094093/ to help educate and literally save editor's health if not their very lives. This presentation was given to the Editors' Lounge at Alpha Dogs (http://www.alphadogs.tv) /in Burbank, CA.
Check out Zack's great tips and tricks to help you optimize your work life.
Satoshi Kon - Editing Space & TimeFour years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki.<br />
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For educational purposes only.<br />
You can support the channel at patreon.com/everyframeapainting<br />
And you can follow me at twitter.com/tonyszhou<br />
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For further reading/viewing, I highly recommend:<br />
Andrew Osmond's book "Satoshi Kon: The Illusionist" (my major source) http://amzn.com/1933330740<br />
Kristin Thompson's essay on match cuts & graphic matches http://bit.ly/1x960Em<br />
And this tumblr with an excellent name http://fuckyeahsatoshikon.tumblr.com/
Editing Techniques in the films of ScorseseEditing techniques in the films of Martin Scorsese, featuring examples from Taxi Driver, Raging Bull, Goodfellas, The Departed and more...
THE EDITORNobody knows what we do... so, a homage to every editor out there in those dark rooms creating art with moving images.<br />
http://insidetheedit.com<br />
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Direction, Design, Animation – Dave Penn https://vimeo.com/sxfngrs<br />
Sound Design – James Locke-Hart http://www.jameslockehart.com<br />
Script – Paddy Bird http://insidetheedit.com
INSIDE THE EDIT COURSE PREVIEWA short preview of Inside The Edit, the world's first creative editing course. Launching August 20th 2014
The Creative Editing Course Tutorial 1.1A sneak peek of the first tutorial from The Creative Editing Course:<br />
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Editors learn in isolation and pick up the hundreds of skills and techniques needed over many years of analysis and self teaching. The Inside The Edit course is the first time that the secrets of the edit suite have been available to the public, as most of our content has never been written down before. <br />
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Our tutorials are a mix of high end editing theory, footage analysis and timeline demonstration that teach the actual artistic process of creative editing. <br />
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Launching August 20th
DEMO TUTORIALEveryone teaches the technical, no one teaches the creative.<br />
There's always a few things we should ask ourselves before starting to build our sync pulls. Inside The Edit analyses these important pre-constructive questions. One of 80 creative editing tutorials at http://insidetheedit.com
INSIDE THE EDIT RAW FOOTAGENo company in the history of television has ever sold a complete set of pro documentary rushes to practice editing on... until now.<br />
35 hours from the hour long documentary Cities At Dawn following Californian photographer Anthony Epes as he shoots magic hour in European cities.<br />
http://insidetheedit.com
Video Compression as Fast As PossibleWithout video compression mediums like YouTube wouldn't exist. Taran explains how it works!
Tell Fractal Design what you think of their ad campaign: http://bit.ly/TQsurvey
Check out Fractal Design's excellent products: http://www.fractal-design.com/
Learn The Basics of Video Compressionhttp://www.larryjordan.biz - Interested in finding out how the new release of Apple's Compressor 4.1 has advanced video compression, file size and image quality? This excerpt from our "New Features in Compressor 4.1" webinar offers viewers an opportunity to learn how compression works and some important terms for working with it. If you'd like to discover more new features and capabilities in the recent 4.1 release, take a minute and find the full webinar in our on-line store! - http://www.larryjordan.biz/app_bin/Store/catalog/product_info.php?products_id=346 - Enjoy!
You can save time and money (lots of money!) - be a member to all of Larry's website training - http://www.larryjordan.biz/subscriptions/
Sign up now for Larry's FREE Weekly Newsletter filled with the latest reviews, techniques and tips for post production software, and reader comments at http://www.larryjordan.biz/nxlttrs.html/ . Get questions answered in Larry's forum - http://www.larryjordan.biz/forum .
Thanks for watching!
Larry Jordan & Associates, Inc.
Catch the Digital Production BuZZ - http://www.digitalproductionbuzz.com
Keep up with the latest crucial updates from Larry - like Larry on Facebook - Thanks!
http://www.facebook.com/pages/Larry-Jordan/174158732452
Trouble-Shooting Your FCP System
http://www.larryjordan.biz/trouble-shooting-your-fcp-system/
Top 10 Most Effective Editing Moments of All TimeSkilled editing is as effective in the creation of a good film as a writer, director, or performer. Though often overlooked, editing brings shots together to make a whole greater than the sum of its parts. These ten movies are a fantastic illustration of just how important editing can be. Subscribe: http://goo.gl/9AGRm
THE LIST
City of God
Director: Fernando Meirelles, Kátia Lund
Editor: Daniel Rezende
Bonnie and Clyde
Director: Arthur Penn
Editor: Dede Allen
North By Northwest:
Director: Alfred Hitchcock
Editor: George Tomasini
The Godfather
Director: Francis Ford Coppola
Editor: William Reynolds, Peter Zinner
Battleship Potemkin
Director: S.M. Eisenstein
Editor: Sergei M. Eisenstein, Grigori Aleksandrov
Psycho
Director: Alfred Hitchcock
Editor: George Tomasini
Un Chien Andalou
Director: Louis Bunuel
Editor: Luis Buñuel
Apocalypse Now
Director: Francis Ford Coppola
Editor: Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
2001: A Space Odyssey
Director: Stanley Kubrick
Editor: Ray Lovejoy
Lawrence of Arabia
Director: David Lean
Editor: Anne V. Coates
Our friends over at IndieWire put together some seriously inspired MOVIE (and TV!) LISTS: http://bit.ly/12x0UpF and CineFix is bringing 'em to life!
