Color Grading in Premiere Pro CC - Get Pro Film LookColor grading in Premiere Pro CC to get a pro film look
https://www.colorgradingcentral.com/color-grading-in-premiere-pro-cc
If you you're looking to make the look of your films standout and get your career to the next level but struggle with the color grading aspect... let this tutorial help you finally feel like you have a good grasp on making your images to look the way that you want them to and get a pro film look!
I have been where you have been and so I know that it can seem intimidating with all the different color correction tutorials and LUTs that are out there. Muddy looking images, shots that down't match together, skin tones that don't look quite right and that feeling of not knowing where to stop or when the grade looks right.
You can do it! Even if you're just a beginner or just starting out let this tutorial help you feel confident in Premiere Pro CC!
After I had tried everything to improve the look of my films, e.g. new camera, better grip, better lenses and cinematography training, the thing that finally helped my films look professional and land my first career job was what I did after the video edit in the color grade.
Adobe Premiere has made great strides not only advancing their editorial platform but in improving their color tools. In fact with the acquisition of Iridis SpeedGrade (a professional grading system) they have incorporated those industry standard tools now into Lumetri.
If you liked this tutorial and want a step-by-step training that goes all the way from familiarizing yourself with the tools to discovering the top grading secrets I want to invite you to free online workshop:
Or if you're just looking for something completely different and an easier alternative you can check out our plugin we've made for the Mac that's mentioned in the video:
How to Add Camera Shake in Adobe Premiere Pro CCWritten Tutorial: http://adobemasters.net/how-to-add-camera-shake-in-adobe-premiere-pro-cc-2018/
Today I go over how you can actually use warp stabilizer to add camera shake in Adobe Premiere Pro CC.
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Learn Premiere Pro in 15 MinutesThis tutorial will give you a basic overview of how to edit video with Adobe’s Premiere Pro editing software.
In just 15 minutes you’ll learn how to navigate the interface, import files, create a sequence, perform basic editing tasks, and then export and even upload your content to popular platforms.
If you’d like to follow along with the tutorial, you can download the exercise files here: https://drive.google.com/open?id=0BwgFROGD7P_iOEVualNFaTJhR0k
Read more at: https://bit.ly/2DeA3aq
How to Use FULL SCREEN in Premiere ProLet's talk about how you can best utilize your screen area in Premiere Pro and how to enter a full-screen mode for Program Monitor in Premiere Pro.
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If you want to talk about your editing workflow, to make it better and more efficient. Also, if you want to talk about what could be improved in your video editing, we can schedule a meeting.
10 PRO TIPS & TRICKS for PREMIERE PROhttps://cinecom.info/Audioblocks - Create advanced video edits and speed up your workflow with these 10 pro tips for Adobe Premiere Pro. Learn various editing editing techniques in your timeline and workflow tricks.
5 Tips to a Cinematic Travel Video
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Adobe Premiere Pro Tutorial: My Secret Track Height Keyboard Shortcut TechniqueAfter editing 11 Hollywood feature films, I have embraced a lot of keyboard shortcuts in order to make my process most efficient.
These 3 keyboard shortcuts are little-known but extremely helpful when editing projects with a lot of video and audio tracks.
The 3 custom keyboard shortcuts I use every day in Premiere Pro are:
1) Increases all Video track heights in unison
2) Increases all Audio track heights in unison
3) Minimizes ALL tracks back to their smallest size
I hope this tutorial helps make your editing process quicker, more efficient and just plain fun. It has for me!
Until Next Time...
Vashi Nedomansky
3 Timeline Buttons That You Need To UseEvery Premiere Pro Editor spends most of their time in the Timeline panel but not many uses these 3 buttons that control the way that panel works:
1. Insert and overwrite sequences as nests or individual clips button
2. Snap button
3. Linked Selection button
In this video, I'll tell you how to use them and what they are for.
You'll also learn about grouping clips together.
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If you want to talk about your editing workflow, to make it better and more efficient. Also, if you want to talk what could be improved in your video editing, you can schedule a meeting:
https://calendly.com/piotrtoczynski/video-editing-consultation
Ultimate Pancake Timeline Editing: 3 StagesPancake timeline editing makes the job much easier. Every editor I know uses this technique to some extent. What are the pancake timelines and how to use them? We discuss 3 stages you can go through:
1. Stacking the timelines
2. Opening a sequence in the source monitor
3. Working with dynamic sequences
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EDITING CONSULTATIONS 🤵
http://cuttothepoint.com/consulting
If you want to talk about your editing workflow, to make it better and more efficient. Also, if you want to talk about what could be improved in your video editing, we can schedule a meeting.
How to Use 4K in 1080 Sequences | Video Editing Tipshttps://bit.ly/2LxxCkN - Follow along with step-by-step instructions on the PremiumBeat blog.
MUSIC:
“Intergalactic Beat” by Tonemassif from PremiumBeat.com - https://bit.ly/2MTUaRu
“Peace'n'You” by Tonemassif from PremiumBeat.com - https://bit.ly/2wm9pbr
“Hearts in Motion” by Liam Aidan from PremiumBeat.com - https://bit.ly/2w8kPQI
VIDEO ELEMENTS AND GRAPHICS:
“Pack” by RocketStock - http://bit.ly/2pEjpw5
MORE TIPS, TRICKS, AND TUTORIALS:
PremiumBeat Blog - http://bit.ly/2qmbfr9
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10 PREMIERE PRO tips you SHOULD KNOW! Tutorial from Beginner to ProLightroom PRESET PACK: https://goo.gl/BeQAcG
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Why I use THIS PREMIERE PRO EFFECT everydayhttps://cinecom.info/Arctic - Learn how to create 5 simple & fast effects in Premiere Pro with the Crop Effect. Use these tips & tricks to achieve professional effects like the famous split screen.
How I broke my wrist
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Jeff Greenberg: Top 5 New Features in Adobe Premiere Pro CCAdobe has made major changes to Premiere Pro CC in the last two years. Post-production consultant Jeff Greenberg gives a list of his Top 5 new features in Adobe Premiere Pro CC. Find out the coolest new tools in Adobe Premiere from an editing veteran.
Learn about new tools for color grading, shot matching, Shared Projects, audio ducking, and 360 video editing.
For more presentations from the Faster, Together Stage at NAB 2018, check out this very cool playlist:
https://www.youtube.com/playlist?list=PL_LbiJyWTzCg9tYqQmU4XnWzgvzr8yz5M
For super easy collaborative video storage, check out the LumaForge Jellyfish.
https://lumaforge.com/jellyfish/
Don't forget to Subscribe for more presentations from the Faster, Together Stage.
To learn more about us, go to our website, or follow us on social media.
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Premiere Pro Collaboration on LumaForge JellyfishValentina Vee and Raibar Chenar demonstrate the powerful new collaboration features in Adobe Premiere Pro CC on the LumaForge Jellyfish. Learn how to create and manage Shared Projects between multiple editors. For those who miss Avid's Bin Locking, this is the feature for you.
RED Footage provided by Jessica Perlman. http://www.jessicalperlman.com/
How to Make Extreme Color Grading in Premiere Pro | Adobe Creative CloudGive your clip an artistic effect with a 4-color gradient overlay.
Start from scratch or download practice files [https://adobe.ly/2IKOLXg] for a head start. Steps below.
1. Create a new project in Premiere Pro (File – New – Project), enter a name, and click OK.
2. Find footage on Adobe Stock: Open the Libraries panel (Window – Libraries). Search Adobe Stock for surfer footage (e.g., "surfer watershot"). Hover over the clip you'd like to use and click the shopping cart icon to license it. Or, click the cloud icon to preview it with a watermark before you buy it. Right-click the video clip in the Libraries panel and choose "Add to Project."
Optional: Use "Surfer.mov" from our practice files. Then, import the clip (File – Import).
