DJI Ronin RS2 on Steadicam - Ronin Trinitycombination of Ronin Rs2 and Steadicam !!!!
LIST OF COMPONENTS :
1. Used Glidecam Davin Graham from ebay for 150$ (NEW ONE https://www.bhphotovideo.com/c/product/1137171-REG/glidecam_gldgs_devin_graham_signature_series.html)
2. used vest and arm spring "stabifly light" ( NEW ONE https://www.beiks.com.pl/ramiona/2321-stabi-fly-vest-light.html)
3. dji expansion base kit base plate (https://store.dji.com/product/ronin-expansion-base-kit)
4. dji ronin TB50 battery (https://store.dji.com/product/ronin-2-battery-mount)
5. additional springs (https://www.sodemann-springs.us/online-shop/extension-springs)
6. Kipp screw for additional spring (https://www.kippwerk.de/de/en/Products/Operating-parts-standard-elements/Machine-and-fixture-components/Screws-nuts-and-washers/Eye-bolts-DIN-444-Form-B-with-long-thread.html) remember to select your country on the website.
7. SHOWTEC clamps 30mm for dji Control Handle product code 70360 ( example - https://www.highlite.com/fr/75000s-32...)
Best Panasonic GH5 Settings & Shortcuts for VideoAfter 1 year of daily vlogging, I finally release my secrets!! Here are the Best Panasonic GH5 Camera Settings for Vlogging. Likely, these settings would work well for other applications also, but hands down they will work for vlogging!
Have you tried the best candy in the world yet?? https://amzn.to/2AEqiRI
If you are in to Auto Focus, you GOTTA be following Scott Mckenna! Here's one of his videos where he touches on the topic of AF: https://www.youtube.com/watch?v=47bjExtLC4g
It has been a privilege to use the Panasonic GH5 for a year of daily vlogging. With every camera, there seems to be some quirks, and I know that the GH5 has some, but of all the cameras I have owned and used, the GH5 has the least.
I once wrecked it straight ino asphalt going 20 miles per hour, like legit landed with all of my weight on it, and it turned back on and kept rolling. You should watch that vlog: https://youtu.be/BLpWwJdahNc
The thing is a tank and a workhorse. I just can't say enough about it!
Have fun!!
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We got this, let’s do this thing together.
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If you want to use the same stuff I use - click these links!
These are affiliate links, so I will get some money! Don't worry, it won't cost you anything!
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First things first, are you interested in tasting the best candy ever made?
https://amzn.to/2AEqiRI
Seemingly indestructible camera: http://amzn.to/2CFoR5m
The camera I use for stills: https://amzn.to/2RtyVEK
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Fast, seemingly indestructible, METAL lens: http://amzn.to/2lF45LH
Get that CRISP audio: https://amzn.to/2ANmz4L
Hold Your Camera the Same way as everyone else: https://amzn.to/2L62Jnl
The little BEAST light: https://amzn.to/2z5hhjI
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WEAR THE SAME UNDERWEAR AS ME! (seriously, they rock): https://amzn.to/2JlNwir
Watch this video if the underwear thing is confusing: https://youtu.be/xHjPNShaR20
Get help choosing your tags and see where you rank in YT search: https://www.tubebuddy.com/codywanner
Connect with me!
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Twitter: http://www.twitter.com/codywanner
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#NoSmallCreator : http://bit.ly/nosmallcreator-facebook
No Small Creator is currently a free facebook group designed for creators to come together and encourage each other.
*Answer the 3 questions immediately to avoid being accidentally declined entry*
*Prohibited: Sub for Sub (will result in immediate removal)*
You are only allowed to subscribe to people you like and plan to watch
Need to send me some mail? Arguable, but I appreciate it!!
Cody Wanner
922 N 3rd St
Harrisburg PA 17102
This is a channel designed to encourage the doers - if you want to do something, I want to help you get it done!
Spreading the #NoSmallCreator mindset in a vlog style format. I started the Vlog on 1/1/18 with 111 subscribers.
Working with HLG / Sony Color Modes / Matching Picture Profiles - FAQAnswering FAQs about Sony Color Modes, grading HLG & converting from BT.2020 to Rec. 709, how to match different picture profiles, and what LUTs to use.
👍Thanks for watching! Please like, comment, & subscribe.👍
=============================
Table of Contents:
=============================
1:17 - How I Shoot My Videos (HLG)
1:40 - Recommended LUTs
2:14 - How I White Balance for These Tests
2:31 - Can You Grade HLG Even Though It's Intended for HDR?
