Down In The Boondocks - Billy Joe RoyalNOT MY MUSIC I DO NOT INTEND TO MAKE PROFIT!!
NO COPYRIGHT INFRINGEMENT INTENDED!!
I DO NOT OWN THE SONG/LYRICS/ARTISTS/PICTURES IN THIS VIDEO!!
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The Supremes - Stop In The Name Of LovePLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index
The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars (or even the best Motown stars), and viewing them as a tool for Berry Gordy's crossover aspirations. There's no question that there was about as much pop as soul in the Supremes' hits, that even some of their biggest hits could sound formulaic, and that they were probably the black performers who were most successful at infiltrating the tastes and televisions of middle America. This shouldn't diminish either their extraordinary achievements or their fine music, the best of which renders the pop vs. soul question moot with its excellence.
The Supremes were not an overnight success story, although it might have seemed that way when they began topping the charts with sure-fire regularity. The trio that would become famous as the Supremes -- Diana Ross, Mary Wilson, and Florence Ballard -- met in the late '50s in Detroit's Brewster housing project. Originally known as the Primettes, they were a quartet (Barbara Martin was the fourth member) when they made their first single for the Lupine label in 1960. By the time they debuted for Motown in 1961, they had been renamed the Supremes; Barbara Martin reduced them to a trio when she left after their first single.
The Supremes' first Motown recordings were much more girl group-oriented than their later hits. Additionally, not all of them featured Diana Ross on lead vocals; Flo Ballard, considered to have as good or better a voice, also sang lead. Through a lengthy series of flops, Berry Gordy remained confident that the group would eventually prove to be one of Motown's biggest. By the time they finally did get their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes," in late 1963, Ross had taken over the lead singing for good.
Ross was not the most talented female singer at Motown; Martha Reeves and Gladys Knight in particular had superior talents. What she did have, however, was the most purely pop appeal. Gordy's patience and attention paid off in mid-1964, when "Where Did Our Love Go" went to number one. Written by Holland-Dozier-Holland, it established the prototype for their run of five consecutive number-one hits in 1964-1965 (also including "Baby Love," "Stop! In the Name of Love," "Come See About Me," and "Back in My Arms Again"). Ross' cooing vocals would front the Supremes' decorative backup vocals, put over on television and live performance with highly stylized choreography and visual style. Holland-Dozier-Holland would write and produce all of the Supremes' hits through the end of 1967.
Not all of the Supremes' singles went to number one after 1965, but they usually did awfully well, and were written and produced with enough variety (but enough of a characteristic sound) to ensure continual interest. The chart-topping (and uncharacteristically tough) "You Keep Me Hangin' On" was the best of their mid-period hits. Behind the scenes, there were some problems brewing, although these only came to light long after the event. Other Motown stars (most notably Martha Reeves) resented what they perceived as the inordinate attention lavished upon Ross by Gordy, at the expense of other artists on the label. The other Supremes themselves felt increasingly pushed to the background. In mid-1967, as a result of what was deemed increasingly unprofessional behavior, Ballard was replaced by Cindy Birdsong (from Patti LaBelle & the Bluebelles). Ballard become one of rock's greatest tragedies, eventually ending up on welfare, and dying in 1976.
After Ballard's exit, the group would be billed as Diana Ross & the Supremes, fueling speculation that Ross was being groomed for a solo career. The Supremes had a big year in 1967, even incorporating some mild psychedelic influences into "Reflections." Holland-Dozier-Holland, however, left Motown around this time, and the quality of the Supremes' records suffered accordingly (as did the Motown organization as a whole). The Supremes were still superstars, but as a unit, they were disintegrating; it's been reported that Wilson and Birdsong didn't even sing on their final hits, a couple of which ("Love Child" and "Someday We'll Be Together") were among their best. In January 1970. Jean Terrell replaced Ross, and the group continued through 1977.
~ Richie Unterberger, All Music Guide
The "In" Crowd ~ Ramsey Lewis Trioclassic jazz with vintage city photos.
(uploaded it to youtube again, felt that it needed more photos...hope you enjoy it).
Jr. Walker & The All-Stars - Shotgunfirme oldie...raza lowrider oldie Jr. Walker & The All-Stars Shotgun
Beach Boys Help Me RhondaNO COPYRIGHT INFRINGEMENT INTENDED. COPYRIGHTS RESERVED BY COPYRIGHT OWNER.This video is used only for non-profit usage and publishing.