3. Click the Project tab, then right-click the surfer clip and choose "New Sequence from Clip."
Optional: Drag the playhead to an interesting portion of your clip on the Timeline (say, the 6-second mark in the sample provided).
Tip: Pinch or expand with two fingers on the trackpad, or drag one of the small circles below the Timeline to zoom in and out.
4. Add an adjustment layer: Click the New Item icon in the Project panel, choose Adjustment Layer, and click OK.
5. Drag the adjustment layer to the Timeline just above the surfer clip. Drag to extend the adjustment layer to the length of the surfer clip.
6. Add a color gradient: Switch to the Effects workspace (Window – Workspaces – Effects). Type "4-color" in the Effects search field. Drag the 4-Color Gradient effect on to the adjustment layer.
7. Experiment with different colors: Click the first color swatch (yellow). Use the Color Picker to find a new color and click OK. Repeat for the next three colors.
8. Reposition colors: Change the numeric values of Points 1-4 to experiment with the positioning of the four color swatches.
9. Change the Blend setting: Increase the Blend value to create a softer border between colors. Decrease the value for a more defined border between colors.
10. Change the Blending Mode to Overlay. Or, select other blending options to see the different effects.
That's it! Play your sequence to see the complete effect.
To learn more, visit our Premiere Pro Tutorials page: https://adobe.ly/2veGhET
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How to Create a Cinemagraph in Photoshop | Adobe Creative CloudLearn how to add subtle motion to a still photograph.
Start from scratch, or download practice file [https://adobe.ly/2rzdsOj] for a head start.
Steps below.
Prep your project:
1. Download the practice file (https://adobe.ly/2rzdsOj). Or, use your own!
a. Use the practice file: Download the CoffeeVideo.mp4 video file.
b. Use your own: Record or find a video clip that has repeated action, like the coffee moving in the sample file, or has an area of isolated movement. This will make it easier to create a looping effect.
2. Open CoffeeVideo.mp4 in Photoshop, File - Open.
Create your cinemagraph:
3. Open the Layers panel, Window - Layers. Drag the “Coffee Video” layer above “Video Group 1”.
4. Drag the “Video Group 1” layer group to the “Delete layer” icon to delete it.
5. Drag the “Coffee Video” layer to the “New Layer” icon to create a copy.
6. Open the Timeline panel, Window - Timeline. Drag the playhead to the point in the video that you want to serve as the still part of your cinemagraph. If you’re using the practice files, drag the playhead to 2:12.
7. Right-click the “Coffee Video copy” layer and select “Rasterize Layer” in the Layers panel.
8. Click “Select and Mask…” at the top of your workspace, or choose Select - Select and Mask.
9. Set the View Mode to Overlay.
10. Choose the Brush Tool from the tools panel and brush over the area of the video where you want to show movement. If you’re using the practice file, brush over the coffee in the cup. Adjust the brush size and hardness as needed.
11. Click Invert, and set the Ouput Settings to “Layer Mask”. Click OK.
12. Adjust the Start and End Points in the Timeline so that your cinemagraph loops seamlessly. If you’re using the practice files, set the Start point to 00:10 and the End point to 02:09. Tip: Drag the playhead to help note the timestamp.
13. Click the Play button to preview your cinemagraph. If your video is not looping, click the Settings icon and choose “Loop Playback”.
14. Save your cinemagraph, File - Export - Save for Web (Legacy). Choose your own settings, or use the following:
a. GIF, 256 colors, 100% Dither.
b. Adjust image size, if desired.
c. Set Looping Options to “Forever”
That's it!
To learn more, visit our Photoshop Tutorials page: https://adobe.ly/2tK4TRp
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How to Make a Kaleidoscope Effect in After Effects | Adobe Creative CloudFlip a video clip on itself to create an eye-catching, mirrored effect with a few quick settings.
Start from scratch, or download practice files [https://adobe.ly/2rxRagI] for a head start. Steps below.
1. Create a new project in After Effects (File – New – New Project).
2. Search Adobe Stock video footage: Open the Libraries panel (may be the tab next to Effects & Presets). Search Adobe Stock for beach or waves footage (e.g., "hermosa beach drone"). Hover over the clip you'd like to use and click the shopping cart icon to license it. Or, click the cloud icon to preview it with a watermark before you buy it. Right-click the video clip in the Libraries panel and choose "Add to Project".
Optional: Use "Hermosa Beach.mov" from our practice files. Then, import the clip (File – Import – File).
3. Add video clip to timeline: From the Project panel, drag the Hermosa Beach.mov clip to the "Create a new composition" icon.
4. Define the work area: Drag the playhead to the 20 second mark on the timeline. Type B, the keyboard shortcut, to show the beginning of the work area moving to the playhead.
Tip: If your timeline displays frames per second, Cmd+click (macOS), or Ctrl+click (Windows), on the timer to switch to seconds.
5. Apply the Mirror effect: From the Effects & Presets panel, search "Mirror". Drag the Mirror effect on to the Hermosa Beach.mov clip in the timeline.
6. Add the first Mirror effect: In the Effects Controls panel, set the Reflection Angle to -90 degrees.
7. Add the second Mirror effect: Right+click in the Effects Controls panel and choose Mirror. Click the first value in the Reflection Center field for the 2nd mirror effect and add "/2" after the number to change the value to half of the original.
That's it! Play your sequence to see the complete movie title.
Make it with After Effects: https://adobe.ly/2I51WpQ
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How to Make It Snow in After Effects | Adobe Creative CloudLearn how to simulate snowfall in your videos. Add depth by changing the amount of snow and rate of snowfall in the foreground and background.
Artwork by Erik Johansson (https://www.behance.net/erikjohansson)
Note: The video clip in the practice files is different than what is shown in the tutorial, but the steps are the same.
Start from scratch, or download practice files [https://learndownload.adobe.com/pub/learn/aftereffects/field_mp4.zip] for a head start. Steps below.
Prep your project:
1. Create a new project in Adobe After Effects (File – New – New Project).
2. Import the Field.mp4 file (File – Import – File).
3. Drag the field footage in the Project panel to the Create a New Composition button at the bottom of the panel.
4. Rename the layer: Select it, right-click and choose Rename, and type "Foreground plate".
Tip: If the column header displays "Source Name", click it to switch it to "Layer Name".
Create the snow effect:
1. Choose Layer – New – Solid. Name it "Foreground snow". Click the chip color, set it to black (000000) and click OK.
2. Click the Toggle Switches/Modes button at the bottom of the Timeline to show the Mode column. Switch the mode setting for the top (snow) layer from Normal to Screen.
3. Go to the Effects & Presets panel (Window – Effects & Presets) and type "snow" in the Search field.
4. Drag the CC Snowfall effect on to the Foreground Snow layer.
5. Set the following values in the Effect Controls panel:
• Flakes: 1000
• Size: 15
• Scene Depth: 2000
• Speed: 700
• Opacity: 70
• Background illumination – influence %: 70
Tip: Click the arrow next to Background Illumination to reveal more settings.
6. Duplicate the Foreground Plate layer (Edit – Duplicate) and rename it to "Background plate".
7. Duplicate the Foreground Snow layer and rename it to "Background snow". Drag the layers so they are in this order from top down: (1) [Foreground snow], (2) Foreground plate, (3) Background snow, (4) Background plate.
Direct the snowfall:
1. Select the Foreground Plate layer in the Timeline.
2. Choose the Pen tool and click around the woman's body to draw a mask around her.
Note: This creates Mask 1, which you'll use to ensure that the background snow won't fall in front of the woman in the foreground.
3. Draw another mask (four-point rectangle) around the lower third of the entire scene to create Mask 2.
4. Optional: Select the Foreground Plate layer and press M twice quickly to show all Mask properties.
Set values for Mask 1:
• Blend Mode: Add
• Mask Feather: 40, 40
• Mask Expansion: 5
Set values for Mask 2:
• Blend Mode: Add
• Mask Feature: 40, 40
• Mask Expansion: 5
5. Select the Background Snow layer and set the following values in the Effect Controls panel:
• Flakes: 30000
• Size: 5
• Scene Depth: 5000
• Speed: 350
• Opacity: 70
• Background illumination – influence %: 70
Note: You'll see a lot of snow falling slowly in the background behind the woman — and less, but larger, snow falling in the foreground in front of the woman.