2:50 - Brief Explanation of BT.2020 & Rec. 709
3:17 - Why Shoot in BT.2020 vs Rec. 709
4:15 - How to Convert BT.2020 to Rec. 709 in Premiere Pro
5:03 - Final Cut Pro Instructions for 2020 & HLG
5:36 - Working with HLG in DaVinci Resolve
5:57 - Thoughts on Buying Picture Profiles (EOSHD Pro Color)
6:55 - The Picture Profile Settings I Use (Neutral Setting)
7:18 - My Easiest, Recommended Profile
7:54 - The Cine Profiles Are More Similar Than You Think
8:56 - Cinema Color Mode vs Pro Color Mode
9:15 - Some Notes on Grading Cine2
9:40 - How to Match the Cine Picture Profiles
11:14 - How I Grade HLG - Curves vs LUT
11:41 - Matching the Different HLG Versions (HLG1 vs HLG3)
12:46 - Popular Profile Settings Review & Comparison
12:52 - Evaluating EOSHD Pro Color V4
13:15 - The Problem with Custom Picture Profiles & Artistic LUTs
14:04 - Evaluating EOSHD Pro Color V4.0 HDR
14:18 - Evaluating Cody Blue's Cine4 Settings
14:41 - Quick Grading Tip to Fix This Profile in Post
15:35 - Evaluating Cody Blue's HLG3 Settings
15:48 - Pros & Cons of Adjusting the Black Level in Camera
16:13 - Evaluating Josh Yeo's Low Light Profile
16:49 - Any Profile Can Become a Low Light Profile in Post
17:29 - Conclusion
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Gear I Use to Make Videos:
=============================
https://kit.co/GeraldUndone/youtube-video-gear
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Patreon & PayPal:
=============================
If you wish to support the channel monetarily, you can use my Patreon page here: https://www.patreon.com/GeraldUndone
Or directly via PayPal here: https://www.paypal.me/geraldundone
This is appreciated, but unnecessary, and no content will ever be behind a paywall.
=============================
Affiliate Links:
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Some of the links in my video descriptions are affiliate links, which means at no extra cost to you, I will make a small commission if you click them and make a qualifying purchase. If you have a different purchase in mind, you can also use these storewide links below.
=============================
Music:
=============================
I've recently made the switch to Artlist for my background music needs. If you're in the market for a video music platform, use this link to get two extra months when signing up: http://bit.ly/2TV5sYT
Cinematographer Explains 3 Different Camera Lenses | Vanity FairCinematographer Newton Thomas Sigel takes us through the differences between wide-angle, normal and telephoto lenses. He explains the science of each lens using examples from “Bohemian Rhapsody,” “Drive” and “Three Kings”.
Still haven’t subscribed to Vanity Fair on YouTube? ►► http://bit.ly/2z6Ya9M
ABOUT VANITY FAIR
Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.
Cinematographer Explains 3 Different Camera Lenses | Vanity Fair
FILMMAKING | Perfect Noise Free Exposing & ISO for Video (Pocket 4K & Ursa Mini Pro G2)In this video I talk about one of the most common topics in filmmaking which is exposing your image properly for minimal noise and FPN, while retaining maximum dynamic range in the shadows and highlights even in low light scenes. I'm explaining what the ISO is, what it does to your image and when and how you should use it. I'm also going through how the shutter speed, frame rate and lens aperture affect the light coming through the lens. I'm using Blackmagic's new Ursa Mini Pro 4.6K G2 camera as well as the Pocket Cinema Camera 4K, with plenty of examples for exposing your images including underexposing and overexposing. Finally I'm talking about Pocket 4K's Dual native ISO and how it changes things compared to cameras with a single native ISO. The same theories and techniques can be of course applied to any other camera.
Dealing with images that were not exposed properly and working with noisy footage and FPN is discussed in another video.
Thank you for watching!
#bmpcc4k #umpg2 #blackmagicdesign
*there is one little mistake at the graphic at 9:17. The 90 degrees rotating shutter graphic should be 270 degrees with the 90 part being the one that is uncovered (and light goes to the sensor through it). The rest of the shutter graphics are correct.
Getting perfect exposure and colors everytimeBecome a Patreon and get 1-on-1 mentorship! https://www.patreon.com/TomAntos
Getting the exposure and colours right (and the focus!) are the basics of video and filmmaking, but we don’t always get them correct. There are a lot of things happening on the day of a shoot, and it’s easy to overlook these simple things. The best thing is to develop a good routine to go through as you set up your shot. There are also some tools out there that make this process easier.
More info: https://tomantosfilms.com/16976/perfect-exposure-and-colors-how-to/
Great and cheap gray card on:
B&H: https://bhpho.to/2hWiGDJ
eBay https://goo.gl/3UcFhi
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Amazon.ca http://amzn.to/2BdhvEN
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X-Rite Passport Color Checker on:
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Henry's https://goo.gl/pRc9VQ
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Exclusive tutorials: https://tomantosfilms.com/store/
To submit your video to Filmmaking Times Live, please go here http://tomantosfilms.com/filmmaking-times-live-submit/
When shooting with standard video gamma profiles, this technique will work perfectly. However, that is not the case when shooting in LOG profiles, because each log profile has to be exposed differently.
For example, when shooting with the Slog-2 on Sony cameras, you have to over-expose the shot. By how much depends on your preference. For that reason, you should always do tests before shooting in LOG.