"Help Me, Rhonda" is a song written by Brian Wilson and Mike Love for their American rock band The Beach Boys. The song is the first Beach Boys song (with the exception of their Christmas Album) to feature a lead vocal by Al Jardine. It was released in March 1965 on the album Today! as "Help Me, Ronda". By that time, it had already been re-recorded; this version was released as a single through Capitol Records in April 1965, re-titled with the more well-known "Rhonda" spelling.The single peaked at number one in the United States, their second U.S. number one single after "I Get Around". The song is on most Beach Boys hits compilations; typically the single version is used.The original version was recorded over two dates at Western Recording Studios in Hollywood on January 8 and 19, 1965, with Chuck Britz as the engineer and production by Brian Wilson.The instrumental track has Carl Wilson, Bill Pitman, and Glen Campbell on guitar, Billy Strange on ukulele, Ray Pohlman on bass guitar, Leon Russell on piano, Hal Blaine on drums and timbales, Julius Wechter on claves, Billy Lee Riley on harmonica, Steve Douglas and Plas Johnson on tenor saxophone, and Jay Migliori on baritone saxophone. Al Jardine sang the lead vocal with backing vocals by Carl, Dennis and Brian Wilson, and Mike Love.The song was originally considered an album cut but radio stations began to play it and Brian decided to rework and re-record it. The single was recorded at Universal and Radio Recorders studios in Hollywood on February 24, 1965, again with Britz as the engineer and Brian Wilson as producer. Featured on the instrumental track were regular Wrecking Crew members such as Hal Blaine on drums and Carol Kaye on bass guitar. Beach Boys who contributed to the instrumental track were Carl Wilson (guitar) and Brian Wilson (acoustic piano and Hammond B-3). The single version features Al Jardine on lead vocals with backing vocals by Carl, Dennis and Brian Wilson, Mike Love, and Bruce Johnston.The recording session was interrupted by the Wilson brothers' father, Murry, who criticized the Boys' enthusiasm. His criticisms drove Brian Wilson to breaking point and Brian screamed an expletive, removed his headphones and confronted his father. Shortly after defending his actions, Murry Wilson left the studio and The Beach Boys continued. The recording reel continued to record the confrontation, which circulates among fans.The first version appears on the 1965 album Today! as "Help Me, Ronda", released March 8, 1965. This runs over three minutes with no guitar solo, and has a number of false endings with the volume fading in and out; it is included on the Endless Summer compilation album, however the back of the album cover lists the name as "Help Me, Rhonda".The single version, which has a different arrangement and one word changed in the lyrics, was released on April 5, 1965. In addition to topping the charts in the US, the single reached #1 in Canada (on the RPM national chart), #5 in Sweden, #10 in Germany and Australia, #2 in Singapore, #3 in The Philippines, #5 in Hong Kong and #9 in Ireland. It peaked at 27 in the United Kingdom.The new single was included on the album Summer Days (and Summer Nights!!), released June 28, 1965. The instrumental backing of this version was released in 1968 on the band's Stack-O-Tracks album.A slight variation, "Help Me, Rhonda (Alternate Single Version)", is on the 1998 Endless Harmony Soundtrack album. This adds a wordless falsetto from Brian Wilson over the chorus.After becoming The Beach Boys second number one in the United States, it became a regular in the live set. It has been on two Beach Boys live albums: 1973's The Beach Boys In Concert and Good Timin': Live at Knebworth England 1980. The song was also released by Brian Wilson on his 2000 live album Live at the Roxy Theatre. The song was performed by Ricky Martin at 2001's "An All-Star Tribute to Brian Wilson".
We Five- You Were On My Mind 1965We Five- You Were On My Mind 1965
Sam the Sham the Pharaos - Wooly Bully(Domingo Samudio)
Uno, dos, one, two, tres, quatro
Matty told Hatty about a thing she saw.
Had two big horns and a wooly jaw.
Wooly bully, wooly bully.
Wooly bully, wooly bully, wooly bully.
Hatty told Matty, "Let's don't take no chance.
Let's not be L-seven, come and learn to dance."
Wooly bully, wooly bully
Wooly bully, wooly bully, wooly bully.
Matty told Hatty, "That's the thing to do.
Get you someone really to pull the wool with you."
Wooly bully, wooly bully.
Wooly bully, wooly bully, wooly bully.
The four tops - I Can't Help Myself (Sugar Pie, Honey Bunch)1965
Album: Four tops second album
Satisfaction-Rolling StonesLyrics of
Satisfaction-The Rolling Stones
anwer the q-estion!
THE RIGHTEOUS BROTHERS YOU`VE LOST THAT LOVIN` FEELIN`?
Petula Clark - Downtown (HQ)This great song was released in 1964 and made number 1 in the U.S and number 2 here in the UK.
The Beatles "Help" Live 1965 (Reelin' In The Years Archives)This great live version of "Help" comes from a 6-song set filmed for British television in August of 1965, two weeks before their famed Shea Stadium concert in New York. Next to Apple Records, no one has more Beatles performance footage than Reelin' In The Years Productions. From 1963-1970 we have more than 8 hours of Beatles concerts, TV appearances, interviews and b-roll, the bulk being from their touring years ('63-'66).
Reelin' In The Years Productions houses the world's largest library of music footage, containing over 20,000 hours of material covering nearly every genre from the last 60 years. We have live concerts, TV appearances, interviews, in-studio segments, b-roll and more. In addition to music we have thousands of hours of interviews with the most recognizable celebrities, comedians, politicians, athletes, artists and authors of the 20th Century. If you need footage for your film, documentary, TV show, commercial, museum exhibit or presentation, we are your one-stop shop. Visit our online database at http://www.reelinintheyears.com to explore our archive, but please email us as we are constantly adding new material to the archive. We do not supply material to fans or collectors under any circumstance, so please do not contact us if that is your intention.
Herman's Hermits - Can't You Hear My Heartbeat- uploaded via http://www.mp32u.net/
Crying in the Chapel - Elvis PresleyElvis really LOVED gospelsongs like this of Mahalia Jackson. He had a huge gospel-record-collection.