6. Press the spacebar to preview the effect.
That's it!
To learn more, visit our After Effects Tutorials page: https://adobe.ly/2jUyqoN
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make a Better Portrait with Lightroom CC for mobile | Adobe Creative CloudEnhance your self-portrait with a few simple adjustments, then share it as your profile picture on social media.
Prep your project:
Make sure to have Adobe Photoshop Lightroom CC and Adobe Photoshop Fix installed on your mobile device. If you already have these apps, make sure to update to the latest version. Below are the links to download:
Edit your portrait in Lightroom CC for mobile:
1. Open Lightroom CC on your mobile device.
2. Tap the camera icon in the lower right, tap the icon to take a self-portrait, then tap the circle to take your picture (or have a friend take your picture).
3. Return to the previous screen, tap All Photos, then tap to open your self-portrait in Edit mode.
4. Apply a profile: Tap Profiles from the Edit menu at the bottom. Choose a category from the drop down (e.g., Artistic, Modern). Tap the profile thumbnails at the bottom to find an effect you like. Drag the slider at the bottom of the photo to the left or right to adjust the profile settings. Tap the checkmark to save (at the bottom for iOS, at the top for Android).
Tip: Profiles provide a starting point to continue editing and achieve the look you want for your photos.
5. Improve clarity: Tap Effects from the Edit menu. Drag the Clarity slider to the right to increase clarity, or to the left to decrease.
6. Target a specific area to edit: Tap Selective Edits from the Edit menu. Expand with 2 fingers to zoom in on the teeth. Tap the +, then tap the brush. Tap the first circle under the brush and eraser icon and slide your finger down to decrease the brush size, slide it up to increase brush size. Brush over the area of the teeth. A red highlight (or mask) shows the area you selected.
7. Whiten teeth: Tap Light from the Edit menu. Swipe up to view the Whites slider, then slide to the right to increase the white. Tap Color from the edit menu. Slide Temp to the left to make the color a bit cooler.
8. Save your changes: Tap the checkmark to save your changes before editing further in Photoshop Fix.
Retouch your portrait in Photoshop Fix:
iOS:
1. Tap the Share icon in Lightroom for mobile, then Edit In, choose the image size you want to edit, tap Healing in Photoshop Fix.
2. Retouch photo: Tap Spot Heal in the Edit menu. Tap the brush, then set the brush size and hardness as necessary. Brush over the spots in the photo you'd like to retouch.
3. Tap Save & return to Adobe Lightroom.
Android:
1. Add portrait to an album in Lightroom: Tap the icon with the 3 dots at the top right. Tap Add To. Tap an existing album. Or, tap the + icon, tap Album, add a name, tap OK, tap the new album, and tap Add.
2. Open your portrait in Photoshop Fix: Open Photoshop Fix. Tap the + icon in the lower left, tap the LR icon, tap the correct album, tap your portrait, then tap Open.
3. Retouch photo: Tap Healing in the Edit menu, then tap Spot Heal. Tap the brush, then set the brush size and hardness as necessary. Brush over the spots in the photo you'd like to retouch. Tap the check mark to save.
4. Publish to Lightroom: Tap the Share icon at the top, then tap Lightroom.
5. Open portrait in Lightroom: Open the Lightroom app if you'd like to continue editing. Navigate to the screen listing the albums. Photoshop Fix adds your retouched portrait to a new album in Lightroom called Adobe Photoshop Fix.
Share your photo from Lightroom for mobile:
1. Open your photo in Lightroom for mobile. Tap Share from the top menu. Tap Share from the popup menu, choose the image size (iOS), then tap the sharing destination from the list of apps available from your mobile device.
That's it!
To learn, more visit our Lightroom Tutorials page: https://adobe.ly/2qZq5nn
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make a New Background with Photoshop CC | Adobe Creative CloudLearn how to replace a background with another photo to make an image more interesting.
Start from scratch, or download practice files [http://learndownload.adobe.com/pub/learn/photoshop/new-background.zip] for a head start. Steps below.
Prep your project
1. Update to the latest version of Photoshop to use these features.
2. Open make-new-background.psd, a PSD with 2 layers (New Background and Model). Or, use your own.
Select the subject
1. In the Layers panel, click the Model layer and choose the Quick Select tool.
2. Click Select Subject, then click Select and Mask.
Refine the selection
1. Move the Shift Edge slider to the left (-100%). Click OK.
2. In the Layers panel, click Add Layer Mask.
Note: When you leave Select and Mask mode, the background comes back. It should disappear when you apply the mask.
Unify color
1. In the Layers panel, Alt+drag the New Background layer above the model to duplicate it.
2. Click the duplicated New Background layer. Choose Filter - Blur - Average. Everything turns green.
3. Alt+click between the green layer and the model layer to create a clipping mask. Green fills the model.
4. Make sure the green layer is selected, set the Blend Mode to "Soft Light". Reduce Opacity to 45%.
Add color effect
1. In the Layers panel, choose New adjustment layer, then choose Solid Color.
2. Choose a dark blue from the picker (e.g., #080c56). Click OK.
3. In the Layers panel, set the Blend Mode to "Soft Light". Reduce Opacity to 50%.
That's it!
To learn, more visit our Photoshop Tutorials page: https://adobe.ly/2GnJow0
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make a Ghost Effect in Premiere Pro | Adobe Creative CloudLearn how to adjust a few settings to create a ghostly effect on a video clip.
Start from scratch, or download practice files [https://adobe.ly/2ia1o21] for a head start. Steps below.
1. Create a new project in Premiere Pro (File – New – Project), add a Name, and click OK.
2. Search Adobe Stock [https://stock.adobe.com/] for a spooky video clip, or use the Ghost.mov file from our practice files.
3. Import the video clip file (File – Import).
Note: Make sure you are in the Graphics workspace (Window – Workspaces – Graphics).
4. Drag the Ghost Clip in the Project panel to the V1 channel on the Timeline.
Note: If the Timeline is empty, Premiere Pro automatically adds the clip to the V1 channel when you drag it over.
5. Advance the playhead on the timeline just before the subject appears.
6. Select the Razor tool and make a slice where you stopped the playhead.
7. Select the Selection tool, click the portion of the clip after the slice, and drag it to the V2 channel.
8. Right click on the clip on the V1 channel and choose Add Frame Hold.
9. Drag the right side of the clip on V1 and extend it so it is the same length as the clip on V2.
10. Double click the clip on V2, click the Effect Controls tab, expand the Opacity property, and set the Opacity to 60%.
11. Adjust color settings: Click the Color workspace (Window – Workspaces – Color). Select the clip on V2, go to the Lumetri Color panel on the right, select the Look drop down, then select SF BLUE STEEL. Apply the SF BLUE STEEL look to the clip on V1 as well.
That's it! Play your sequence to see the complete effect.
To learn more, visit our Premiere Pro Tutorials page: https://adobe.ly/2veGhET
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Color Variations in Illustrator using the Recolor Artwork feature | Adobe Creative CloudLearn how to use the Recolor Artwork feature to quickly take complex artwork and iterate on its palette. This technique is perfect for experimenting or creating color comps for a client.
Start from scratch, or download practice files [https://adobe.ly/2fXnXXz] for a head start. Steps below.
1. Duplicate the artboard so you can see a before and after. Choose the Artboard tool, then Option/Alt + drag to duplicate the artboard and its contents.
Tip: You can also select Duplicate Artboards from the flyout menu on the Artboards panel.