In my experience, I like to over expose SLog by 1.5 f/stops. You should adjust the settings of your camera, so that the middle gray is 1.5 f/stops over when using Slog-2. In case of V-Log, I like to over-expose by 1 f/stop.
I like to over-expose even regular video gamma profiles by 0.5 f/stop. So, in the case of this video I exposed the middle gray at exactly 40 IRE, but to me it still looked a little bit too dark. So, I normally expose the middle gray at exactly 50 IRE, or set the zebra to 50%.
Now, that’s is my preference. Some people I’ve worked with have told me they’d rather not over-expose and risk blowing out the highlights. Instead, they raise the midtone levels up by one f/stop in post-production.
Another thing you will notice is that on the camera and monitor the middle gray registers as 40 IRE, but in Premiere Pro’s waveform it shows up as 50 IRE. It might get confusing, but just know that if you exposed your shot well in the camera, it will look good even if the editing program shows a different IRE value. The difference is due to several factors, like the chart scale and depth bit value, etc., but I don’t want to get into that right now. The main point is that the middle gray in regular video should be 40-60% – exactly how much depends on your preference. To figure that out, I suggest you guys do your own tests.
More info: https://tomantosfilms.com/16976/perfect-exposure-and-colors-how-to/
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Remember, in filmmaking there's no problems, just a lack of solutions!
Follow me on:
Twitter: https://twitter.com/TomAntos
Facebook https://www.facebook.com/TomAntosFilms
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My name is Tom Antos. I am a film director and cinematographer with over 20 years experience in VFX & animation.
Jak się masz?! I'm originally from Poland ;)
Check out my channel here: https://www.youtube.com/user/polcan99
Depth of Field: An Easy OverviewGain an understanding of Depth of Field in just under 4 minutes. This video will explain to you what Depth of Field is, how you can adjust it, and why you might want to take advantage of it.
📸 GEAR:
Main Camera - https://amzn.to/2M2HKSW
LENS I use most often - https://amzn.to/2M1hBEd
Great Cheaper Camera - https://amzn.to/2M3KYG7
Fantastic LOW LIGHT LENS - https://amzn.to/2MCGRBZ
BEST VLOGGING MIC - https://amzn.to/2K5UU4e
The Beautiful 70-200 LENS - https://amzn.to/2tiKZhh
GorillaPod - https://amzn.to/2MDHT0u
THE GREAT 28 - https://amzn.to/2K5Zf7T
Macro 100MM LENS - https://amzn.to/2ylCMig
Best Memory Card - https://amzn.to/2t518I0
Intervalometer for Time Lapses - https://amzn.to/2JSlScm
TRIPOD: https://amzn.to/2MCHv2n
Drone - Mavic Air: https://amzn.to/2N1erAK
Please like and share the video if you enjoyed. Feel free to comment or reach out with any questions
#MakeSomething
Using a Gray Card: Two Minute Tips with David Bergmanhttps://www.adorama.com
In Ep 140 David Bergman shows you how to use an 18% gray card to get perfect exposures every single time.
Related Products at Adorama:
X-Rite 4x7" ColorChecker Mini Gray Balance Card https://www.adorama.com/ghmmgb.html?utm_source=youtube&utm_medium=social&utm_campaign=Using%20a%20Gray%20Card%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video
Canon EOS R Mirrorless Full Frame Digital Camera Body https://www.adorama.com/car.html?utm_source=youtube&utm_medium=social&utm_campaign=Using%20a%20Gray%20Card%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video
Canon RF 50mm f/1.2 L USM Lens https://www.adorama.com/car5012.html?utm_source=youtube&utm_medium=social&utm_campaign=Using%20a%20Gray%20Card%3A%20Two%20Minute%20Tips%20with%20David%20Bergman&utm_content=video
Adorama Slinger Bag
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Like, share, and comment on the video below...let's get the conversation started!
You can keep up with David on Instagram and Twitter @DavidBergman
8 Cinematic Camera Moves For VideoCinematic camera moves that can be applied to both documentary-style and cinema-style shooting.
Enter the GIVEAWAY: https://gleam.io/fb/XTwSD
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Jay P. Morgan has been working as a Commercial Photographer and Film Director in the Los Angeles area for more than 20 years developing an impressive list of clients from Paramount to McDonald's. Jay P.'s experience with elaborate set design and extensive lighting are key to the success of his illustrative work.
Support The Slanted Lens by shopping our affiliate links:
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Subscribe to The Slanted Lens and get new videos every Thursday
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Lighting Darker Skin Tones | 7 Cinematic TechniquesStay tuned to the end for a chance to win a prize!
In today's episode of Ask Aputure, Nerris from the A-Team walks us through 7 lighting techniques cinematographers can do for lighting darker skinned subjects of Hispanic, Middle Eastern, Asian or Afro descent. These 7 techniques, though subtle, can help enhance your cinematography for narratives, commercials, photography, and more.
