Editing Workshop

Creating The Illusion For the month of October RocketJump FRIGHT School releases spooky, horror-themed filmmaking tutorials! However, all the concepts and principles introduced in this video have been used in every style of filmmaking, from cinema's earliest days to the present.

"Movie Magic" is something you hear pretty often. Filmmaking itself is about creating an engaging illusion; bringing an audience into a story so deeply that they forget it isn't real. In this video essay, Joey discusses the unique and creative problem solving required of filmmakers to create and maintain that illusion. Ultimately, it comes down to teamwork: the seamless interlocking of every department and the layering of the different crafts, concepts, and techniques needed to make it work.

Man, 20 minutes is still not enough time to include everything we wanted. Did we miss any of your favorite movie magic tricks? Share them here in our forum!
http://j.mp/CreatingIllusionDiscuss

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Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com

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Walter Murch Video Essay Video about Walter Murch and his Rule of Six
Pro Tip: EDITING TO THE EYES Stuck on where to cut? RJFS director and editor Joey Scoma brings you a quick editing tip that can come in handy when assembling a scene. It's simple, but can really bring out the emotion in your scene.

Questions for Joey? Chat with him here on the official forum!
https://discuss.rocketjump.com/t/pro-tip-editing-to-the-eyes-official-discussion/2541

Also for more info related to this topic look up, "In the Blink of an Eye" by Walter Murch!

Special thanks to Rode for the sound equipment we use. Check 'em out here! http://www.rode.com

Thanks for watching! More videos at school.rocketjump.com!

You can also follow us on Facebook & Twitter:
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Editing: Creating the "OH F**K" Moment In this video, Director/Editor Joey Scoma walks us through a few classic scenes in cinema that demonstrate editing as an effective storytelling tool, and focuses in on a specific technique that he likes to call “The “Oh F**K” Moment.”

Editing is about controlling information – it determines how, when and why we see certain pieces of information or story. There are many different styles and techniques within the art of editing to accomplish this, but the main purpose of each of them is to further the story. In other words: “You need a reason to cut.”

Questions for Joey? Want to dissect these scenes a little further? Talk with RJFS directly in our forums: http://bit.ly/1h46jim

Some other resources to check out:
Hitchcock Interview about Editing http://bit.ly/1Jir9TT
The Cutting Edge documentary http://bit.ly/1VmDOdb

Happy cutting! And watch out for the Sundance Kid.

Very special thanks to RØDE Microphones! Check them out here:
http://www.rode.com

Thanks for watching! More videos at http://school.rocketjump.com!

You can also follow us on Facebook & Twitter:
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Cuts & Transitions 101 Director/Editor Joey Scoma is here to talk to you about something simple: cuts and transitions. Except... there are so many different kinds!! In this video essay, Joey lists and defines the different cuts and transitions available to you as an editor, with examples from classic and modern films. It's up to you to decide when and why you'd use them!

What movie is that clip from?! Just turn on Closed Captioning!

Written and edited by Joey Scoma
Assistant edited by Sean Przano

Joey can answer your editing questions directly here in our forum!
http://j.mp/CutsTransitions101

Want to know more about secrets cuts and the art of editing? Check out these cool videos that we love:

The Film Theorists - Birdman Secret Edits You Probably Missed:
https://www.youtube.com/watch?v=FthEJGR61c8

The Cutting Edge - Full Documentary:
https://www.youtube.com/watch?v=pKKS5ohFo2I

Special thanks to RØDE Microphones! Check them out here:
http://www.rode.com

Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/

Questions about our sponsors and how they work? We have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com

We're on Twitch every Thursday at 3PM PST!
http://twitch.tv/rocketjump

You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool

Thanks for watching! More videos at http://school.rocketjump.com!
Joel & Ethan Coen - Shot | Reverse Shot How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.

For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting

This video was co-written with Taylor Ramos. Follow her on:
Instagram: https://instagram.com/taylor.ramos/
Twitter: https://twitter.com/glassesattached

And follow me here:
Twitter: https://twitter.com/tonyszhou
Facebook: https://www.facebook.com/everyframeap...