2. Choose the Selection tool, then drag a marquee around all the objects you’d like to recolor to select them.
3. Go to Edit — Edit Colors — Recolor Artwork.
4. Click Edit to show the color wheel. Check Recolor Art to preview the changes as you make them.
5. Recolor your work using one, or both, of these techniques:
a. Drag the main swatch (larger dot) around the color palette to change individual colors.
b. Click Link Harmony Colors to preserve the original color relationships and edit the artwork as a whole.
6. With a swatch selected, you can also use the HSB sliders to make fine adjustments to a color.
That's it!
To learn more, visit our Illustrator Tutorials page: https://adobe.ly/2uiIY5a
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Create an Animated GIF in Photoshop | Adobe Creative CloudLearn how to export drawings or images from Adobe Photoshop CC layers to create an animated GIF. See steps below.
Prep your project:
1. Download practice files (https://adobe.ly/2mCX4MR). Or, create your own!
a. Use the practice files: Download the practice files which include 10 variations of a skull drawing.
b. Create your own: Use the Brush tool in Photoshop to create variations of a drawing on separate layers. Include detail to show changes in "movement" of each drawing.
2. Import drawing variations into one Photoshop document: Open all of the drawing files and make the first drawing (e.g., skull_Layer 1.jpg) the active document. Click the tab of the second open drawing file, Select All, Copy, make the first drawing file active, and Paste. Repeat for each drawing file. The document will have the same number of layers as drawing variations (e.g., ten layers for the skull animation).
Create your animation:
1. Open the Timeline panel, Window -- Timeline.
2. Click "Create Frame Animation" from the dropdown in the Timeline panel.
3. Choose "Make Frames From Layers" from the menu on the right of the Timeline panel.
4. Click the first animation from in the Timeline while holding Shift, and click on the last frame to select all frames in the timeline.
5. Click the down arrow in one frame and set the interval to 0.1 seconds.
6. Choose "Forever" from the drop down below the timeline to make the animation loop continuously.
7. Click "Play" to preview your animation.
8. Export your animated GIF: Choose File -- Export Save for Web (legacy). Choose GIF as the format from the top right side of the Save for Web dialog box. Make sure Looping Options is set to "Forever" on the bottom right, click Save, and choose a location.
That’s it!
To learn more, visit our Photoshop Tutorials page: https://adobe.ly/2veCCXP
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Create a Logo in Illustrator | Adobe Creative CloudLearn how to turn basic shapes into logos, icons, and illustrations using the Shape Builder tool.
Start from scratch, or download practice files for a head start: https://adobe.ly/2oERk2t. Steps below.
1. Choose the Rectangle tool, then click and drag to draw.
2. Choose the Direct Selection tool, and draw a marquee to select specific corners. Drag the corner rounding widgets to their maximums to create the owl’s body shape.
3. Switch to the Selection tool, then Option/Alt+drag to duplicate the shape.
4. With the copy selected, open the Transform panel (Window - Transform) and select Scale Corners, then Shift+drag a corner handle to scale, and drag to reposition it.
5. Choose the Ellipse tool and Shift+drag to draw circles for the eye.
6. Use the Selection tool and Shift+click to select the circles and smaller teardrop shape, then Option/Alt+drag to duplicate them all at once.
7. With objects still selected, go to Object - Transform - Reflect (Vertical) to create the other half of the owl’s face. Scale up the innermost circle of the right eye.
8. Shift+click to select the eye shapes as shown, then choose the Shape Builder tool. Hold Option/Alt, then drag through shapes to subtract and create a crescent.
9. Use the Ellipse tool to draw one more circle over the owl’s body. Choose the Shape Builder tool. Hold Control/Command and click to drag across the area where the body and circle intersect, then Option/Alt+drag over the excess circle to subtract it.
10. Choose the Selection tool and Shift+click to select all the shapes you’d like to be black, then swap the stroke and fill using the arrow icon near the swatches in the Tools panel. (Optional: set the Stroke color to none.)
11. Click the owl’s wing to select it, then go to the Swatches panel to add a pop of color.
To learn more, visit our Illustrator Tutorials page: https://adobe.ly/2w7y8hW
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make a Movie Title in Premiere Pro | Adobe Creative CloudLearn how to apply a text mask, or track matte, to a video sequence for a cool title effect.
Start from scratch, or download practice files (https://adobe.ly/2t0IQsE) for a head start.
Steps below.
1. Create a new project in Premiere Pro (File – New – Project).
2. Import the Truck Clip.mov file (File – Import).
3. Right-click the Truck Clip asset in the Project panel and choose “New Sequence From Clip.”
4. Switch to the Graphics workspace (Window – Workspaces – Graphics). Choose the Type Tool and type a title directly in the Program monitor.
Note: The sample in the video uses text centered vertically, alignment set to flush left, with the following text properties: Pragmatica Extended Black, 300 pt. (available from Typekit.com), -80 tracking and -120 leading.
5. Scrub over the Scale setting and enlarge the text in the Essential Graphics panel to 200%. In the sample, the text obscures the car so that, later, it’ll appear within the letters.
6. Switch back to the Editing workspace (Window – Workspaces – Editing). Move the title graphic up to V3 (Option + up arrow) and extend the clip to match the length of the Truck Clip. Drag a duplicate Truck Clip (Option + drag) to V2.
7. Trim the Truck Clip (V1) by dragging the left edge to about the 8 second mark.
8. Open the Effects panel. Search for the Track Matte Key. Drag the Track Matte Key effect to the middle Truck Clip (V2).
9. In the Effect Controls panel, set the Matte to target Video 3. As soon as you do this, the background video appears where your text was.
10. Right-click the left edge of the lower Truck Clip (V1) and select “Apply Default Transitions” to add a fade-in effect.
That's it! Play your sequence to see the complete movie title.
To learn more, visit our Premiere Pro Tutorials page: https://adobe.ly/2veGhET
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make a Type Capture with Adobe Capture CC | Adobe Creative CloudLearn how to create a type style from handmade lettering in the wild, then use it for a thematically related design.
Tip: Picture yourself on a trip, documenting all of the beautiful, bespoke lettering you encounter, then coming back to the real world and using that inspiration in a branding project for a café (or product brand).
Start from scratch, or download practice files [http://learndownload.adobe.com/pub/learn/creative-cloud/make-type-capture.zip] for a head start. Steps below.
Prep your project:
1. Save the practice image (capture-source-image.jpg) provided here to the Camera Roll on your mobile device, or use your own.
2. Download the Adobe Capture CC mobile app from the App Store (https://itunes.apple.com/app/id1040200189) for your iOS device, or from the Play Store (https://play.google.com/store/apps/details?id=com.adobe.creativeapps.gather) for your Android. Open the app and sign in with your Adobe ID.
3. Tap the Library drop down at the top (the name of the library shown in the video is "Europe Trip"). Choose an existing library to use for the tutorial, or tap the "+" icon to create a new library.
Create a character style:
1. Tap "Type" from the top menu, tap the "+" icon at the bottom, then tap Camera Roll.
2. Choose a photo from your Camera Roll. Position the blue box around the text with the character style you want to copy. Drag the handles to re-size the blue box just around the text. Tap the checkmark when you're done.
3. Scroll through the type options to find the closest match and tap Edit.
Tip: For the example in the video, we chose ModestoLite Expanded Regular.
4. Tap Font Style to choose the appropriate Font weight and style. Change other style properties as you like.
Tip: For the example in the video, we chose Modesto Text Lite and increased the Tracking to .3em.
5. When you are happy with the style, tap the Right arrow at the top, give the new style a name, then tap Save.
Apply style in Illustrator:
1. Open (File – Open) the provided (capture-type.ai) file, or use your own.
2. Choose the Selection tool and click on the text you want to modify.
3. Open the Libraries pane (Window – Libraries) and choose the Library where you save the character style.
4. Click on the character style and notice the selected text now matches the character style you created in Adobe Capture.
Note: You must apply the character style to individual text objects.
5. Optional: Select the background, then change the color to make the text stand out.
That's it!