Want more free lighting and cinematography tutorials? Subscribe to us so you never miss an episode: https://goo.gl/QwazdM
🎥How to Light an Interview!
https://youtu.be/AHX50Ly6fig
🎥Free Cinematography Lessons From Experts!
https://www.youtube.com/playlist?list=PLjnBD0tWOQ1-jsuV5e_jlOvtjr3nY7S9a
🎥Subscribe to Aputure:
https://www.youtube.com/aputurephoto
https://www.facebook.com/aputure
https://www.instagram.com/aputuretech
https://www.twitter.com/aputuretech
🎥Connect with the A-Team!
Ted - https://instagram.com/aputure_ted
Nerris - https://instagram.com/aputure_nerris
Benny - https://instagram.com/aputure_benny
Summary:
Filmmaker Nerris Nassiri walks us through the process of lighting darker skin tones for people with Hispanic, African, Indian, Middle Eastern or Asian descent. Aputure's YouTube channel provides free high quality cinematography, lighting, and filmmaking educational content to help you take your film projects to the next level.
#cinematography #lightingskin #howto
Cinematography needs to serve the story || Michael Chapman || SpotlightWe interviewed master cinematographer Michael Chapman at CamerImage 2016. The veteran is best known for his camerawork on The Godfather and Jaws, and as the cinematographer of the groundbreaking Scorsese classics Taxi Driver and Raging Bull. In this episode, he explains the importance of why cinematography is needs to reflect the story and why images are powerful.
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Liberty Films (II) (presents)
Charles Chaplin Productions
De Laurentiis Entertainment Group (DEG) (presents)
Hero Entertainment (presents)
Muse Productions (as Muse)
Stone Canyon Entertainment (as Stone Canyon)
Revolution Films (as Revolution)
Curiously Bright Entertainment (in association with)
Indion Entertainment Group
BOB Film Sweden AB
Film i Väst
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Cooke Optics TV
www.cookeoptics.tv
Thank you to the British Society of Cinematographers (BSC) and CamerImage. http://www.bscine.com/ || http://www.camerimage.pl/
Filmed with a Sony a7s and Cooke Mini S4/i Lenses.
Produced by ImageNova. http://www.imagenova.co.uk.
Email contact@imagenova.co.uk for enquires or leave a comment!
Cinematic Lighting 101 | How to Use DiffusionDiffusing light is one of the most popular ways to get a classic cinematic look for your scene. In today's episode of Four Minute Film School, feature film cinematographer Julia Swain walks us through three of the industry's most popular types of fabric used for diffusion.
Julia demonstrates both simple and advanced techniques, all of which you can use in your next narrative film project, corporate interview, documentary, or music video idea. Use these cinematic lighting techniques to take your cinematography to the next level!
We teamed up with Hurlbut Visuals to produce this episode of 4 Minute Film School! Check out their educational content at https://ic.hurlbutvisuals.com/
🎥Fabrics covered:
-Muslin
-Magic Cloth
-Full Grid
🎥Julia on Instagram:
https://www.instagram.com/juliaswain/
🎥Production Crew:
1st AC: Tereza Vachova
Gaffer: Thomas Sigurdsson
HV Creative Director: Ben Richardson
Aputure Production Intern: Brendon Le
Editor: Benny Berg
🎥Want more free lighting and cinematography tutorials? Subscribe to us so you never miss an episode: https://goo.gl/QwazdM
🎥How to Light the Cinematic Film Look!
https://youtu.be/oy2wGhuVqoY
🎥Free Cinematography Lessons From Experts!
https://www.youtube.com/playlist?list=PLjnBD0tWOQ1-jsuV5e_jlOvtjr3nY7S9a
🎥Subscribe to Aputure:
https://www.youtube.com/aputurephoto
https://www.facebook.com/aputure
https://www.instagram.com/aputuretech
https://www.twitter.com/aputuretech
🎥Connect with the A-Team!
Ted - https://instagram.com/aputure_ted
Nerris - https://instagram.com/aputure_nerris
Benny - https://instagram.com/aputure_benny
🎥GET APUTURE GEAR:
http://lddy.no/3dkv
🎥MUSIC:
http://bit.ly/pb_aputure
🎥GRAPHICS:
http://bit.ly/Aputure_RS
Summary:
Filmmakers Ted Sim and Julia Swain use popular diffusion fabrics such as muslin, magic cloth, and full grid to demonstrate both simple and advanced cinematic lighting techniques that are perfect for narrative films, documentaries, music videos, and interviews. Aputure's YouTube channel provides free high quality cinematography, lighting, and filmmaking educational content to help you take your film projects to the next level.
My Cinematography Method || Barry Ackroyd || SpotlightThis weeks episode is about how Barry creates his style. What are the advantages of combining handheld with focus pulls and zooms? What dynamic does this add to a film?
Thank you to the British Society of Cinematographers (BSC). http://www.bscine.com/
Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
Produced by ImageNova. http://www.imagenova.co.uk.