Music:
Carter Burwell - Way Out There (Raising Arizona)
Carter Burwell - A Serious Man
Oscar Isaac - Green Green Rocky Road (Inside Llewyn Davis)
Carter Burwell - Little Blackie (True Grit)
Carter Burwell - End Titles (Miller’s Crossing)
Creedence Clearwater Revival - Run Through the Jungle

Interview Clips:
Cinematographer Style: https://vid.me/L5aW/cinematographer-s...

Recommended Reading & Viewing:
ASC Magazine on Bruno Delbonnel & Inside Llewyn Davis: http://bit.ly/1OxkCoP
ASC Magazine’s profile of Roger Deakins: http://bit.ly/1TGUNKV
Roger Deakins forum post on the lenses he uses: http://bit.ly/1KNKToa

Help us caption & translate this video!

http://amara.org/v/HuuZ/
16mm & 35mm Film in the Cutting Room.
How to cut film on a Steenbeck Dawn Trotman and Oliver White explain how they used to edit 16mm film for TV on a Steenbeck. They demonstrate making a cut using some semi-edited rushes, and 'cheat' the cut for a better aesthetic experience.

ADAPT (2013-8) is a European Research Council project at Royal Holloway University of London. ADAPT studies the history of technologies in television, focussing on their everyday use in production activities. ADAPT examines what technologies were adopted and why; how they worked and how people worked with them. As well as publishing written accounts, ADAPT carries out ‘simulations’ that reunite retired equipment with the people who used to use it. Participants in these simulations explain how each machine worked and how different machines worked together as an ‘array’; how they adapted the machines; and how they worked together as teams within the overall production process.
www.adapttvhistory.org.uk

ADAPT TEAM

Professor JOHN ELLIS Principal Investigator
Dr NICK HALL Postdoctoral Researcher
Dr JAMES BENNETT Investigator
AMANDA MURPHY Digital Producer
ROWAN AUST Doctoral Candidate (Editing practices)
TIM HEATH Doctoral Candidate (Sound practices)
VANESSA JACKSON (www.pebblemill.org)
Memories of Murder (2003) - Ensemble Staging How do you emphasize to the audience that something is important? Well, you could always cut to a close-up, but how about something subtler? Today I consider ensemble staging — a style of filmmaking that directs the audience exactly where to look, without ever seeming to do so at all. NO SPOILERS.

Eight Ways to Get the Audience to Look at a Character:
1) Let Them Speak
2) Make Them Brighter or Bring Them Closer
3) Let Them Move (Especially Hands or Eyes)
4) Put Them in the Center of Frame
5) Turn Them Towards the Lens
6) Separate Them from the Group
7) Isolate Them by Moving the Camera
8) Have Other People Look at Them

For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting

And follow me here:
Twitter: https://twitter.com/tonyszhou
Facebook: https://www.facebook.com/everyframeapainting

Music:
Freddie Joachim - Sauced
Taro Iwashiro - You Gotta Turn Yourself In
Freddie Joachim - Strawberries
DJ Shadow - Why Hip Hop Sucks in ‘96

Recommended Reading & Viewing:
David Bordwell - Hands and Faces Across the Table (There Will Be Blood): http://bit.ly/1YB44Ye
David Bordwell - Modest Virtuosity (Panic in the Streets): http://bit.ly/1QZaevi
Alexander Mackendrick - On Filmmaking: http://www.amazon.com/dp/0571211259
DP/30 Samuel L. Jackson (2012) Django Unchained: http://youtu.be/QMyjYCuYKEM
DP/30 Samuel L. Jackson (2015) The Hateful Eight: http://youtu.be/Reb74Elx83E

Help us caption & translate this video!

http://amara.org/v/HcA8/
Why Framing Matters in Movies When taking a look back at the movies that were released in 2015, something that strikes me is the number of directors who played with the notion of "frame." A video essay by Chloe Galibert-Laîné.
Coming to Keyframe by Jan. 1, 2016: http://www.fandor.com/keyframe
13-Minute Clip Of Martin Scorsese & Thelma Schoonmaker In The Editing Room 13-Minute Clip of Martin Scorsese & Thelma Schoonmaker in the Editing Room (with director Michael Powell)
The Steenbeck If you've ever edited on a Steenbeck machine you'd know that it takes a half an hour to do what you can do in Final Cut in 5 minutes.
Editing as Punctuation in Film In January 2014 Kathryn Schulz published an article in Vulture called "The Five Best Punctuation Marks in Literature."
Link: http://www.vulture.com/2014/01/best-punctuation-marks-literature-nabokov-eliot-dickens-levi.html