To learn more about Adobe Capture and Adobe's other mobile apps, visit our Mobile apps Tutorials page: https://adobe.ly/2BgGZzR
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How To Clean Up Noisy Audio In Under A Minute | Shutterstock Tutorialshttps://shutr.bz/2FhDmMg - Head to the blog for step-by-step instructions on how to clean up your noisy audio in premiere.
MUSIC:
"Driving Toward The Sun" by Mattijs Muller - https://bit.ly/2I1DORG
How to Reduce Background Noise, Buzzes, Hums, Plosives & Wind NoiseIn this tutorial, Principal Evangelist Jason Levine shows you different techniques for treating noisy audio, including the most elusive of all... wind noise (but you'll have to watch thru the end!)
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
Premiere Pro Color Correction : Awesome Grading TutorialLearn how to do color correction in Adobe Premiere Pro CC with Lumetri color grading tool: https://events.genndi.com/register/169105139238453140/c8df82d9a0
Adobe Premiere contains a powerful color correction tool known as the Lumetri color effect. Color grading can have a powerful impact on your films and an this tutorial I show you how to elevate the look of your films in this 15 minute color correction crash course.
You can even follow along with me using the same footage courtesy of cinematographer Chris McKechnie.
If you’d like to see more in-depth tutorials on color grading I’m holding a free training workshop (click link below to see available workshop times) where I teach you the secrets of Hollywood color grading in Premiere. If you’d like to sign up to attend you can register here:
https://events.genndi.com/register/169105139238453140/c8df82d9a0
For more videos like this click below to SUBSCRIBE:
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Register for free live workshop training:
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How to Fix Video Flicker in 30 Seconds without any PluginsThe actual method really does take only about 30 seconds. I've included additional info as well in the video so that you can get even more out of this trick, so that's why the video is longer than 30 seconds. :-)
This method of removing video flicker is a variation of a method I first learned from Philip Bloom, which I ended up using extensively (and adapting as-needed) when working with slow motion footage that I shot in Europe this past May.
The best way to deal with flicker is to shoot in such a way that you don't have it in your footage in the first place. This can be done by ensuring your frame rate and shutter speed are offset from the speed of a flickering light source, such as LEDs or Fluorescent lights.
But what if you've shot something and you didn't realize there were flickering lights until you were reviewing the footage later? In this case, here's a quick trick that can help fix it. This won't work in all scenarios, but it's an easy first step to take to see if it works.
I hope this was helpful!
All camera footage (aka non-screen recordings) in this video was shot on the Panasonic GH5: https://www.amazon.com/dp/B01MZ3LQQ5/_encoding=UTF8?ref=exp_inf_pl_bluemantlemedia
With a Voigtlander 25mm f0.95: https://www.amazon.com/dp/B00IGQV17Q/_encoding=UTF8?ref=exp_inf_pl_bluemantlemedia
And a RODE Stereo Videomic X: https://www.amazon.com/dp/B00O5B3KCU/_encoding=UTF8?ref=exp_inf_pl_bluemantlemedia
Here's the equipment I use regularly to make my videos: https://www.amazon.com/shop/bluemantlemedia?ref=ac_inf_hm_vp
These are Amazon Associate links. If you're interested in buying some of this equipment, following these links and buying from there won't cost you anything extra, but will allow me to receive a small commission, giving me the opportunity to continue making creative videos.
Power of Labels 8 Video Editing Tips for using Labels in Premiere Pro.
You are labeling clips even if you don’t color code your timeline. So how about taking advantage of that feature? This tutorial highlights how to do it the smart way.
Tip #1: Selecting the same type of content
When you’re editing an interview with a few people answering the same questions, you can color code each one of them by using labels.
Tip #2: Shortcuts for labels
By default, labeling is time-consuming because you need to click few times before you assign a label to a given clip. To avoid it, Piotr advises assigning keyboard shortcuts for labels. The best option would be to use numeric keys.
Tip #3: Selecting label group
If you need to select all instances of a given label, you can use the “Selecting label group” feature. It’s best to assign a keyboard shortcut to that one as well.
Tip #4: Make it mean something useful
You can use labels in so many different ways. You can color code shot angles with it. Characters, the position of the camera, light setups and so on. The way you can label things depends on the project and what you can accomplish with it.
Tip #5: Label in the Project panel
If you assign labels to the bins and clips, all its components will have this label by default.
Tip #6: Tweak Preferences
When you change a label for a given clip in Project Panel it does not change on the timeline. To tweak this, you need to check one checkbox in General Preferences.
Tip #7: Labeling waveforms
Waveforms can inherit clip labels or be treated separately. You can change it in Timeline Options.
Tip #8: Label defaults
Prespecify label defaults in Preferences. It’ll give you color-coded project from the start.
Tip #9: Custom Naming
If you cooperate on the cut with another editor, you can make it easier for them by naming what given labels stand for in Premiere Pro Preferences.
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How to record sound in a reverberant space A4QHow to record sound in an echo prone space like a bathroom? Today I talk about how to treat a room for sound. DIY sound blanket, Producers Choice Sound Blankets and using cloths to absorb sound.
To get more content like this go to my channel page and consider subscribing.
https://www.youtube.com/diycameraguy
For links to all the gear I recommend visit my KIT page.
https://kit.com/DIYCameraGuy
Music from Artlist
Get two months free when you sign up using my Friend to Friend link https://artlist.io/Michael-64220
Make Your Audio and Voice Sound Better – Audition CC TutorialLEARN MY WORKFLOW FOR EDITING VOICE AND AUDIO IN ADOBE AUDITION! | In this Adobe Audition tutorial, we’ll take a look at creating a preset that will take your audio, strip out background noise, and compress and normalize your audio levels to a great volume level for use online for any audio, film, or video project.
5 Fast Fixes to Common Frustrating Problems in Adobe Premiere Pro! (Video Editing How to) (CC 2018)Get the latest version of Adobe Premiere Pro: http://bit.ly/2ekhRiF
In this tutorial, I will show you 5 common frustrating video editing issues in Adobe Premiere Pro CC and how to fix them!
1. Mismatched Sizes - Often times a project may involve many different sized clips which can cause issues if you aren't aware of your sequence size and desired project size beforehand. This can be fixed by scaling or planning specifications beforehand.
2. Audio or Video Footage Not Dragging - Make sure you have the tracks highlighted so source patching allows you to drag the proper footage back on the sequence timeline.
3. Media Offline - You can relink offline media by locating it on your hard drive if you've moved it mid edit or unplugged a drive. You can also use offline media as a way to edit drafts and turn it back on in the future.
4. Warp Stabilizer - and speed can't be used on the same clip or requires clip dimensions to match sequence. You can fix this by nesting the clip which acts as a new clip.
5. Un-Nest Clips - You can bring the original clips back after nesting by either going into the sequence and copy pasting or dragging sequences from the project media bin.
Hopefully these fixes will save you many hours of frustration in future video editing projects!
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Thanks for watching!
How to Create a Multicam Sequence with Audio Synchronization | Adobe Premiere Pro CCIn this tutorial (edited from a Facebook livestream), Adobe Evangelist Jason Levine shows you how to set-up and create a Multicam sequence, leveraging Premiere Pro's powerful audio-sync feature.
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Want to participate in our Make the Cut music video editing contest for the chance to win $25k? Visit http://adobe.ly/PremierePro25 for all the details. Official Rules at adobe.ly/2lF6sQy. No Purchase Necessary. Ends 4/8/2017. Age of Majority.
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Sync Audio and Video | Premiere Pro CC TutorialIn this Premiere Pro tutorial, I show you how to synchronize audio and video. You can do this with multiple tracks of video and audio. I also show you how to sync audio based on visual clues, like a clap, using audio time units.
Crash Course on Mixing Dialogue + MusicThe art of manipulating sound for maximum impact can be mysterious and daunting, and yet it's so important—there's a well-known adage that audio is more important then image. The audio holds everything together and differentiates amateur productions from professional ones.