Email cathy@cookeoptics.com for enquires or leave a comment!
What Is The Future of Cinematography? || SpotlightIn this episode we interviewed a wide range of cinematographers and asked them the difficult question. What is the future of cinematography?
Thank you to the British Society of Cinematographers (BSC). http://www.bscine.com/
Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
Produced by ImageNova. http://www.imagenova.co.uk.
Email cathy@cookeoptics.com for enquires or leave a comment!
How to SPICE UP your videos using CAMERA TRICKS!Edit Your PHOTOS with my LIGHTROOM PRESET PACK!: https://sellfy.com/p/QjNY/ - Edit your photos with 15 brand new presets!
Colour Graded with my PM LUTS Pack : https://sellfy.com/p/EaHg/
The Music I use: https://goo.gl/IMZC9A - AMAZING for YouTubers
My Super Awesome Tactical Camera Bag : http://amzn.to/2m8jnaT
My MAIN Camera - http://amzn.to/2kdu35o
My Second Backup Camera - http://amzn.to/2r29gGg
My FAVOURITE Lens Ever - http://amzn.to/2kQNK4U
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The Boom Mic I use for Crispy Audio : http://amzn.to/2t1MqyX
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The stabilizer I use with iPhone : http://amzn.to/2kWhajI
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The BEST monopod - http://amzn.to/2lOPnn3
GoPro HERO 5 - http://amzn.to/2l1Nhit
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6 IN-CAMERA Video Transitions in 120 SecondsFriendly reminder: focus on the story first. Transitions should only serve to enhance your story.
Gear used in this video:
CAMERA: http://geni.us/mangocamera
LENS: http://geni.us/mangolens
GIMBAL: http://geni.us/mangogimbal
Music from the video:
For The Soul by Rock This Joint
► http://bit.ly/mangomusic
___________________________
OUR NEW PHOTO PRESETS:
http://bit.ly/mangopresets2018
FOLLOW US ON TWITTER
► http://twitter.com/mangostreetlab
Interested in joining The Lab? Get on the wait list to find out next time we open registration: http://bit.ly/mangolab
Get yourself some Mango Merch: http://bit.ly/mangostmerch
Our Kit: http://bit.ly/mslgear
Our gear:
Our Camera Body: http://geni.us/LPO0Oa
Our Favorite Lens: http://geni.us/fHToAX
Not Favorite, But Still Sweet Lens: http://geni.us/a8ZR
Our Widest Lens: hhttp://geni.us/3B0Bj
Our Go-To Tight Lens: http://geni.us/qw53N
Our Stabilizer: http://geni.us/m7Aal
Our Video Light: http://geni.us/PqtUTBP
(The above are affiliate links, meaning Amazon will kick a small percentage back to us if you purchase something! It helps us keep this channel going.)
FOLLOW US ON INSTAGRAM
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CREATIVE CAMERA TRICKS inspired by BLACKPINKhttps://cinecom.info/Adorama - Recreating the stunning camera tricks & transitions from the Blackpink - Ddu Du Ddu Du music video. We're only using a slider, tripod and basic editing tricks to recreate the famous camera movements from kpop.
The Gear We Used
► https://cinecom.info/Gear
More KPOP Breakdowns
► https://www.youtube.com/playlist?list=PLV0ZcSTi6tB6R5wGeljQw6koyQVyM74gu
More Copy Cat Friday
► https://www.youtube.com/playlist?list=PLV0ZcSTi6tB7O8Jkv1ifp3cIuNLeG6tGq
Original Music Video (BLACKPINK - ‘뚜두뚜두 (DDU-DU DDU-DU)’ M/V)
► https://www.youtube.com/watch?v=IHNzOHi8sJs
Read More
► https://www.cinecom.net/camera-tutorials/camera-tricks-music-video-blackpink
Music from the Video
► https://www.youtube.com/watch?v=Goi8BpHgzTE
✅ OUR EQUIPMENT
Shop at Adorama (ad)
► https://cinecom.info/Adorama
Custom GH5 Camera Rig Kit
► https://kit.com/Cinecom/customized-lumix-gh5-camera-rig
How we VLOG
► https://kit.com/Cinecom/creative-vlogging
Lighting we use
► https://kit.com/Cinecom/creative-video-lighting
25 Technical Photography Terms Every Beginner Must KnowTimestamps:
1. Aperture - 0:20
2. Focal Ratio - 0:44
3. Focal Length - 0:53
4. Depth of Field - 1:15
5. Bokeh - 1:33
6. "T-Stop" - 2:08
7. Shutter Speed - 2:36
8. Exposure - 3:09
9. Long Exposure - 3:21
10. "Exposure Triangle" - 3:35
11. ISO - 4:06
12. Brightness - 4:42
13. Noise - 5:24
14. Signal to Noise Ratio (SNR) - 5:33
15. Expose to the Right (ETTR) - 6:39
16. High Dynamic Range (HDR) - 7:45
17. RAW Image Mode - 8:08
18. JPEG Image Mode - 8:11
19. Post Production - 8:21
20. Auto Shooting Mode -8:54
21. Meter - 8:58
22. Auto ISO - 9:22
23. Shutter Priority Mode - 9:24
24. Aperture Priority Mode - 10:04
25. Manual Mode - 10:23
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Thank you for watching this video on 25 technical photography terms that I think everyone (especially beginners) should know. Today, there's so much misinformation about how photography works: the science, theory, and technology behind how images are formed. In this video I wanted to provide not only the definitions of key photography concepts, but how they relate to each other, gradually explaining the photo-taking process as a whole.