It got me thinking about what the five best "punctuation marks" in film might look like. I wanted to assemble a video essay with a rapidfire list of nominees of great moments of editing-as-punctuation in film. But as I started putting it together, the project grew into a twofold piece: an analysis of and response to Schulz's article as well as an attempt to spur new insights about editing by examining it through the metaphor of punctuation.

So, here it is: 20 minutes long, clips from 100 films (101 if you count that Woody Allen quotes Duck Soup in Hannah and her Sisters), and, I hope, an inspiration to anyone else who loves film on a formal level and believes, as Bazin did, that the language of cinema isn't done being invented yet.

Thanks to Kathryn Schulz for sending me down this wonderful rabbit hole of thought, and to the editors (in order of their cuts): Sally Menke, Buster Keaton, Abel Gance, Yelizaveta Svilova & Dziga Vertov, Michael Snow, Jonathan Amos & Paul Machliss, Harry Gerstad, William Reynolds & Peter Zinner, David E. Blewitt & Robert K. Lambert & David Newhouse, Sergei Eisenstein, Daniel Rezende, Valeriya Belova, Richard Pearson & Christopher Rouse, Lou Lombardo, Marguerite Beaugé & Carl Theodor Dreyer, George Tomasini, D.W. Griffith & James Smith & Rose Smith, Lev Kuleshov, Charles Chaplin & Willard Nico, Ron Fricke & Alton Walpole, Sam O'Steen, Edgar Adams & Edward L. Cahn, Ray Lovejoy, Siro Asteni, Anne V. Coates, Robert Wise, Susan E. Morse, LeRoy Stone, Ken Eluto, Spike Lee, Jerome Thoms, Lyudmila Feyginova, Peter Przygodda, Ferris Webster, Andrew Weisblum, Léonide Azar feat. Anton Walbrook, Alan Heim, Claudia Castello & Michael P. Shawver, Michal Leszczylowski & Andrei Tarkovsky, Ralph Rosenblum, William Hornbeck, Barbara McLean, William Chang & Kit-Wai Kai & Chi-Leung Kwong, Véronique Parnet, Kim Hyeon, Andreas Prochaska, Mary Sweeney, John Smith, Jolanda Benvenuti, Harold F. Kress & Argyle Nelson Jr. & J. Frank O'Neill, Florence Eymon, Nicholas T. Proferes, Marie-Josèphe Yoyotte, Mohsen Makhmalbaf, Yoshiyasu Hamamura, Cécile Decugis, Joe Bini, Robert Leighton, Milton Carruth, Jay Rabinowitz, Owen Marks, Ted Cheesman, George Tomasini (again), Blanche Sewell, Georges Méliès, Reginald Mills, Siv Lundgren, Thelma Schoonmaker (finally!), Kôichi Iwashita, Alex O'Flinn, Kirk Baxter, Peter Kubelka, Paul Sharits, Chris Marker, Jean Ravel, Roderick Jaynes (Ethan and Joel Coen), Sharon Rutter, Miroslav Hájek, Fernand Léger & Dudley Murphy, Melvin Van Peebles, Martin Arnold, Bruce Conner, Walter Murch, and Yelizaveta Svilova & Dziga Vertov again. Plus unseen contributions from Jacqueline Sadoul, Jim Miller & Paul Rubell, Monique Bonnot, Ralph Foster & Stephen Perkins & Andrew Weisblum, Verna Fields, Jack Murray, Daniel Mandell, Françoise Collin, Solange Leprince, Patricia Canino, Nelly Quettier, Matt Chesse, George McGuire, John Seabourne Sr., Takis Davlopoulos & Giorgos Triandafyllou, and a few VFX teams, too.