KitSplitter and NYC based Production Sound Mixer Joseph Wolensky has over 10 years experience working in a wide range of audio environments such as commercials, TV, documentaries, narrative, live sound, studio recording, and post-production for music and video.
In this video, Joseph gives us a brief tutorial on how to mix dialogue with music using only the plugins included with Adobe Premiere. "I realized that in today's production world a growing trend of jack-of-all-trades filmmakers has emerged. I made this tutorial to help people without the benefit of a full production team create better sounding audio mixes," Joseph—who is also the owner of NYC Production Sound (nycproductionsound.com) explains.
Do you guys have other tips for music + dialogue mixing? Any other tutorials you'd love to see us make? Let us know in the comments!
5 HACKS for FASTER EDITING in Premiere Prohttp://cinecom.xyz/VideoBlocks - 5 easy & simple editing hacks that can speed up your workflow in Premiere Pro. Improve the quality of your work with these fast tips & tricks
One Extra Tip ► https://www.cinecom.net/premiere-pro-tutorials/5-faster-editing-hacks/
VideoBlocks ► http://cinecom.xyz/VideoBlocks
More Fast Editing Tips ► https://www.youtube.com/watch?v=ttkQIgcCzIo
Palette Gear ► https://cinecom.info/PaletteGear
5 Easy EDITING HACKS | Premiere Prohttp://cinecom.xyz/VideoBlocks - 5 easy editing hacks that every filmmaker must know and that will improve your editing to take it to the next level.
More Tips ► https://www.cinecom.net/premiere-pro-tutorials/5-easy-editing-hacks/
VideoBlocks ► http://cinecom.xyz/VideoBlocks
Punch in the Face Tutorial ► https://www.youtube.com/watch?v=GJ-Dd33bZ68
5 Little Video Editing Tricks that make a BIG Difference! (Adobe Premiere Pro CC Tutorial / How to)Get the latest version of Adobe Premiere Pro: http://bit.ly/2ekhRiF
In this Adobe Premiere Pro CC Tutorial I will be sharing 5 little video editing tips, tricks, and techniques that can make a big difference in your final project.
1. Pull Focus - Using dimming and blurring in the background you can pull focus to text, images, or pop ups in the foreground. You can even use keyframes to gently animate in and out of this. (0:20)
2. Gentle Motion - You can use scale and position keyframes to gently ease in and out of pictures in a slideshow fashion. This is great to keep the flow of the video going and keep still frames engaging for the viewer. (2:20)
3. Audio Ducking - There are many ways to duck audio, however this simple visual pull of the volume line allows you to visually dip in and out of important moments such as voice overs and transitions. (3:50)
4. Sound Design - This is a larger topic in general but it is good to remember that you can apply sounds the same way you apply video effects with a little creativity. (5:40)
5. Vignette - a subtle vignette can go a long way in bringing out the focus and color grading of certain scenes and pictures. This tool in the Lumetri color panel can come in handy for clips shot on clear blue skies or with soft edges. (7:40)
Keep these 5 subtle techniques and variety of knowledge in your arsenal for many different video editing situations.
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Thanks for watching!
Become a Faster Video Editor in Adobe PremiereCheck out VideoBlocks! Super cool assets for your next video project: http://videoblocks.com/MangoStreet_1117
Today, we're going to break down some of our favorite shortcuts so you can edit video faster!
^Our layout isn't as important as the shortcuts themselves. Customize your layout so it works best for you.
To install, copy the file and paste to:
PC
C:\Users\[username]\Documents\Adobe\Premiere Pro\7.0\Profile-[username]\Win
Mac
/Users/[username]/Documents/Adobe/Premiere Pro/7.0/Profile-[username]/Mac
Interested in joining The Lab? Get on the wait list to find out next time we open registration: http://bit.ly/mangolab
This video was graded using Mango Street LUTs:
► http://bit.ly/mangoluts
Music:
VHS by Paul van der Walt
► http://bit.ly/mangomusic
Get yourself some Mango Merch: http://bit.ly/mangomerch
The gear we use: http://bit.ly/mslgear
We shoot weddings and elopements around the world:
► http://rachelgulotta.com
FOLLOW US ON INSTAGRAM
► http://instagram.com/rachelgulotta
► http://instagram.com/danielinskeep
► http://instagram.com/frenchcarlton
How to Make Great Videos (Part 1) - Project Setup & Importing Footage | Adobe Creative CloudIn this first episode of a 6-part series, Adobe Principal Evangelist Jason Levine covers the process of starting a project from scratch, setting up file paths, GPU acceleration settings, importing footage, ingest & transcoding, audio settings, UI and performance optimizations and all the basics to give you the best playback and editing experience. Find timestamped chapters below. Learn more about this tutorial series: https://adobe.ly/2q6B7ay Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9 Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
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CHAPTERS:
01:31 Start a New Project
02:02 Mercury Playback Settings/GPU Acceleration Options
07:13 Inside Premiere Pro's UI/Panels & Workspaces
09:30 Media Browser/Import Footage
15:17 Ingest
17:17 Audio Hardware Settings
20:00 Ingest Settings/Copying/Transcoding
25:55 Vertical Video Import
28:30 List View/Metadata Panel
31:30 Creating a Sequence/Timeline | Project Panel as your Visual Storyboard
32:38 New Sequence Menu item/Customizable Options
35:20 Adjust Track Heights/Video-Audio Track Display Settings
41:42 Settings Menu/Fractional Playback-Pause/Dropped Frame Indicator/Hi-Quality Playback
43:40 Proxies (making proxy files)
49:23 Metadata/Metadata Display Options in Project Panel, List View
52:00 Working with AdobeStock Content via CC Libraries Panel
54:15 Creating Bins
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Great Videos (Part 2) - Fixing Common Video & Audio Issues | Adobe Creative CloudIn this second episode of a 6-part series, Adobe Principal Evangelist Jason Levine explains how to fix commonly-encountered video and audio issues. Whether it's correcting lens distortion from fisheye and wide-angle lenses, to stabilizing hand-held/shaky footage, to removing plosives and popping P's in lav mic audio, applying color LUTs and using film-stock LUTs to smooth the 'digital sharpness' from Mavic Pro and other drone cameras, even doing basic sky replacement using HSL secondary color correction. It's all here, step-by-step.
Find timestamped chapters below.
CHAPTERS:
01:31 Create New Composition in After Effects
03:56 Fixing Camera Shake/Apply Warp Stabilizer VFX
07:30 Apply Camera-Shake Deblur
12:06 Fixing non-blurry Handheld Footage w/Warp Stabilizer VFX (+options)
13:51 Applying Lumetri Color to finish the look
16:30 Lens Correction for Drone Footage, Wide-angle/Fisheye lenses
20:48 After Effects / Dynamic Link into Premiere Pro
22:43 More on Stabilization (framing, cropping, rolling shutter)
29:15 Remove the ‘digital edginess’ from Mavic Pro footage with Lumetri LUTs
35:12 Sky replacement with HSL Secondary Color Correction
40:35 Removing Noise and Rumble from Indoor/Outdoor Audio with Essential Sound
47:10 Removing Popping P’s (plosives) with the Edit in Audition function from Premiere Pro
Learn more about this tutorial series: https://adobe.ly/2q6B7ay
Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9
Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
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Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Great Videos (Part 3) - Titles, Transitions & Overlays | Adobe Creative CloudIn the third episode of this 6-part series, Principal Evangelist Jason Levine explains how to create animated titles with the new Essential Graphics Panel, both in Premiere Pro and After Effects, and how to create Motion Graphics templates which can be saved and shared via CC Libraries. He then walks you through some of the most common video transition effects, including a little Adobe Magic in the form of Morph Cut, which is particularly useful for eliminating abrupt movements (from jump cuts) in interview footage. Finally, he'll cover working with overlays and how to leverage blend modes and mattes to add more polish and style to your videos.