Elvis Gospel Playlist (175 great videos): http://www.youtube.com/playlist?list=PL35E98DE5341D5D8B&feature=plcp
Crying In The Chapel
You saw me crying in the chapel
The tears I shed were tears of joy
I know the meaning of contentment
Now I'm happy with the Lord
Just a plain and simple chapel
Where humble people go to pray
I pray the Lord that I'll grow stronger
As I live from day to day
I searched and I searched
But I couldn't find
No way on earth to gain peace of mind
Now I'm happy in the chapel
Where people are of one accord
Yes we gather in the chapel
Just to sing and praise the Lord
You'll search and you'll search
But you'll never find
No way on earth to gain peace of mind
Take your troubles to the chapel
Get down on your knees and pray
Then your burdens will be lighter
And you'll surely find the way
(Artie Glenn)
Roger Miller King Of the RoadEnjoy
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Jewel Akens-The Birds and the Beespicture video
Hold Me Thrill Me Kiss Me *** Mel CarterLyrics***♥
Hold me, hold me
Never let me go
Until you've told me, told me
What I want to know
And then just hold me, hold me
Make me tell you I'm in love with you
(Hold me tight, never let me go)
Thrill me, thrill me
Walk me down the lane where shadows will be, will be
Hiding lovers just the same as we'll be, we'll be
When you make me tell you I love you
(Will you take me in your arms)
They told me, "Be sensible with your new love
Don't be fooled thinking this is the last you'll find"
But they never stood in the dark with you, love
When you take me in your arms
and drive me slowly out of my mind
Kiss me, kiss me, and when you do
I know that you will miss me, miss me
If we ever say adieu, so kiss me, kiss me
Make me tell you I'm in love with you....
Lyrics may be questionable....
Live Performance:
https://www.youtube.com/watch?v=DwGZHfMMXSQ
Sonny & Cher - I got you babe (HQ)This great song by "Sonny & Cher" was released in 1965 and made number 1 here in the UK charts and also number 1 on the U.S hot 100 billboard charts.
Hermans Hermits - Mrs. Brown you've got a lovely daughter 1965Hermans Hermits - Mrs. Brown you've got a lovely daughter 1965
Mrs. Brown you`ve got a lovely daughter
Girls as sharp as her are somethin` rare
But it`s sad, she doesn`t love me now
She`s made it clear enough it ain`t no good to pine
She wants to return those things I bought her
Tell her she can keep them just the same
Things have changed, she doesn`t love me now
She`s made it clear enough it ain`t no good to pine
Walkin` about, even in a crowd, well
You`ll pick her out, makes a bloke feel so proud
If she finds that I`ve been round to see you (round to see you)
Tell her that I`m well and feelin` fine (feelin` fine)
Don`t let on, don`t say she`s broke my heart
I`d go down on my knees but it`s no good to pine
Walkin` about, even in a crowd, well
You`ll pick her out, makes a bloke feel ..
If she finds that I`ve been round to see you (round to see you)
Tell her that I`m well and feelin` fine (feelin` fine)
Don`t let on, don`t say she`s broke my heart
I`d go down on my knees but it`s no good to pine
Mrs. Brown you`ve got a lovely daughter (lovely daughter)
Mrs. Brown you`ve got a lovely daughter (lovely daughter)
Mrs. Brown you`ve got a lovely daughter (lovely daughter)
Mrs. Brown you`ve got a lovely daughter (lovely daughter)
Righteous Brothers - Unchained Melody (High Quality)this Classic oldie is brought to you by TheBestOldies.
we hope you enjoy the song.
Keep the oldies alive
The Seekers - I'll Never find another you
Jay & The Americans - Cara MiaJay & The Americans Perform "Cara Mia" On Shindig In 1965
The Byrds Mr. Tambourine ManNO COPYRIGHT INFRINGEMENT INTENDED. COPYRIGHTS RESERVED BY COPYRIGHT OWNER.This video is used only for non-profit usage and publishing.
"Mr. Tambourine Man" was the debut single by the American band The Byrds and was released on April 12, 1965 by Columbia Records.The song was also the title track of the band's debut album, Mr. Tambourine Man, which was released on June 21, 1965.The single, along with the album of the same name, was influential in originating the musical style known as folk rock, with the single becoming the first folk rock smash hit.Indeed, the term "folk rock" was first coined by the U.S music press to describe the band's sound at around the same time as "Mr. Tambourine Man" peaked at number 1 on the Billboard chart.The single initiated the folk rock boom of 1965 and 1966, with many acts imitating the band's hybrid of a rock beat, jangly guitar playing and poetic or socially conscious lyrics.This hybrid had its antecedents in the American folk revival of the early 1960s,The Animals' rock-oriented recording of the folk song "The House of the Rising Sun",the folk-influences present in the songwriting of The Beatles,and the twelve-string guitar jangle of The Searchers and The Beatles' George Harrison.However, it was The Byrds who first melded these disparate elements into a unified whole, creating a template for folk rock that would prove successful for many acts during the mid-1960s.Most of the members of The Byrds had a background in folk music,since Jim McGuinn, Gene Clark, and David Crosby had all worked as folk singers during the early 1960s.They had also spent time, independently of each other, in various folk groups, including The New Christy Minstrels, The Limeliters, The Chad Mitchell Trio, and Les Baxter's Balladeers.In early 1964, McGuinn, Clark and Crosby formed The Jet Set and started developing a fusion of folk-based lyrics and melodies, with arrangements in the style of The Beatles.In August 1964, the band's manager Jim Dickson acquired an acetate disc of "Mr. Tambourine Man" from Dylan's publisher, featuring a performance by Dylan and Ramblin' Jack Elliott.Although the band were initially unimpressed with the song, they eventually agreed to begin rehearsing and demoing it.In an attempt to make it sound more like The Beatles, the band and Dickson elected to give the song a full, electric rock band treatment, effectively creating the musical subgenre of folk rock.To further bolster the group's confidence in the song, Dickson invited Dylan to hear the band's rendition.Dylan was impressed, enthusiastically commenting "Wow, you can dance to that!" and his endorsement