For the full list of films featured, click here: http://10oclockdot.tumblr.com/post/129417606958
Thelma Schoonmaker's tips for aspiring filmmakers - Venice 2014 Legendary film editor Thelma Schoonmaker ("Raging Bull", "Goodfellas", "The Wolf of Wall Street"), on her Lifetime Achievement Award in Venice and working with Martin Scorsese. https://www.moviezine.se
How An Organized Workflow Can Help You Be A More Creative Editor A panel of editors at Sundance 2015 sat down for this No Film School rountable, here discussing the importance of workflow. Read the full article and find more topics from the roundtable: http://nofilmschool.com/2015/02/how-organizing-workflow-help-you-be-more-creative-editor-sundance-2015
How To Be A Filmmaker ▶ Kessler Crane: http://www.kesslercrane.com
▶ Fusion Cine: http://www.fusioncine.com
▶ Tweet this: http://ctt.ec/s89h2

Tweet this: http://ctt.ec/s89h2

Behind the scenes video and photos: http://www.kessleru.com/2015/02/how-to-be-a-filmmaker//

▶ Appearances:

RP WhaBam
—
Subscribe: http://www.youtube.com/rpwhabam
Twitter: http://www.twitter.com/rpwhabam
Facebook: http://www.facebook.com/rpwhabam

Hoodwinked Films
---
Subscribe: http://www.youtube.com/hoodwinkedfilms
Twitter: http://twitter.com/hoodwinkedfilms
Facebook: https://www.facebook.com/hoodwinkedfilms

TGK Films
—
Website: http://tgkfilms.com/
Youtube: http://www.youtube.com/theogkim
Twitter: http://www.twitter.com/tgkfilms
Facebook: http://www.facebook.com/tgkfilms

Josh Knepper
—
Website: http://tfilms.co/
Twitter: https://twitter.com/joshknepper/
Vimeo: https://vimeo.com/joshknepper/

Jonny Sundell
---
Vimeo: http://vimeo.com/boxone
Instagram: http://instagram.com/jonnytokyo

▶ Additional appearances by Cole McPherson, Kaz Yamamura, Chris Clark, Thomas Chan, Peter Planta, Stephan Edwards, Cyrel Gonzales, Janine Alejo

▶ Special thanks to Nate Howell, Byron Drinkle, Scott Emerton, Darren Robertson, Patrick Higgins, Josh Knepper, Mike Parkerson, Stacey Roy, Theo Kim, Thomas Chan and Michael Bay

Behind the scenes filmed and edited by Thomas Chan
Additional cinematography by Chris Clark

Written by IFHT

Recorded with the Rode NTG-1 Blimp System
http://www.rodemic.com/

▶ More IFHT
---
Subscribe: http://bit.ly/SubscribeIFHT
Vlogs: http://youtube.com/IFockingHateThatTwo

Twitter: http://twitter.com/IFckingHateThat
Facebook: http://facebook.com/IFockingHateThat
IFHT Store: http://www.ifht.spreadshirt.com

Instagram (Matt): http://instagram.com/mattdennisontv
Instagram (Jason): http://instagram.com/jasonlucasifht
How Do You Do: A Short Film on a Tiny Budget We asked a few of our favorite filmmakers for advice on making a $500 short. Here's some of their wisdom.

Featuring
Erin Vassilopoulos, "Superior"
Ben Sinclair & Katja Blichfeld, "High Maintenance"
Kyle Rankin, Director "Night of the Living Deb" (http://kck.st/1ov1DiG)
Karl Beyer & Scott Ross, "The Burning House" (http://kck.st/R6sqVm)
Reinaldo Marcus Green, "Stone Cars," "Anonymous"
Jesse Burks, "One Please"
Emily Carmichael, "The Adventures of Ledo and Ix" (http://kck.st/12Dsm3n)
Peter Vack, "Send" (http://kck.st/16Mke6k)

//

Music by Kevin MacLeod
Introduction to Color in Digital Filmmaking Color is a natural everyday experience - but how do you use color to advance your film? We'll start by looking at how filmmakers in the late 90s began exploring creative uses of color. Then we'll take a quick overview of how your digital camera captures color and some basic color theory. We'll finish by designing, shooting and grading a Lolita inspired shot for maximum color impact.

Full lesson write up here:
filmmakeriq.com/lessons/introduction-to-color-in-digital-filmmaking

This lesson is proudly sponsored by:

ikancorp.com
ikan is an award-winning designer, manufacturer and distributor of video and film production support that provides media professionals with simplicity in design, affordability and unmatched value.