Find timestamped chapters below:
01:09 Essential Graphics Panel for creating titles
02:09 Adding Adobe Stock footage to create title sequence
02:52 The new Text Tool and typing text in the program monitor
03:48 Align & Transform controls, changing color, changing fonts
05:08 ‘Add Layer’, including shapes, illustrator files, video and more
06:45 Adding an Illustrator file into the title
08:28 Animating the layers in Effects Controls
12:56 Creating a “Master Text Style” in Essential Graphics
16:02 Create/Export a Motion Graphics Template, saving to CC Libraries
19:14 Motion Graphics Template Presets in Essential Graphics
21:48 After Effects-created Motion Graphics Templates
24:43 Essential Graphics Panel in After Effects; creating the template w/supported properties
28:52 Exporting Motion Graphics Template in AE, save to CC Libraries
30:40 Dragging AE-created Templates from Libraries into Premiere Pro
34:13 Beginning with Transitions including cross-dissolve, fade-to-white/black, film dissolve
44:36 The Morph Cut transition (for interviews)
51:26 Using Overlays: opacity and blend modes in Premiere Pro
52:25 Light Leaks as overlay/transition
54:40 Using Mattes as overlays, and applying the Track Matte Key effect.
Learn more about this tutorial series: https://adobe.ly/2q6B7ay
Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9
Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Great Videos (Part 4) - Fixing Common Audio Issues | Adobe Creative CloudIn the fourth episode of this 6-part series, Adobe Principal Evangelist Jason Levine explains how to fix common encountered audio issues. This includes showing you how to use Loudness auto-matching, to easily and efficiently controls dialogue levels across multiple speakers; reduce noise, hum, rumble and sibilance, correct and repair digital distortions and clipped audio, reduce and repair troubling wind-noise recordings, and lastly, the ability to dynamically re-compose any music track to be any length with Audition's REMIX feature.
Find timestamped chapters below:
01:13 Essential Sound Panel and DIALOGUE MIXING
03:21 What is Room Tone?
04:24 Setting the Audio workspace for Essential Sound
06:10 Loudness Auto-Matching (to even-out speaking levels)
08:24 The REPAIR section (DeNoise, DeRumble, DeHum, DeEss)
09:54 Clarity - Applying Compression to the Voice
12:58 Attack the rumble! (with Reduce Rumble)
14:56 Apply subtle Noise Reduction (with Reduce Noise)
17:20 Re-create the Room Sound (Creative Reverb)
19:28 More control in the Effects Controls (more presets, advanced options for Clip effects)
21:58 Adjusting Room Ambience manually, Wet/Dry balancing
23:30 Final mix of dialogue & room, denoised, derumbled, room added back in
24:37 Sending Audio clips/sequences to Audition for more detailed repair
25:36 Fixing digitally clipped/over-modulated/distorted audio
28:57 The Diagnostics Panel and the DeClipper
34:05 How to Remove Sounds (like a siren, or other unwanted noises)
34:58 Explaining the Spectral Frequency Display
37:28 Holding down Shift while ‘Painting’ your selection (for multiple selections at once)
40:05 Repairing/attenuating Wind Noise issues
43:59 Marquee-select and deleting unwanted (specific) frequencies
46:06 REMIX - Dynamically re-compose/re-edit music to fit any duration…automatically
46:43 Setting the Essential Audio workspace
47:33 Readjusting duration with Remix
48:39 Properties Panel for more remix options
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Learn more about this tutorial series: https://adobe.ly/2q6B7ay
Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9
Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
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Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Great Videos (Part 5) - Playing with Dimensions | Adobe Creative CloudIn part five of this 6-part series, Adobe Principal Evangelist Jason Levine showcases working with everything from 2D Adobe Photoshop files (and importing/handling PSD layers in Premiere Pro) to creating 3D extruded text (natively) in After Effects, to integrating more 3D objects and elements via Cinema4D Lite (which ships with After Effects CC) as well as 2D/3D character animation with Adobe Character Animator and finally wraps up with showing the workflow for editing and publishing 360 VR content, both monoscopic and stereoscopic, including how to integrate ambisonic/spatial audio files into your VR creations.
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Find timestamped chapters below.
01:13 Importing a layered PSD file
05:58 Revealing the PSD Sequence (with selected layers)
06:53 Animating Opacity of the Photoshop layers (just like video clips)
08:37 Animating effects on Ps layers (gaussian blur)
10:28 Nesting the Ps sequence into another sequence
12:51 Adding Blend Modes
14:07 Creating a new Photoshop file from within Premiere Pro
19:18 Making 3D text in After Effects
27:11 Making a new 3D vector Shape Layer
29:19 Dynamically-linking the 3D comp from AE into PPRO
31:04 Working with Cinema4D Lite for more 3D workflows in After Effects
41:10 Bringing 2D & 3D Ps/Ai characters to life with Character Animator
45:29 Workspace Modules, Template Puppets + Getting Started tutorials right in the app
50:42 360/VR video and Ambisonic spatial audio in Premiere Pro
55:50 The ‘equirectangular’ stitched media (Monoscopic 360)
57:11 Enabling the VR Viewer in the Program Monitor
01:01:13 Working with Stereoscopic 360 VR
01:02:40 Adding Ambisonic/Spatial audio to your 360/VR video
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Learn more about this tutorial series: https://adobe.ly/2q6B7ay
Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9
Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
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Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Great Videos (Part 6) - Sharing Your Work | Adobe Creative CloudIn the final episode of this 6-part series, Adobe Principal Evangelist Jason Levine talks about how to share your work and publish directly to your favorite social networks. This also includes some tips and tricks for using the right export format (based on destination), adding looks & LUTs on export, adding a watermark and/or image overlays to your footage, timecode overlays, automatically adjusting final duration of your videos with something called Time Tuner, normalizing Loudness across your entire video as well as the ability to publish and become an Adobe Stock contributor to sell your works to the masses; and AdobeStock will make tagging/keywording easy for you using machine learning and a little something called Adobe Sensei...
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Find timestamped chapters below:
01:08 Sending Timeline Media to Export Settings Dialog/Media Encoder
01:44 What FORMAT do I choose (for social networks, like FB, YT, Insta, Snap, etc)
03:21 H.264 - the one you’ll want for Social Publishing, and discovering PRESETS
06:41 Choosing the Facebook 720p preset and the Source/Output Summary
10:46 Exporting .MOV/Quicktime
12:14 Setting output location and file name for your video
13:13 The Effects tab, and adding additional elements on export
14:41 Applying a Look/LUT to your video during export
16:45 Applying a watermark/image overlay
20:07 Choosing the ‘Export’ option or the ‘Queue’ option (and the differences)
24:06 Memory Allocation setting for ‘active’ app (Preferences)
25:32 When to use ‘Maximum Render Quality’ during export
26:53 Applying a name overlay/timecode overlay
29:05 The Time Tuner (adjust final video duration during export!)
31:58 Video Limiter (broadcast safe video)
32:39 Loudness Normalization (for broadcast, for YouTube, for anywhere)
36:24 Saving Export Presets with effects tab selections
37:19 Publish to Social Destinations (FB, YT, Twitter, Vimeo, FTP, CC storage, etc)
40:18 The Audio tab
41:05 Sample rates and Instagram export
46:36 Publishing to Adobe Stock/Becoming an Adobe Stock Contributor
49:45 Exporting a custom range of your sequence to Adobe Stock
54:06 AdobeStock Contributor Portal abd Metadata w/Adobe Sensei (Machine Learning)
01:00:27 Model Releases for using People in your stock video
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Learn more about this tutorial series: https://adobe.ly/2q6B7ay
Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9
Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
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Subscribe: https://www.youtube.com/user/adobecreativecloud?sub_confirmation=1
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Great Videos (Part 7) - Optimizing for Social Media | Adobe Creative CloudIn this bonus episode (part VII), Adobe Principal Evangelist Jason Levine focuses on optimizing your content for social delivery. Learn how to create sequence presets for Instagram and Snapchat in square, widescreen or vertical formats, and how to reframe/recompose and 're-think' cutting content vertically. He'll also show you how to add watermarks/branding to your videos and loudness normalization for consistent sound. The video begins showcasing the Social Publishing Panel and how to become involved in the beta program for testing this new way to publish and track performance of your social content.