erased any lingering doubts the band had about the song.During this period, drummer Michael Clarke and bass player Chris Hillman joined,and the band changed their name to The Byrds over Thanksgiving 1964.The two surviving demos of "Mr. Tambourine Man" dating from this period feature an incongruous marching band drum part from Clarke but overall the arrangement, which utilized a 4/4 time signature instead of Dylan's 2/4 configuration, is very close to the later single version.The master take of "Mr. Tambourine Man" was recorded on January 20, 1965, at Columbia Studios in Hollywood, prior to the release of Dylan's own version.The song's jangling, melodic guitar playing (performed by McGuinn on a 12-string Rickenbacker guitar) was immediately influential and has remained so to the present day.The group's complex harmony work, as featured on "Mr. Tambourine Man", became another major characteristic of their sound.The single reached number 1 on the Billboard Hot 100, and number 1 on the UK Singles Chart, making it the first recording of a Dylan song to reach number 1 on any pop music chart.Critic William Ruhlmann has argued that in the wake of "Mr. Tambourine Man", the influence of The Byrds could be heard in recordings by a number of other Los Angeles-based acts, including The Turtles, The Leaves, Barry McGuire, and Sonny & Cher.In addition, author and music historian Richie Unterberger sees the influence of The Byrds in recordings by The Lovin' Spoonful, The Mamas & the Papas, Simon & Garfunkel, and Love,while author John Einarson has noted that both The Grass Roots and We Five enjoyed commercial success by emulating The Byrds' folk rock sound.In addition, a number of commentators, including Richie Unterberger, Scott Plangenhoef, and Ian MacDonald have noted that by late 1965, The Beatles themselves were assimilating the sound of folk rock, and in particular The Byrds, into the material found on their Rubber Soul album, most notably on the songs "Nowhere Man" and "If I Needed Someone".As the 1960s came to a close, folk rock changed and evolved away from the jangly template pioneered by The Byrds,but, Unterberger argues, the band's influence could still be heard in the music of Fairport Convention.
Sounds Orchestral Cast Your Fate To The WindNO COPYRIGHT INFRINGEMENT INTENDED. COPYRIGHTS RESERVED BY COPYRIGHT OWNER.This video is used only for non-profit usage and publishing.
Barbara Mason-Yes I'm ReadyBarbara Mason-Yes I'm Ready
Barry McGuire - Eve of Destructionhttp://plentyoftorrents.com Lyrics:
The eastern world it is explodin',
violence flarin', bullets loadin',
you're old enough to kill but not for votin',
you don't believe in war, what's that gun you're totin',
and even the Jordan river has bodies floatin',
but you tell me over and over and over again my friend,
ah, you don't believe we're on the eve of destruction.
Don't you understand, what I'm trying to say?
Can't you see the fear that I'm feeling today?
If the button is pushed, there's no running away,
There'll be noone to save with the world in a grave,
take a look around you, boy, it's bound to scare you, boy,
but you tell me over and over and over again my friend,
ah, you don't believe we're on the eve of destruction.
Yeah, my blood's so mad, feels like coagulatin',
I'm sittin' here, just contemplatin',
I can't twist the truth, it knows no regulation,
handful of Senators don't pass legislation,
and marches alone can't bring integration,
when human respect is disintegratin',
this whole crazy world is just too frustratin',
and you tell me over and over and over again my friend,
ah, you don't believe we're on the eve of destruction.
Think of all the hate there is in Red China!
Tehn take a look around to Selma, Alabama!
Ah, you may leave here, for four days in space,
but when your eturn, it's the same old place,
the poundin' of the drums, th pride and disgrace,
you can bury your dead, but don't leave a trace,
hate your next-door-neighbour, but don't forget to say grace,
and you tell me over and over and over and over again my friend,
ah, you don't believe we're on the eve of destruction.
MaCoys - Hang on sloopy.mpgI just had to load this. Its not only a classic song but the Video is so good. The Girl dances great for this pre disco era plus she is so fit. Jugmungus! Wonder if she was ever listed. You just know those Jugs have 'Gone South' but boy they were excellent. believe this to be public domain.
The Beatles - Ticket To RideThe Beatles - Ticket To Ride from Help! Album.Enjoy!
Red Roses For A Blue Lady - Bert Kaempfert and His Orchestra -''Red Roses For A Blue Lady''
I Want Some
Red roses for a blue lady
Mister florist take my order please
We had a silly quarrel the other day
Hope these pretty flowers chase her blues away
Wrap up some red roses for a blue lady
Send them to the sweetest gal in town
And if they do the trick
I'll hurry back to pick
Your best white orchid for her wedding gown
I Want Some
Red roses for a blue lady
Mister florist take my order please
We Had a silly quarrel the other day
Hope these pretty flowers chase her blues away
Wrap up some red roses for a blue lady
Send them to the sweetest gal in town
And if they do the trick
I'll hurry back to pick
Your best white orchid for her wedding gown.
Words and Music by Sid Tepper and Roy Bennett
James Brown - Papa's got a brand new bag (HQ)Here we have "James Brown" who many people considered as The Godfather of Soul music, with this great song which was released in 1965.
The Game of Love - Wayne Fontana and the Mindbenders6th single and second hit. Follow up to Um um um um um.
THE NAME GAME SHIRLEY ELLIS
The Supremes - Back In My Arms Again (Hullabaloo May 11, 1965)The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars (or even the best Motown stars), and viewing them as a tool for Berry Gordy's crossover aspirations. There's no question that there was about as much pop as soul in the Supremes' hits, that even some of their biggest hits could sound formulaic, and that they were probably the black performers who were most successful at infiltrating the tastes and televisions of middle America. This shouldn't diminish either their extraordinary achievements or their fine music, the best of which renders the pop vs. soul question moot with its excellence.