BlackMagicDesign.com
Creating the world's highest quality solutions for the feature film, post production and television broadcast industries.

Equipment used:
Blackmagic Cinema Camera
blackmagicdesign.com/products/blackmagiccinemacamera

DaVinci Resolve
blackmagicdesign.com/products/davinciresolve

ikan 1500IDMXB
ikancorp.com/productdetail.php?id=600

ikan IB1000
ikancorp.com/productdetail.php?id=454

ikan MD7 Monitor
ikancorp.com/productdetail.php?id=601

Other Videos related to Color from our Series:

The History and Science of Color Film: From Isaac Newton to the Coen Brothers
vimeo.com/73398486

The History and Science of Color Temperature
vimeo.com/60882416

The Evolution of Digital Non-Linear Editing: Part 2 - the Digital Revolution
vimeo.com/66531655
Variety Artisans: Oscar Ballot Guide - Film Editing Film editing is one of the subtlest of cinema crafts; if you notice it, it's probably not working. Oscar winning editors William Goldenberg, Joel Cox and Gary Roach explain good editing, bad editing, and how the film editor controls the audience's mind.

http://bit.ly/VarietySubscribe
Day In The Life: Daryn Okada Follow along as cinematographer Daryn Okada ("Mean Girls," "American Reunion") takes viewers inside a day working on color-correction for the film "Dolphin Tale 2."

Subscribe and see Academy Originals first: http://bit.ly/SubscribeToAO

Follow The Academy everywhere.
Web: Oscars.org
Twitter: https://twitter.com/theacademy
Facebook: https://www.facebook.com/TheAcademy
Google+: https://plus.google.com/+Oscars
Tumblr: http://theacademy.tumblr.com
Watchtower of Turkey Over than 3500 km traveled in 20 days, capturing landscapes from the bluish tones of Pamukkale to the warm ones of Cappadocia, the all passing by a great variation of colors, lights and weathers through six other cities.
I've crossed Cappadocia, Pamukkale, Ephesus, Istanbul, Konya; and tasted baklava, kunefe, doner, the turkish tea; and got the chance to meet the soul of Turkey, its people.. and got their smiles and their hospitality.
This is Turkey lived by me from north to south, and I hope you enjoy it :)

Directed and edited by Leonardo Dalessandri
Music: "Experience" by Ludovico Einaudi - facebook.com/ludovicoeinaudi
 Voice off: Meryem Aboulouafa. You can follow her on soundcloud in the following link:
soundcloud.com/meryemaboulouafa

I have a new page on Facebook:  facebook.com/leonardolucadalessandri
You can like it, share it, or just have a look on it :)

Watch my previous work "Watchtower Of Morocco": vimeo.com/66659080
Color Reel - The House On Pine Street A few before and after color grading samples from the independent feature film "The House On Pine Street." This film was colored by Taylre Jones at Grade located in Kansas City.

Director(s): Aaron and Austin Keeling
Director of Photography: Juan Sebastian Baron
Colorist: Taylre Jones

For more information about color work feel free to contact us at taylrejones@gradekc.com

To learn more about the film, feel free to check out their website!
http://www.thehouseonpinestreet.com/
1,001 Movies You Must See (Before You Die) I started piecing this together in February of 2013. It was finished and uploaded on February 2 of 2014 on YouTube where it currently lives no more. It contains over 200 extra titles not featured in the book edited by Steven Jay Schneider, not because I think they're must sees, but because I felt they complimented the video better. 
 
Animated graphics in the title sequences were done by EE Seitz (https://vimeo.com/84735644).
Variety Artisans: The Seamless Look of 'Birdman' On "Birdman," “Birdman,” director Alejandro Gonzales Innaritu and cinematographer Emmanuel “Chivo” Lubezki achieved something very unusual: A film that looks like one continuous shot. But of course, it’s not really a single shot. Digital colorist Steve Scott shows Variety's Tim Gray how they did it.

http://bit.ly/VarietySubscribe
Introduction to Automated Dialogue Replacement (ADR) Sometimes it's just not possible to get clean dialogue on set - that's when ADR comes into play. In this lesson we'll look at the history of ADR or looping and tackle the process of doing ADR or a short film.