This was my first voiceover, so let me know what you thought in the comments below. I plan to continue voicing my own videos now; it's about time my channel knows a little bit about me.
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I'm adding an errors and clarifications segment to my video descriptions because often in my research, certain things elude me.
Errors:
Lightroom & Photoshop are mis-labeled (at 8:30)
The Pros/Cons for Auto Mode stay on-screen for Shutter Priority Mode (at 9:33)
(for the Pros/Cons for Shutter Priority Mode, read the transcription provided above)
Clarifications:
ISO is not an "acronym" but a mere shortening of the organization's name.
"DOF does not describe the depth of the part of the image that is in focus. It describes the depth of the part of the image in which points are adequately sharp. Only objects at one specific distance are in focus, so the depth of points in focus is always 0. An object in a scene is in focus if all the light from a point on the object is refracted to a point on the image. With an optically perfect lens, this occurs only with points a specific distance from the optical center of the lens. Any points closer to or farther from that optical center have their light refracted into a blur circle on the image. The farther the object is from the distance at which points are are in focus, the larger is the blur circle. When the image is printed or displayed, a blur circle is either so small that the human observer cannot tell the circle from a point, or large enough that that the observer can tell the circle from a point. When the circle is observably different from a point, that part of the image seems blurry. When the blur circle is small enough to be indistinguishable from a point, it is called adequately sharp. The DOF describes that part of the image in which blur circles are adequately sharp. The DOF of an image depends on several factors, including the visual acuity of the observer, the print or display size, and the viewing distance. To promote comparability of DOF between images, standard observer acuity of 6/6, print size of 8" x 10", and viewing distance of the image diagonal are often assumed." - FingerPainter from DPREVIEW
Animation: Vincent Ledvina
Vector Design: Vincent Ledvina & freepik.com illustrations
Voiceover: Vincent Ledvina
Sound Effects: Created by myself and sourced online
Music: Skies Within - Mattia Cupelli
Images: Taken myself
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Avoid These Mistakes! 5 Filmmaking Tips You Need to KnowWe see a lot of videos on YouTube about mistakes beginner directors make when starting out, but not many on the mistakes beginner cinematographers make. In today's episode of Ask Aputure, Nerris from the A-Team walks us through 5 common mistakes many cinematographers make when starting out in the industry. Knowing these 5 cinematography mistakes will help you grow as a director of photography not only technically, but creatively as well!
Stay tuned to the end for a chance to win a prize.
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Handheld Filming - The Great AdvantagesLet me explain why handheld shooting can improve your videos!
Support the channel and join our filmmaking community: http://www.patreon.com/andyax
The past ten years, I’ve been working as a freelance filmmaker. And what I’ve seen is that more an more clients ask me to document events. Events where I don’t have much time to rig, where I don’t have time to direct people and stage scenes. It’s all about scanning the location with your eyes and finding the moments you want for the video. Even though I bring my steadycam and shoulder rig, I often end up using just my hands. Why is this? Because when you see an action you want to capture, you may only have seconds to shoot it. You have to be able to get the camera in the right position, drag focus and adjust exposure before the moment is gone, forever. Place your focus on what is happening in front of the camera, and not the camera itself.
So why not shoot just handheld? Well, there is a reason why we have tripods and steadycams. They can do things that is almost impossible when shooting handheld, and they can tell your story in different ways. My point is: shooting handheld gives you the ability to shoot fast, in an easy, affordable and very flexible way. You will be able to shoot more, have time to experiment and move quickly around. And that may again be crucial to capture the right moments. The only downside is that the shots can get shaky, but this can be solved with techniques and stabilization (warp stabilizer) in post.