The Supremes were not an overnight success story, although it might have seemed that way when they began topping the charts with sure-fire regularity. The trio that would become famous as the Supremes -- Diana Ross, Mary Wilson, and Florence Ballard -- met in the late '50s in Detroit's Brewster housing project. Originally known as the Primettes, they were a quartet (Barbara Martin was the fourth member) when they made their first single for the Lupine label in 1960. By the time they debuted for Motown in 1961, they had been renamed the Supremes; Barbara Martin reduced them to a trio when she left after their first single.
The Supremes' first Motown recordings were much more girl group-oriented than their later hits. Additionally, not all of them featured Diana Ross on lead vocals; Flo Ballard, considered to have as good or better a voice, also sang lead. Through a lengthy series of flops, Berry Gordy remained confident that the group would eventually prove to be one of Motown's biggest. By the time they finally did get their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes," in late 1963, Ross had taken over the lead singing for good.
Ross was not the most talented female singer at Motown; Martha Reeves and Gladys Knight in particular had superior talents. What she did have, however, was the most purely pop appeal. Gordy's patience and attention paid off in mid-1964, when "Where Did Our Love Go" went to number one. Written by Holland-Dozier-Holland, it established the prototype for their run of five consecutive number-one hits in 1964-1965 (also including "Baby Love," "Stop! In the Name of Love," "Come See About Me," and "Back in My Arms Again"). Ross' cooing vocals would front the Supremes' decorative backup vocals, put over on television and live performance with highly stylized choreography and visual style. Holland-Dozier-Holland would write and produce all of the Supremes' hits through the end of 1967.
Not all of the Supremes' singles went to number one after 1965, but they usually did awfully well, and were written and produced with enough variety (but enough of a characteristic sound) to ensure continual interest. The chart-topping (and uncharacteristically tough) "You Keep Me Hangin' On" was the best of their mid-period hits. Behind the scenes, there were some problems brewing, although these only came to light long after the event. Other Motown stars (most notably Martha Reeves) resented what they perceived as the inordinate attention lavished upon Ross by Gordy, at the expense of other artists on the label. The other Supremes themselves felt increasingly pushed to the background. In mid-1967, as a result of what was deemed increasingly unprofessional behavior, Ballard was replaced by Cindy Birdsong (from Patti LaBelle & the Bluebelles). Ballard become one of rock's greatest tragedies, eventually ending up on welfare, and dying in 1976.
After Ballard's exit, the group would be billed as Diana Ross & the Supremes, fueling speculation that Ross was being groomed for a solo career. The Supremes had a big year in 1967, even incorporating some mild psychedelic influences into "Reflections." Holland-Dozier-Holland, however, left Motown around this time, and the quality of the Supremes' records suffered accordingly (as did the Motown organization as a whole). The Supremes were still superstars, but as a unit, they were disintegrating; it's been reported that Wilson and Birdsong didn't even sing on their final hits, a couple of which ("Love Child" and "Someday We'll Be Together") were among their best. In January 1970. Jean Terrell replaced Ross, and the group continued through 1977. ~ Richie Unterberger, All Music Guide
PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index
Barbara Lewis -- Baby, Im YoursBarbara Lewis - Baby, Im Yours
copyrights owned by WMG and INgrooves I do not own Nor do I claim any!!!
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
The Kingsmen "Jolly green giant"I know, you'll find other versions of this tune on YouTube, but this vinyl rip is the best in quality. You know them, so enjoy!
Patti Page - "Hush, Hush, Sweet Charlotte"From the eponymous 1964 film starring: Bette Davis, Olivia de Havilland, Joseph Cotten, Agnes Moorehead, Cecil Kellaway, Mary Astor...
The original film soundtrack was by Al Martino...
...In 1965 the song became a hit for Patti Page, who took it to #8 on the Billboard Hot 100.
Lyrics:
Hush hush, sweet Charlotte
Charlotte, don't you cry
Hush hush, sweet Charlotte
He'll love you till he dies
Oh, hold him darling
Please hold him tight
And brush the tear from your eye
You weep because you had a dream last night
You dreamed that he said goodbye
He held two roses within his hand
Two roses he gave to you
The red rose tells you of his passion
The white rose his love so true
(Chorus)
And every night after he shall die
Yes every night when he's gone
The wind will sing you this lullaby
Sweet Charlotte was loved by John
(Chorus)
Frank DeVol (Music), Mack David (Lyrics).
The song was Nominated for Academy Award for Best Original Song (Frank De Vol, music, and Mack David,
I take no credit for any of the photos that were used in the making of this audio/video.
Bob Dylan - "Like a Rolling Stone"Antar sings and plays Bob Dylan mega-classic "Like a Rolling Stone" rated the #1 rock and roll song of all time by Rolling Stone Magazine top 500. No tab or pre-recorded backing track was used in the making of this video.
Gerry & The Pacemakers - Ferry Cross The Mersey (1965)"Top Of The Pops" Show (1965)
The Righteous Brothers - Just Once In My LifeJust Once In My Life by the Righteous Brothers.