This lesson is proudly sponsored by RØDE Microphones:
http://rodemic.com/

The other videos in this Series:

The History of Sound at the Movies
http://youtu.be/Ot5IryUt9SM

The Science and Engineering of Sound
http://youtu.be/ZbUTyMC8_X8

The Basics of Recording Audio for Digital Video
http://youtu.be/S9cP1WHL0Zo

The Fundamentals of Sound in Post Production
http://youtu.be/r4791OLkRrs
THE EDITOR Nobody knows what we do... so, a homage to every editor out there in those dark rooms creating art with moving images. 
http://insidetheedit.com 
 
Direction, Design, Animation – Dave Penn https://vimeo.com/sxfngrs 
Sound Design – James Locke-Hart http://www.jameslockehart.com 
Script – Paddy Bird http://insidetheedit.com
The History of Cutting - The Soviet Theory of Montage Building on the works of D.W. Griffith and the development of "continuity editing" in early film history, Soviet silent filmmakers would pioneer new innovative ideas about editing that moved film from an extension of theater into a mature and powerful artistic medium. 
 
This lesson is proudly sponsored by: 
 
BlackMagicDesign.com 
Creating the world's highest quality solutions for the feature film, post production and television broadcast industries. 
 
Catch up on the beginning of film editing history with: 
 
The History of Cutting - The Birth of Cinema and Continuity Editing 
https://vimeo.com/84542388 
 
If you like this lesson you may like:
The History of Cutting - The Birth of Cinema and Continuity Editing Cinema began as a novelty - projecting dancing shadows on a screen of simple every day scenes. But through the contributions of talented artists, a new cinematic language of editing emerged. Trace the development of editing from The Lumiere Brothers through Georges Méliès, Edwin S. Porter, and D.W Griffith. 
 
Continue this History of Cutting with The Soviet Montage Theory: 
https://vimeo.com/86462452 
 
This lesson is proudly sponsored by: 
 
BlackMagicDesign.com 
Creating the world's highest quality solutions for the feature film, post production and television broadcast industries. 
 
If you like this lesson you may like: 
 
The Evolution of Modern Non-Linear Editing: Part 1 - From Tape To Digital 
https://vimeo.com/66531658 
The History of Hollywood Censorship and the Ratings System 
https://vimeo.com/80528838 
 
The History and Science of the Slit Scan Effect used in Stanley Kubrick’s 2001: A Space Odyssey 
https://vimeo.com/71702374 
 
The Origins and Formatting of Modern Screenplays 
https://vimeo.com/67418669
Kuleshov Effect / Effetto Kuleshov
Pudovkin's 5 Editing Techniques http://evanerichards.com/2013/3042 
 
A brief look at some of Vsevolod Pudovkin's theories on editing as well as some examples from more recent movies. 
 
If you're interested in reading some of Pudovkin's writings, his book "Film technique and Film acting: The Cinema Writings of V.I. Pudovkin" is available for free in PDF, Kindle, or EPUB format at the link below. 
 
http://archive.org/details/filmtechniqueact00pudo
RKO 281- Positioning the Camera Filming Citizen Kane, Orson Welles "replaces" the camera.
Walter Murch: On Editing The Film & Sound Editor behind Apocalypse Now & The English Patient reveals the relationship between editing and dance, the importance of rhythm - "like telling a good joke" - and how digital film has transformed his work.

Many thanks to Sheffield Doc/Fest for giving us access to interview Walter Murch.
Find out more about the festival by visiting http://sheffdocfest.com/

Discover more about editing on BAFTA Guru: http://guru.bafta.org/craft/editing
Satoshi Kon - Editing Space & Time Four years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki. 
 
For educational purposes only. 
You can support the channel at patreon.com/everyframeapainting 
And you can follow me at twitter.com/tonyszhou 
 
For further reading/viewing, I highly recommend: 
Andrew Osmond's book "Satoshi Kon: The Illusionist" (my major source) http://amzn.com/1933330740 
Kristin Thompson's essay on match cuts & graphic matches http://bit.ly/1x960Em 
And this tumblr with an excellent name http://fuckyeahsatoshikon.tumblr.com/
David Fincher - And the Other Way is Wrong For sheer directorial craft, there are few people working today who can match David Fincher. And yet he describes his own process as “not what I do, but what I don’t do.” Join me today in answering the question: What does David Fincher not do? 
 