Find timestamped chapters below:
01:41 Social Publishing, some history and where we are today
03:30 The Export menu today, codecs and presets can be a little daunting
05:14 The Social Publishing Panel
07:21 Export settings display for the associated platforms, made easy
08:32 YouTube settings, incl. campaign, channel and playlist
09:46 Tags and tag sets
11:12 Choosing the YouTube thumbnail from within SPP
11:52 Publishing options and Scheduling your videos
12:37 Publish settings for Twitter
13:46 Measurement/Stats of your social video content and options for viewing analytics
16:32 The URL to request to join the Social Publishing Panel beta
17:29 Creating content for Instagram (and considerations/options for cutting)
20:58 Instagram Sequence presets in square (1:1) and widescreen (16:9) aspect ratios
24:58 How to make/modify any sequence preset for any social platform
30:00 Editing widescreen DSLR or mobile phone content into an Instagram Square frame
37:20 Creating Vertical edits for Snapchat
42:53 Breaking down how the video was authored, using the Essential Graphics Panel
49:32 Missing Typekit fonts and auto-sync
53:04 Destination Publishing in Media Encoder and using CC to get your videos to Snapchat/Instagram
54:45 Making the export preset, changing dimensions
55:15 The ‘Effects Tab’; adding an overall Look/LUT to your video
56:22 Adding a watermark/branding to your Social videos on export
57:57 Loudness Normalization (making your sound consistent)
01:00:42 Destination Publishing to various social networks in the Publishing tab
01:01:35 Changing attributes when exporting/publishing
01:04:08 Saving the preset with your watermark and publishing settings
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Learn more about this tutorial series: https://adobe.ly/2q6B7ay
Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9
Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
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Subscribe: https://www.youtube.com/user/adobecreativecloud?sub_confirmation=1
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Good Videos Great (Part 1) - Motion Graphics in After Effects CC | Adobe Creative CloudIn this first of three episodes, Principal Evangelist Jason Levine walks you through the basics for building Motion Graphics Templates (MOGRTs) with lower thirds, logo bugs, and animated text via presets, expressions in After Effects CC. Find timestamped chapters below. Learn more about this tutorial series: https://adobe.ly/2hey8Yq Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9 Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
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Jump to ANY point in the video with Chapters:
02:15 Make a MOGRT with your Logo/Branding
03:23 Enabling 3D on the comp/layer for rotation
04:38 Adjusting Opacity (T)
05:50 Enabling Motion Blur for the comp/layer
06:07 Adding an Expression: (LoopOut)
07:25 Assembling the MOGRT (motion graphics template; Essential Graphics Panel)
08:52 Solo Supported Properties and making things editable for the PPRO editor
10:02 Adding a comment in the MOGRT
10:40 Exporting the MOGRT to CC Libraries (or saved locally)
12:31 Importing the MOGRT via CC Libraries in PPRO
15:02 Basic Text Animation in a MOGRT (manual w/keyframes)
16:31 adding text and aligning text layers
17:43 the ‘PARTS’ acronym for standard animation properties
20:06 Making the FILL COLOR of text an editable parameter for a MOGRT
21:56 Choosing which parameters are editing in the MOGRT via E.G.P.
24:57 Modifying the editable controls in Premiere Pro/Essential Graphics Panel
25:32 Creating a LOWER THIRD MOGRT w/Animation Presets
27:24 Accessing Animation Preset previews in Adobe Bridge CC
31:22 The WIGGLE expression, used on a logo
34:28 Adding a Slider to control an Expression property
35:55 Using the Expression Pickwhip
38:51 Making the MOGRT w/expression sliders and more
41:51 Exporting the Motion Graphics Template, Editing Parameters in PremierePro again
45:07 Accessing/searching on AdobeStock MOGRTs via Libraries
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Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Good Videos Great (Part 2) - Motion Graphics in Premiere Pro CC | Adobe Creative CloudIn the second episode of the series, Principal Evangelist Jason Levine shows you how to create Motion Graphics Templates (MOGRTs) directly from within Premiere Pro. Find timestamped chapters below. Learn more about this tutorial series: https://adobe.ly/2hey8Yq Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9 Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
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Jump to ANY point in the video with Chapters:
01:03 Preset Essential Graphics Templates (shipped in the app)
02:34 The Text Tool and starting an animated graphic
04:43 Choosing your font and using TypeKit fonts
07:17 Adding a new layer to the graphics template and using the freeform pen tool
10:54 Adding motion/animation to static layers within the Effects Controls Panel
13:54 Adding blur effects (or any PPRO effect)
17:24 Setting a Master Style, by layer
18:21 Exporting as a Motion Graphics Template (MOGRT) win Premiere Pro
20:54 Reusing the Template from the Libraries Panel; modifying elements of the template
23:02 Upgrading to a Master Graphic
24:14 Modifying and pushing changes to a Master Text Style
27:30 Adding images and video into the MOGRT
29:49 Using Responsive Design - Position Pinning options
32:13 Using Responsive Design - Time options (with intro/outro durations preserved)
36:21 Essential Graphics Panel ‘preset’ templates (a sampling of a few)
39:16 Searching Adobe Stock for Motion Graphics Templates
42:19 Resolving missing fonts from Typekit
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
How to Make Good Videos Great (Part 3) | Responsive Design MOGRTs, Copy/Paste & More!In the third and final episode of this 3-part series, Principal Evangelist Jason Levine walks you through responsive MOGRTs in greater detail, showcases turning 'anything' into a MOGRT (via After Effects), copy/paste layers from Premiere Pro, and talks more about creating MOGRTs that will work in any video, regardless of frame size or aspect ratio. Find timestamped chapters below.
Learn more about this tutorial series: https://adobe.ly/2hey8Yq
Find more videos in this series: https://www.youtube.com/playlist?list=PLD8AMy73ZVxWiBMQM6zZ0fQHCXOZ2f1m9
Download free trials and the latest features in Adobe Creative Cloud video and audio tools: https://adobe.ly/2oqUM0w
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CHAPTERS:
01:58 Preset MOGRTs in the Essential Graphics Panel in Premiere Pro
02:07 Using Search in the Libraries Panel for MOGRTs on Adobe Stock
03:22 A non-responsive MOGRT (and what happens when you use it on different aspect ratios)
04:24 Revealing some of the animation in the effects panel
07:01 Referencing the ‘Modern Lower Third’ template in Essential Graphics (with responsive design elements built-in); referencing Responsive Design ‘Time’ elements
09:17 Revealing the settings for Responsive Design ‘Position Pinning’
12:17 Using the responsive template on a vertical and square version of the video
13:33 Diving a little deeper into the responsive pinning relationships (the Solar System MOGRT)
15:45 Exporting as a Motion Graphics Template to a CC Library
16:49 Responsive Design Position: bounding box around text
19:26 Setting the ‘outro duration’ for keyframed animation (responsive design time)
22:30 Copy/Pasting MOGRT layers from PremierePro into After Effects
24:19 Creating the new comp in After Effects and pasting the layers/revealing expressions on other comps
27:59 Turning a pre-existing AE Comp into a MOGRT
30:58 Saving the file locally (instead of to a library/shared library
32:44 Installing a MOGRT (from local drive) in PremierePro/Essential Graphics Panel
35:10 Creating a Title MOGRT from an AE comp containing the Cinema4D Render Engine
41:15 Additional online resources for AE expressions
45:13 Additional searching/previewing/downloading MOGRTs via AdobeStock (from within Premiere pro and via the AdobeStock site)
51:39 Creating a new library in CC Libraries (or directly from the AdobeStock site)
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