Johnny Rivers - Seventh Son.Johnny Rivers - Seventh Son. Great version of the old R&B classic on Liberty
Herman's Hermits - I'm Henry Vlll I AmHerman's Hermits - I'm Henry Vlll I Am
LYRICS:
I'm Henry the eighth I am
Henry the eighth I am, I am
I got married to the widow next door
She's been married seven times before
And every one was an Henry (Henry)
She wouldn't have a Willy or a Sam (no Sam)
I'm her eighth old man, I'm Henry
Henry the eighth I am
I'm Henry the eighth I am
Henry the eighth I am, I am
I got married to the widow next door
She's been married seven times before
And every one was an Henry (Henry)
She wouldn't have a Willy or a Sam (no Sam)
I'm her eighth old man, I'm Henry
Henry the eighth I am
I'm Henry the eighth I am
Henry the eighth I am, I am
I got married to the widow next door
She's been married seven times before
And every one was an Henry (Henry)
She wouldn't have a Willy or a Sam (no Sam)
I'm her eighth old man, I'm Henry
Henry the eighth I am
H-E-N-R-Y
Henry (Henry)
Henry (Henry)
Henry the eighth I am, I am
Henry the eighth I am
Yeah!
Horst Jankowski & His Orchestra - A Walk In the Black Forest (1965)
For Your Love - YardbirdsFor Your Love - Yardbirds
The Beach Boys - California Girls (with lyrics)the beach boys singing california girls with lyrics
Moody Blues - Go NowClassic Promo promo clip of the Moodies from 1964 doing their version of a song originally sung by Bessie Banks. I wonder where Queen got the idea for their Bohemian Rhapsody clip from 12 years later!
Glenn Yarbrough Performs "Baby The Rain Must Fall" on Hollywood a Go GoGlen Yarbrough sings the title song from the Steve McQueen film of the same name. Yarbrough's recording went to number 12 on the Billboard Top 100. If you listen carefully you can hear Glen sing "live" at the beginning of the lip sync as his mic was not cut off in time.
The Dave Clark Five, Catch us if you can, true stereoA fave.
The Beatles - Eight Days A WeekThe Beatles - Eight Days A Week 1964
"Eight Days a Week" is a song written by John Lennon and Paul McCartney, which was recorded by The Beatles and released on their December 1964 album Beatles for Sale
"Eight Days a Week" is the first song which The Beatles took into the studio unfinished to work on the arrangement during the session, which would later become common.[3] The song was mainly recorded in two recording sessions on 6 October devoted exclusively to this song, which lasted nearly seven hours with a fifteen-minute break in between.[3] Lennon and McCartney tried several ideas for the intro and outro of the song. The first take featured a simple acoustic guitar introduction. The second take introduced an "oo"-ing vocal that was experimented with until the sixth take, when it was abandoned in favour of the final guitar intro.[3] The final outro (along with unused intro takes) was recorded separately on 18 October.[3] The final version of the song incorporated another Beatles' first and pop music rarity: the song begins with a fade-in, as opposed to the common fade-out ending. The instrumentation includes acoustic guitar, electric guitar, drums, bass and overdubbed handclaps. The fade-in and coda both include more guitar overdubs.
The song, along with two others from the album ("Baby's in Black" and "No Reply") was planned as a single release. In the end, it was released as a single only in the United States on 15 February 1965 becoming a number-one hit (their seventh).[4] Its B-side was "I Don't Want to Spoil the Party". The single release in the US was the result of DJs playing the song from imported copies of the Beatles for Sale album as an exclusive since it was not included on the album's US counterpart Beatles '65. Later, it made a US album appearance on Beatles VI.
Although it was a huge American hit, the group did not think highly of the song (Lennon called it "lousy"[5]) and they never performed it live.
In other news, I have added the lyrics to this song so you can sing along, or perhaps learn the song! This is how I learned my first Beatles song! Enjoy :)
The Beau Brummels - Just A LittleLyrics:
I can't stay, yes I know
You know i hate to go
But goodbye, love was sweet
Our worlds can never meet
(chorus)
so I'll cry just a little 'cause I love you so
And I'll die just a little 'cause I have to go
Away
Can't you see how I feel
When I say love's unreal
But goodbye, it's been sweet
Even though incomplete
(RC)
Every night I still hear
All your sighs very clear
Now love's gone, gone away
As I once heard you say
Now I've cried just a little 'cause I loved you so
And I've died just a little 'cause I had to go
Ahh... Ahh... Ahh... Ahh...
Ian Whitcomb - You Turn Me On 45 rpm!You Turn Me On - Ian Whitcomb (Tower Records) 1965, 45 rpm! A Direct Recording!
Ian Whitcomb (born Ian Timothy Whitcomb, 10 July 1941, in Woking Hospital, Woking, Surrey, England) is an entertainer, singer, songwriter, author, record producer, and actor. As part of the British Invasion, his hit song "You Turn Me On" reached number 8 on Billboard Hot 100 chart in 1965.
He has written several books on popular music, beginning with After the Ball, published by Penguin Books (Britain) and Simon & Schuster (United States) in 1972. He accompanies his singing by playing the ukulele and, through his records, concerts, and film work, has helped to stimulate the current revival of interest in the instrument.
GARY LEWIS & THE PLAYBOYS - Save Your Heart For Me 1965No. 2 hit in 1965 in the Billboard Hot 100 . No. 1 during that year was their "This Diamond Ring".
the kinks Tired Of Waiting For YouNO COPYRIGHT INFRINGEMENT INTENDED. COPYRIGHTS RESERVED BY COPYRIGHT OWNER.This video is used only for non-profit usage and publishing.
The Kinks- All Day and All of the Nighta bunch of Kinks pictures and 1 of their hit songs all wrapped into 1 video!
40,000 views--- July 1st, 2008
50,000 views--- July 26th,2008
60,000 views--- August 19th, 2008
Jackie DeShannon - What The World Needs Now Is Love LYRICSJackie DeShannon - What The World Needs Now Is Love
lyrics:
What the world needs now is love, sweet love
It's the only thing that there's just too little of
What the world needs now is love, sweet love,
No not just for some but for everyone.