For educational purposes only. 
You can support the channel at http://www.patreon.com/everyframeapainting 
And you can follow me at http://www.twitter.com/tonyszhou
Advice To Film School Graduates by Spike Lee CONNECT WITH SPIKE LEE
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John Cassavetes on movie audiences For more clips like this, and a most enjoyable guide to pop culture, visit the blog for the NYC cult cable-access show Media Funhouse, located here:
www.mediafunhouse.blogspot.com

The actor-filmmaker discusses audience expectation, from the documentary "I'm Almost Not Crazy," about the making of his very dense, rewarding "Love Streams." This particular bit of philosophy rings truer with every passing year; he was way ahead of his time.

For more information about the Funhouse, visit:
www.mediafunhouse.com
A New Way To Break Into Hollywood by Bill Duke CONNECT WITH BILL DUKEhttp://www.billduke.com
http://www.imdb.com/name/nm0004886
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"What is a Colorist?" Not a showreel. This movie is trying to explain what a Colorist does and how he or she can add value to a project
Andrea Chlebak: What does a colourist do? Teaser Just like Photoshop on steroids - setting the colour tone of a feature film

Andrea Chlebak at CreativeMornings Vancouver, September 2014. Free events like this one are hosted every month in dozens of cities. Discover hundreds of talks from the world’s creative community at http://creativemornings.com/talks

Don't miss a video. Subscribe! http://bit.ly/1jeJwut

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Martin Scorsese - The Art of Silence Even though Martin Scorsese is famous for his use of music, one of his best traits is his deliberate and powerful use of silence. Take a glimpse at fifty years of this simple technique from one of cinema's masters. SPOILERS for Shutter Island (2010), Superman (1978) and Man of Steel (2013) 
 
For educational purposes only. 
You can support the channel at patreon.com/everyframeapainting 
And you can follow me at twitter.com/tonyszhou 
 
For bringing this idea to my attention, credit goes to John Pozer: https://twitter.com/Pozervision 
Transcript of an interview with Scorsese about silence (& other things): http://1.usa.gov/1lAq00I 
Video of an interview with sound designer Randy Thom: http://bit.ly/1qOkbwQ
BREAKING BAD - Motivated Camera Movement FULL ARTICLE: http://vashivisuals.com/breaking-bad-motivated-camera-movement/ 
 
In the final episode of BREAKING BAD...there are two shots in a pivotal scene that are perfect examples of how to use camera movement to amplify the narrative and surprise the audience. With one simple pan and one simple dolly...there is a set-up and shortly after, a dramatic pay-off. The scene at first appears to be just conveying information to the viewer. Then, with one pan and one dolly move...the scene is flipped on its head and is seen in a whole new light. This could only happen through writing, direction, set design and camera movement working in unison. A Steadicam or crane shot through a window could never have achieved the emotional impact of a simple pan and dolly.
Michael Bay - What is Bayhem? There are filmmakers we love and then there’s Michael Bay. Even if you dislike him (as I do), Bay has something valuable to teach us about visual perception. This is an exploration of “Bayhem” — his style of camera movement, composition and editing that creates something overblown, dynamic and distinct. 
 
For educational purposes only. 
You can support the channel at patreon.com/everyframeapainting 
And you can follow me at twitter.com/tonyszhou 
 
For further reading/viewing, I recommend 
Letterboxd user sydney’s review of Bad Boys 2: http://bit.ly/1iZe7SX 
Michael Bay watches West Side Story: http://nyti.ms/Vg7ErY 
Werner Herzog Talks About Wrestlemania & Anna Nicole Smith: http://bit.ly/VfQ9Iu 
 
Music: 
The Sound Defects - Take Out 
Leonard Bernstein - West Side Story Overture 
Radiohead - I Might Be Wrong
Top 10 Most Effective Editing Moments of All Time Skilled editing is as effective in the creation of a good film as a writer, director, or performer. Though often overlooked, editing brings shots together to make a whole greater than the sum of its parts. These ten movies are a fantastic illustration of just how important editing can be. Subscribe: http://goo.gl/9AGRm