If you want to be the king of handheld shooting, get yourself an easy rig. I recommend the Easyrig Minimax which can handle rigs up to 7kgs. It distributes all the weight to your entire body so you can shoot an entire day without getting tired. It keeps the camera stable in the position you want, and if you need two hands, you can just let go of your camera. The Easyrig will hold it for you! You can buy the Easyrig minimax here (affiliation link): https://www.bhphotovideo.com/c/product/1282660-REG/easyrig_erig_minimax_easyrig_minimax_camera_support.html/BI/20363/KBID/15164/kw/EAMINIMAX/DFF/d10-v2-t1-xEAMINIMAX
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The Music I use: https://goo.gl/IMZC9A - AMAZING for YouTubers
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My FAVOURITE Lens Ever - http://amzn.to/2kQNK4U
The Lens I am currently using right for EVERYTHING - http://amzn.to/2r2BssE
The Magic Canon Lens of Life - http://amzn.to/2kXF9Qm
The Mic I use - http://amzn.to/2l23rrZ
The Boom Mic I use for Crispy Audio : http://amzn.to/2t1MqyX
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My Bigger Drone - http://amzn.to/2r2czgx
My Tiny Drone - http://amzn.to/2tqWUwa
The stabilizer I use with iPhone : http://amzn.to/2kWhajI
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The BEST monopod - http://amzn.to/2lOPnn3
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6 Easy In-Camera Transitions for CINEMATIC vlogs!you can do these all of in camera with minimal editing.
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9 things to check before pressing the record buttoncamera settings and features to check before pressing record.
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4 Ways to Keep FOCUS While Filming Moving SubjectsVisit http://fulltimefilmmaker.com/ to see PART 2 of this video and 80+ other filmmaking tutorials! :)
Get 10% any purchase here: http://squarespace.com/parker
Gear used:
Canon 1dx Mark 2
Canon 24-70mm 2.8
Sigma ART 85mm 1.4
Glidecam HD 4000
RED Weapon
Laowa 12mm 2.8
Movi M5
Visit https://kit.com/parkerwalbeck to see a full list of all my gear.
Music for this video provided by Bytheway-May, you can license their stuff here:
https://www.musicbed.com/artists/bytheway-may/43308
For business inquiries email me at business@parkerwalbeck.com
4K Vlogging Setup $600-700Looking for the best budget 4K vlogging setup? Check out this lightweight high quality camera and rig setup that will only set you back $600.
NOTE: The G7 price JUST went back up to $600 for the camera and lens kit. Keep an eye out for another price drop. I've seen the $500 kit often and I'm sure we will see that price again soon.
Panasonic G7 w/ 14-42mm
(was $500 a day ago... Keep an eye out for a price drop again)
Amazon ► http://geni.us/g71442kit
B&H ► https://www.bhphotovideo.com/c/product/1148282-REG/panasonic_dmc_g7kk_lumix_dmc_g7_mirrorless_micro.html/BI/6566/KBID/7173
eBay ► http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=9&pub=5575079859&toolid=10001&campid=5337460102&customid=&icep_uq=PANASONIC+LUMIX+g7&icep_sellerId=&icep_ex_kw=&icep_sortBy=12&icep_catId=&icep_minPrice=&icep_maxPrice=&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg
Note: Some of these links have an affiliate code, if you purchase with these links you will be supporting me and these videos at no extra cost. Thank you!
Depth of field and crop factor misconceptions.There is still a lot of incorrect information out there about -
-Depth of field
-Crop sensor vs full frame cameras
-Speedboosters
-Light refraction
And it seems many people who profess to know all about their camera gear, don't actually fully know some of the basics regarding-
-Aperture
-Focal length
-The focus plane
-Crop factor
-The Circle of confusion
-ISO
-Image noise
So I decided to talk about all of the above, and I drew some simple illustrations for you, and also took a few photos to help show what is actually happening to the light as it travels through our cameras lens.
I really hope this video is useful.
Shutter speed, Aperture and ISO: What do these mean and how do cameras work?Every camera has a just three basic options: shutter speed, aperture and ISO. This is how they work.
Music:
Backed Vibes (clean) Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
How to Shoot Slow MotionIn this video, learn how to capture slow motion video that enhances your story, and puts you in the moment. From frame rates and shutter speeds, to flicker-free lighting and captivating blocking, you’ll be shooting beautiful slow motion in no time.
Suggested Videos:
4 Simple Cinematic Lighting Setups for Filmmakers
https://youtu.be/FBeqbsaC_zY
How to Shape Outdoor Light
https://youtu.be/f_gl7Dx9F4E
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How to Understand ScopesWhen shooting and editing video, the last thing you should trust, are your eyes! In this video, Chase from Zacuto shows how using tools such as waveform monitors and vector scopes is the best way to ensure proper exposure and color balance. Whether you're on location, or already in post production, using scopes will get you the best video possible.
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Introduction to Camera Lenses for Filmmaking and photographyFor the beginner learning lenses. We explain focal length, aperture, zoom lenses, prime lenses, Cinema lenses, wide angle, standard, and telephoto lenses. As well as background compression, lens distortion and all the lens markings.
D4darious chat with me session
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Music by PremiumBeat.com. You can grab your music at http://bit.ly/1UWuboT
Bloom Vlog: Cleaning the Sony mirrorless sensorPart 1 of my Vlogs whilst on holiday in Skiathos Greece. This is just a short pre-vlog covering just how to clean those really nightmarish sensors
10% off FilmConvert with code bloom at gopb.co/filmconvert
I take no responsibility to what you do to your sensors! This is just how I do things. The Gel pen is specific to Sony sensors. Check which one is right for your camera!