Lord, we don't need another mountain,
There are mountains and hillsides enough to climb
There are oceans and rivers enough to cross,
Enough to last till the end of time.
What the world needs now is love, sweet love
It's the only thing that there's just too little of
What the world needs now is love, sweet love,
No, not just for some but for everyone.
Lord, we don't need another meadow
There are cornfields and wheat fields enough to grow
There are sunbeams and moonbeams enough to shine
Oh listen, lord, if you want to know.
What the world needs now is love, sweet love
It's the only thing that there's just too little of
What the world needs now is love, sweet love,
No, not just for some but for everyone.
No, not just for some, oh, but just for everyone.
Sir Douglas Quintet - She's About A MoverTexas legends make the Scene NBC Style
HERMAN'S HERMITS (what a) wonderful worldfrom the 1973 HERMAN'S HERMITS-THEIR GREATEST HITS - created at http://animoto.com
Martha And The Vandellas - Nowhere to Run (with lyrics) - HDLyrics: http://sweetlyrics.info/?artist=Martha+And+The+Vandellas&title=Nowhere+to+Run
Thanks for checking out our videos and site!
Love potion number 9, The SearchersThe Searchers' cover of this Clovers' song.
Laurie ( Strange Things Happen )- Dickey Lee -1965
"SONNY and CHER" ~ "BABY DON'T GO" 1965REVISED STEREO RECORDING by CLASSICPERFORMANCES2
The title track "Baby Don't Go" was actually released as a single in 1964, but didn't hit for Sonny and Cher until after "I Got You, Babe" became a hit in the summer of 1965. Otherwise, one of their best songs!
The Turtles - It Ain't Me Babe (HQ)The Turtles - It Ain't Me Babe - White Whale Records, Written by Bob Dylan, The Turtles sing this song very well and its a great version!
Tell Her No - The ZombiesTell Her No, by The Zombies. Appeared on their 1965 album, "The Zombies".
I Go to Pieces - Peter & GordonPeter & Gordon were a British Invasion-era performing duo, formed by Peter Asher and Gordon Waller, that rocketed to fame in 1964 with "A World Without Love". Peter Asher's sister (the actress Jane Asher) was dating Paul McCartney (of The Beatles), and so Peter & Gordon recorded several songs written by McCartney, with or without John Lennon. "I Go To Pieces" was written by Del Shannon and given to the duo after the two acts toured together
Vic Dana - Red roses for a blue ladyTitle song from the Dolton album "Red roses for a blue lady" 1965
The Tracks of My Tears - Smokey Robinson & The MiraclesClassic Motown
BRENDA LEE - Too Many Rivers (1964) StereoSimply brilliant in every way!
The Dave Clark Five - I Like It Like That1965 single from The Dave Clark Five..
Peter & Gordon True Love WaysNO COPYRIGHT INFRINGEMENT INTENDED. COPYRIGHTS RESERVED BY COPYRIGHT OWNER.This video is used only for non-profit usage and publishing.
Four Tops - It's The Same Old Song (1966) HQ 0815007HQ-Video. Four Tops - It's The Same Old Song, released 1965.
The Fortunes - You've Got Your TroublesWritten by Roger Greenaway and Roger Cook and became a number two hit for the Fortunes in the United Kingdom in July 1965, and a number 7 on the Billboard Hot 100 in the United States.
Joe Tex - Hold On To What You've Got
The Animals - We've Gotta Get Out Of This Place (1965) slideshowJULY 4 - Remembering and tributing keyboard player DAVE ROWBERRY (RIP) on his birthday, born in 1940. Dave replaced Alan Price in 1965 and performed on many of The Animals hits including 'We Gotta Get Out Of This Place'. x
The Animals - 'We've Gotta Get Out Of This Place' (1965)
I have made this loving slideshow in tribute to The Animals, one of the greatest and cutting edge bands of the sixties.
Eric Burdon (vocals)
Hilton Valentine (guitar)
Chas Chandler (bass)
John Steel (drums)
Dave Rowberry (keyboards)
Alan Price (keyboards)
Barry Jenkins (drums)
In memory of Chas Chandler and Dave Rowberry ✿ܓ
November 26, 2013 - 50th Anniversary CD box set released! Available for purchase on Amazon and many other outlets:
http://smarturl.it/AnimalsBoxSet
On December 7, 2010, the Recording Academy announced that The Animals 1965 song "We Gotta Get Out Of This Place" is going to be inducted into the Grammy Hall of Fame in 2011. Heartfelt congrats to The Animals! ♥ ☺
The Beau Brummels - Laugh, Laugh - 1965I hate to say it, but I've told you so
Don't mind my preaching to you
I said don't trust him, Baby, now
you know
You don't learn everything there
is to know in school
Wouldn't believe me when I
gave advice
I said that he was a tease
If you want help you better ask
me nice
So be sincere, convince me with
a "Pretty please"
Laugh, laugh, I thought I'd die
It seemed so funny to me
Laugh, laugh, you met a guy
Who taught you how it feels to be
Lonely, oh, so lonely
Don't think I'm being funny
when I say
You got just what you deserve
I can't help feeling you found
out today
You thought you were too good,
you had a lot of nerve
Won't say I'm sorry for the things
I've said
I'm glad he packed up to go
You kept on bragging he was
yours, instead
You found you don't know
everything there is to know