THE LIST

City of God
Director: Fernando Meirelles, Kátia Lund
Editor: Daniel Rezende

Bonnie and Clyde
Director: Arthur Penn
Editor: Dede Allen

North By Northwest:
Director: Alfred Hitchcock
Editor: George Tomasini

The Godfather
Director: Francis Ford Coppola
Editor: William Reynolds, Peter Zinner

Battleship Potemkin
Director: S.M. Eisenstein
Editor: Sergei M. Eisenstein, Grigori Aleksandrov

Psycho
Director: Alfred Hitchcock
Editor: George Tomasini

Un Chien Andalou
Director: Louis Bunuel
Editor: Luis Buñuel

Apocalypse Now
Director: Francis Ford Coppola
Editor: Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

2001: A Space Odyssey
Director: Stanley Kubrick
Editor: Ray Lovejoy

Lawrence of Arabia
Director: David Lean
Editor: Anne V. Coates

Our friends over at IndieWire put together some seriously inspired MOVIE (and TV!) LISTS: http://bit.ly/12x0UpF and CineFix is bringing 'em to life!
A Scorsese Tribute We all know a Scorsese movie when we see one... 
 
Lovingly edited by Jo Causse - https://twitter.com/jo_causse 
http://sfst.com 
 
Music 
Mitch Ryder & The Detroit Wheels - Jenny Take a Ride 
The Ronettes - Be My Baby 
 
Includes: 
2013 The Wolf of Wall Street 
2011 Hugo 
2010 Shutter Island 
2006 The Departed 
2004 The Aviator 
2002 Gangs of New York 
1999 Bringing Out the Dead 
1997 Kundun 
1995 Casino 
1993 The Age of Innocence 
1991 Cape Fear 
1990 Goodfellas 
1988 The Last Temptation of Christ 
1986 The Color of Money 
1985 After Hours 
1982 The King of Comedy 
1980 Raging Bull 
1977 New York, New York 
1976 Taxi Driver 
1974 Alice Doesn't Live Here Anymore 
1973 Mean Streets 
1972 Boxcar Bertha 
1967 Who's That Knocking at My Door
Composition Techniques for Widescreen Aspect Ratios Aspect Ratio is one of many choices you make when deciding how to shoot your film. John Hess explains some basic tips on how to visualize your desired ratio and some helpful composition techniques.. 
 
EQUIPMENT USED: 
ikan MD7: 7" High Brightness 3G-SDI Monitor 
http://ikancorp.com/productdetail.php?id=601 
 
This lesson is part of the FilmmakerIQ course: "Everything You Need To Know about Aspect Ratio" 
http://filmmakeriq.com/courses/everything-you-need-to-know-about-aspect-ratio 
 
Templates can be found on the lesson page: 
http://filmmakeriq.com/lessons/composition-techniques-for-widescreen-aspect-ratios/
How Alfred Hitchcock hid 10 Edits in ROPE FULL ARTICLE: http://vashivisuals.com/alfred-hitchcock-hiding-cuts-rope/ 
 
ROPE (1948) is Alfred Hitchcock's murder/suspense film that showcases the killing in its second shot. ROPE is often described as the film with no edits or cuts. 
 
On further examination...Hitchcock's gem actually contains 10 edits. Five of them are hidden as the camera lens is filled by foreground objects. The other five edits are regular hard cuts that not many people either realize or acknowledge. I've isolated all 10 edits in the video below so you can learn from the Master of Suspense on how to hide your edits without losing momentum in your story.
Citizen Kane Anatomy Of A Classic This is the documentary hosted by Barry Norman that can be found on the Region 2 "Citizen Kane" DVD.

It has been uploaded here solely for analytical and educational purposes and no copyright infringement is intended.
Video Essay: "The Martin Scorsese Film School" http://flavorwire.com/267040/video-essay-the-martin-scorsese-film-school 
 
Inspired by: http://www.fastcocreate.com/1679472/martin-scorseses-film-school-the-85-films-you-need-to-see-to-know-anything-about-film

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