Shooting & Directing a Multiple Camera ShootWith intensive pre-production and tight budgets, you're all set up and ready to shoot. Now the pressure is on to get great footage and capture the event. In this segment, we talk about last minute preparations, shooting techniques and how to direct a crew. This is where the real fun begins, and all your skills will be put to the test.
Check out the Full Course HERE:
https://www.videomaker.com/course/multi-cam-production
Music Licensed from PremiumBeat: http://bit.ly/1MmUDAn
'Hello Sunshine' by Gyom
How to Shoot with Multiple CamerasThere are a few things to consider when shooting with multiple cameras, and in this video, Chase from Zacuto shows us how to choose, setup, and switch between multiple cameras. From matching cameras to syncing audio, you’ll learn how multicam shoots can give you more options, and work to your advantage when creating video.
4K Video, What is the real cost of upgrading your video camera and computerhttp://video-alchemy.com
4K video, what is the real cost of upgrading?. If your thinking of upgrading to a 4K UHD video camera like the Panasonic GH4, Sony FDR AX100 or Blackmagic 4K Production camera then you may be in for a surprise when is comes to what else you may need to upgrade in order to make use of this new format.
In this video I look at all the stages from the recording media through to your computer and final storage of the RAW footage.
See blog post here : http://video-alchemy.com/4k-video-cost-of-upgrading
99% of this video was shot on the GH4 in 4K 100Mbps, then keyed using Ultrakey in Adobe Premiere CS6 and then downscaled to 1080p which is a testament to how good it is as I would normally have used After Effects and Keylight 1.2.
Products mentioned in this video are :
Panasonic GH4
Sony FDR AX100
Blackmagic 4K Production Camera
Kingston SDXC 64Gb card
Transcend SDXC 64Gb card
Sandisk Extreme II 480Gb SSD
Samsung 840 250Gb SSD
Panasonic DMW-YAGH interface
Backmagic Hyperdeck Studio Pro
Atomos Shogun 4K recorder
Intel Haswell i7 CPU
Intel Ivy Bridge i7 CPU
Intel Xeon E5 CPU
AMD FX9000 series CPU
Network Attached Storage
WD 4TB hard drives
Get Our FREE Home Studio Setup Guide Here...
http://video-alchemy.com/home-studio-setup-guide
https://www.youtube.com/watch?v=t0rgJQCZyfk
Create a LUT to match colors between two different camerasIn this video I show you how to easily create a 3D LUT to match colors between footages shot with two different cameras. Camera-A has the good colors but Camera-B was shot with another camera and different lighting. Using Adobe Photoshop and LUT Generator you'll be able to harmonize global atmosphere in few steps. Then you can use the generated LUT with your favorite video edition application (Adobe Premiere Pro CC 2015.3 in this demonstration).
Download this utility on : http://generator.iwltbap.com
Download pack of 99+ unique LUTs : http://luts.iwltbap.com
One Shot at a Time: The Art of the Hollywood Camera OperatorWhat does a camera operator do, anyway? How are they involved in telling the story? Hollywood camera operators Mitch Dubin, Steve Fracol, Dave Thompson are the guys behind some of your favourite films and TV shows — Saving Private Ryan, The Wire, The Hunger Games: Mockingjay, Scandal, Lincoln. Check out what these true pros have to say about working on set and trying to get that perfect shot.
Dubin, Fracol, and Thompson were at The Banff Centre for Story Summit 2016, presented by AMPIA and The Banff Centre.
Crop factor explained (for mirrorless cameras)Warning: Crop factor is math! I explain crop factor, why people use it, and how to apply crop factor to various camera lenses and systems.
Understanding crop factor won't improve your photography, but it might keep you from saying something embarrassing on Reddit.
(Yeah, I forgot to disable auto white balance again.)
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5 Secret Tips For Getting Hollywood-Level Chroma KeysThe Cinematographer's best kept secrets
Director/Cinematographer Matthew Rosen explains 5 of his tricks and secrets on shooting and compositing chroma keys.
What Every Photographer Should Know About Lenses: Focal Length and Field-of-ViewLesson 2 of 16, a Tuts+ course on What Every Photographer Should Know About Lenses taught by David Bode. The full course is available at: https://courses.tutsplus.com/courses/what-every-photographer-should-know-about-lenses Become a Tuts+ member to get access to hundreds of new courses and eBooks!
From 8-580mmFocal lenght range from 8mm to 580mm comparison. Alexa + Optimo 24-290mm + Zeiss Ultra Primes
Cinematography, Focal length
Filters for Video Part IIn this first installment of Caleb Pike's filtration series, Caleb talks about the different types and uses of filters for video. Get all links to gear here: http://dslrvideoshooter.com/filters-video-part-filter-types-uses/
Stop Using Your HistogramRyan reveals the three reasons why you should stop using your histogram to judge exposure.<br />
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How To Get Consistent Results With Your HistogramFor those times when you're stuck using your histogram- here's how to get consistent results.<br />
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