Sheffield Doc/Fest 2013: Walter Murch: From The Godfather to The God ParticleJoin legendary film editor Walter Murch in this fascinating masterclass covering his body of work, including his new feature documentary Particle Fever, which is screening at this year's Doc/Fest. Universally acknowledged as a master of picture editing and sound design, Murch has worked with, among others, director Francis Ford Coppola on such cinematic milestones as The Conversation, The Godfather I, II and III, and Apocalypse Now. From the point of view of someone who started working in theatrical features when computers were completely absent, to now 45 years later when they are omnipresent, Murch will explore the constants that nonetheless remain after the "bones" of celluloid and sprockets have dissolved away, and examine the salient technical, artistic, and philosophical differences between the post-production of a theatrical scripted film and a feature-length documentary.
The History of Cutting - The Soviet Theory of MontageBuilding on the works of D.W. Griffith and the development of "continuity editing" in early film history, Soviet silent filmmakers would pioneer new innovative ideas about editing that moved film from an extension of theater into a mature and powerful artistic medium. <br />
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This lesson is proudly sponsored by:<br />
<br />
BlackMagicDesign.com<br />
Creating the world's highest quality solutions for the feature film, post production and television broadcast industries.<br />
<br />
Catch up on the beginning of film editing history with:<br />
<br />
The History of Cutting - The Birth of Cinema and Continuity Editing<br />
https://vimeo.com/84542388<br />
<br />
If you like this lesson you may like:
The History of Cutting - The Birth of Cinema and Continuity EditingCinema began as a novelty - projecting dancing shadows on a screen of simple every day scenes. But through the contributions of talented artists, a new cinematic language of editing emerged. Trace the development of editing from The Lumiere Brothers through Georges Méliès, Edwin S. Porter, and D.W Griffith.<br />
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Continue this History of Cutting with The Soviet Montage Theory:<br />
https://vimeo.com/86462452<br />
<br />
This lesson is proudly sponsored by:<br />
<br />
BlackMagicDesign.com<br />
Creating the world's highest quality solutions for the feature film, post production and television broadcast industries.<br />
<br />
If you like this lesson you may like:<br />
<br />
The Evolution of Modern Non-Linear Editing: Part 1 - From Tape To Digital<br />
https://vimeo.com/66531658<br />
The History of Hollywood Censorship and the Ratings System<br />
https://vimeo.com/80528838<br />
<br />
The History and Science of the Slit Scan Effect used in Stanley Kubrick’s 2001: A Space Odyssey<br />
https://vimeo.com/71702374<br />
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The Origins and Formatting of Modern Screenplays<br />
https://vimeo.com/67418669
Get Started Fast with Avid Media Composer 7: Lesson 2Get assistance, answers, and insights and start editing now—watch our 5-part tutorial series dedicated to the success of new users. http://www.AvidBlogs.com/MC7Fast<br />
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In the second of our “Get Started Fast with Avid Media Composer 7” tutorials, Kevin P McAuliffe shows you how to get your footage into Media Composer. Whether you're digitizing from tape, importing media from another NLE or compositing application, or AMA linking to it, this lesson will get your footage ready to edit in no time. Covering more than just the basics, Kevin also gives a sneak peek at two new features designed to speed up your overall workflow—FrameFlex and Consolidating/Transcoding in the background.
Get Started Fast with Avid Media Composer 7: Lesson 1Get assistance, answers, and insights and start editing now—watch our 5-part tutorial series dedicated to the success of new users. http://www.AvidBlogs.com/MC7Fast<br />
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In the first of our "Get Started Fast with Avid Media Composer" tutorials, Kevin P McAuliffe takes you through the basics of Project creation, the layout of your Media Composer interface, some common settings including bin and keyboard settings, as well as the Command Palette and shows you some great bin features that will get you organized and keep you organized to get your projects finished faster than ever. This will give you the proper start to make sure that every project you work on is as problem-free as possible.
![Freddie's Keyboard Shortcuts [For Editing]](https://img.youtube.com/vi/lB_-WaDsTlE/mqdefault.jpg)