Laugh, laugh, I thought I'd die
It seemed so funny to me
Laugh, laugh, you met a guy
Who taught you how it feels to be
Lonely, oh, so lonely
Before I go I'd like to say one thing
Don't close your ears to me
Take my advice and you'll find out
that being just another girl won't
cause you misery
Don't say you can get any boy to call
Don't be so smug or else
You'll find you can't get any boy at all
You'll wind up an old lady sitting
on the shelf
Laugh, laugh, I thought I'd die
It seemed so funny to me
Laugh, laugh, you met a guy
Who taught you how it feels to be
Lonely, oh, so lonely
Lonely, oh, so lonely
Do You Believe In Magic - The Lovin' SpoonfulDo you believe in magic in a ayoung girl's heart
How the music can free her, whenever it starts
And it's magic, if the music is groovy
It makes you feel happy like an old-time movie
I'll tell you about the magic, and it'll free your soul
But it's like trying to tell a stranger bout rock and roll
If you believe in magic don't bother to choose
If it's jug band music or rhythm and blues
Just go and listen it'll start with a smile
It won't wipe off your face no matter how hard you try
Your feet start tapping and you can't seem to find
How you got there, so just blow your mind
If you believe in magic, come along with me
We'll dance until morning till there's just you and me
And maybe, if the music is right
I'll meet you tomorrow, sort of late at night
And we'll go dancing, baby, then you'll see
How the magic's in the music and the music's in me
Yeah, do you believe in magic
Yeah, believe in magic of a young girl's soul
Believe in the magic of rock and roll
Believe in the magic that can set you free
Ohh, talking bout magic
Do you believe do you believe do you believe in magic
Do you believe like I believe do you believe, believer
Do you believe like I believe do you believe in magic
All I Really Want To Do By, Cher
Little Anthony & The Imperials - Take Me Back (Best Quality)Little Anthony & The Imperials - Take Me Back (Best Quality)
Dedicated To You Vol.4
Enjoy This Classic!
The Strangeloves - I Want Candy [HQ] original
Smokey Robinson and The Miracles: "Ooo Baby Baby"A most famous song from my favorite group
Sonny Bono sings "Laugh At Me"- Original Footage!!! 1965Sonny (Without Cher) sings the great sog- Laugh At Me- 1965.
Roy Head - Treat Her Right - clean audioROY HEAD - TREAT HER RIGHT (audio edited in)
JACK JONES-THE RACE IS ON.
Dino, Desi & Billy - I'm A FoolDino, Desi & Billy was a 1960s singing group featuring "Dino" Martin (Dean Paul Martin, the son of traditional pop singer Dean Martin), Desi Arnaz, Jr. (Desiderio Arnaz IV, the son of television stars Desi Arnaz and Lucille Ball), and their friend Billy Hinsche. Hinsche went on to tour and record with the Beach Boys periodically throughout the '70s and beyond.
Dino, Desi & Billy's best known songs included:
"I'm A Fool" (1965) U.S. Billboard Hot 100 #17
"Not The Lovin' Kind" (1965) U.S. #25
The songwriter of "I'm A Fool," Red West, based the song on Elvis Presley's "Don't Be Cruel."
In 2002, Hinsche's website stated that Desi and Billy had formed a "new configuration of the original band" known as "Ricci, Desi, & Billy", performing original material and the original songs. Ricci Martin is the youngest son of singer Dean Martin.
SINGLES:
Since You Broke My Heart / We Know -- Reprise 0324 -- released 11-2-64
I'm A Fool / So Many Ways -- Reprise 0367 -- 4-12-65
Not The Lovin' Kind / Chimes Of Freedom -- Reprise 0401 -- 8-18-65
Please Don't Fight It / The Rebel Kind -- Reprise 0426 -- 11-10-65
Superman / I Can't Get Her Off My Mind -- Reprise 0444 -- 1-19-66
Tie Me Down / It's Just The Way You Are -- Reprise 0462 -- 3-23-66
Look Out Girls (Here We Come) / She's So Far She's In -- Reprise 0469 -- 5-20-66
I Hope She's There Tonight / Josephine -- Reprise 0529 --10-12-66
If You're Thinkin' What I'm Thinkin' / Pretty Flamingo -- Reprise 0544 -- 12-13-66
Two in the Afternoon / Good Luck, Best Wishes to You -- Reprise 0579 -- 4-19-67
Kitty Doyle / Without Hurtin' Some -- Reprise 0619 -- 8-2-67
My What a Shame / The Inside Outside Caspar Milquetoast Eskimo Flash -- Reprise 0653
Tell Someone You Love Them / General Outlne -- Reprise 0698 -- 5-29-68
Thru Spray Colored Glasses / Someday -- Uni 55127
Hawley / Let's Talk it Over -- Columbia 4-44975 -- 1969
Lady Love / A Certain Sound -- Reprise 0965 -- 10-14-70
ALBUMS:
I'm a Fool -- Reprise R/RS 6176 -- U.S. #51, 9/65
Our Time's Coming -- Reprise R/RS 6194 -- U.S. #119, 2/66
Memories Are Made of This -- Reprise R/RS 6198 -- 1966
Souvenir -- Reprise R/RS 6224 1966
SOURCE: Wikipedia
PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index
The Ad Libs - The Boy From New York City (with lyrics)Lyrics: http://easylyrics.org/?artist=The+Ad+Libs&title=The+Boy+From+New+York+City
Thanks for checking out our videos and site!
MARVIN GAYE - HOW SWEET IT IS (TO BE LOVED BY YOU) - FOREVERMARVIN GAYE - A SIDE - HOW SWEET IT IS (TO BE LOVED BY YOU).
MARVIN GAYE - B SIDE - FOREVER
![The Strangeloves - I Want Candy [HQ] original](https://img.youtube.com/vi/G6Vw9RGm1tM/mqdefault.jpg)
